- NMC/0492
- Item
- c1930s-1970s
Vase of white roses, with classical statue behind.
Anderson, Daisy McGlashan
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Vase of white roses, with classical statue behind.
Anderson, Daisy McGlashan
Stop motion animation board, painting of group
Painting of group of people, on board. One of ten boards used to make stop motion film.
Rowan, Sophie
Storia del vita di San Giovanni Evangelista, Venice
Study undertaken as part of Italian visit.
McGlashan, Archibald A
View on the coast of Hastings. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Part of Material relating to Gerard V Murphy, former GSA student
Three ornamental designs featuring symmetric strapworks in rectangular frames. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."
Murphy, Gerard V
Probably Anacapri, Italy.
Miller, Archibald E Haswell
Student work created during general course years 1 and 2
Work produced during first year of general course.
Cameron, Dugald
Student work from junior non-diploma course and general course
Folder containing work produced by Dugald Cameron during his time on the Junior Non-diploma course and general years of diploma course at GSA.
Cameron, Dugald
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Those depicted include Danny Ferguson, Gordon Huntly, Lewis Allan, Eileen Allen, Joan Docherty, Molly Brown and Ishbel Macdonald.
Gardner, Tom
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Figure seated at table.
Nevay, Heather
Study of a Book of Hours from manuscript at the Victoria and Albert Museum
Part of Papers of Dorothy Doddrell
Life drawing study of a folio from a Book of Hours. Calligraphic annotation on lower right corner states it is taken from a 14th century Italian manuscript, copied from the original manuscript at the Victoria and Albert Museum.
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Doddrell, Dorothy Maria F
Study of a plant with white flowers
Part of Material relating to Gerard V Murphy, former GSA student
A watercolour floral study depicting a plant with clusters of white flowers, presumed to be bird-cherry. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
Part of Mary Ramsay artworks
Study of a costumed female, seated. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of a costumed female, seated. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of a costumed male, standing. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Part of Mary Ramsay artworks
Study of a costumed male, standing. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.
On the reverse of this item is a sketch of a female figure.
Originally located inside portfolio folder (DC 110/1/4).
Ramsay, Mary
Watercolour and pencil study of female head
Morkunaite, Sigita
Study of holly and a young plant
Part of Material relating to Gerard V Murphy, former GSA student
Botanical watercolour studies of Holly in fruit and a young green plant.
Murphy, Gerard V
Study of illuminated initial from manuscript at the Victoria and Albert Museum
Part of Papers of Dorothy Doddrell
Life drawing study of a capital 'G'. Calligraphic annotation on lower right corner states it is taken from a late 13th century Flemish manuscript, copied from the original manuscript at the Victoria and Albert Museum.
Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Doddrell, Dorothy Maria F
Stylised study of leaves and branches emerging from tree trunk.
Porteous, James Henry
Part of Material relating to Gerard V Murphy, former GSA student
A watercolour painting depicting bloomed lily flowers and green bulbs on an upright stem, along with cross sections of a single flower on the left.
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
Eight aligned decorative strips illustrating organic, geometric, or strapwork-style pattern designs.
Murphy, Gerard V
Study of trees.
Alison, Henry Young
Part of Material relating to Gerard V Murphy, former GSA student
A botanical watercolour painting of violet flowers. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
Bound in volume, The Magazine, November 1894.
Mackintosh, Charles Rennie
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Summer landscape, with trees and water to foreground.
Alison, Henry Young
Framed oil painting of sunflowers. Annotated on reverse 'Sunflowers I Oil on board 61 x 51cm 2016 Hannah Mooney GSA 2017 graduate'
Mooney, Hannah
Painting in ochres, reds, greens and whites. Large sunshine/star motif at top of painting with geometric design below.
Johnston, Janet
Scene from a swimming pool with a swimmer in the foreground, a child being helped out of the water and a bather sitting by the poolside as others mill around.
*Not available / given
Symmetrical figure pattern design
Part of Material relating to Gerard V Murphy, former GSA student
A pattern design with vertically aligned symmetrical figures. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."
Murphy, Gerard V
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Two running dogs and arrowed target.
Brown, Neil Dallas
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
The Building Committee of the Board of Governors of The Glasgow School of Art
Portrait group. Inscribed on frame: "Mr. Charles. R. Mackintosh FRIBA The Architect/Col. R.J.Bennett V.D./Mr. David Barclay FRIBA/Sir Francis Powell, LLD, PRSW/Mr. John Munro FRIBA/Mr. Patrick S. Dunn - Convener/Councillor J. Mollison, MINA/ Mr. Hugh Reid DL/ Sir Wm Bilsland, Bart. LLD, DL/Sir John J. Burnet, RSA, FRIBA, LLD/Mr. John Henderson MA/Sir James Fleming - Chairman of Governors/Mr. John M. Groundwater - secretary/ Mr. Francis H. Newbery CAV OFF, INT, SBC, ARCA - Director, pinxit". When Newbery exhibited this group at the Glasgow Institute of the Fine Arts in 1913 it did not include the figure of Mackintosh. In 1914 he painted his large portrait of Mackintosh (collection: Scottish National Portrait Gallery) and his Building Committee portrait group was offered to the Board and accepted. When it was unveiled in 1914 it was seen that he had added Mackintosh's figure, a smaller version of his individual portrait, to the left of the group, and redated the whole canvas 1914. Painting cleaned and relined in 1963 by Mr Harry McLean who discovered the late addition of the figure of Mackintosh.
Newbery, Francis Henry
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. An allegorical study.
Bell, Robert Anning
The Cote Vermeille, Collioure, France
"A E Haswell Miller 1920", bottom left.
Miller, Archibald E Haswell
The Death of Annourie the Sourceress
Study of the death of Annourie the Sourceress. Verso: "The Death of Annourie the Sourceress (Malory's Morte D'Arthur Book IX CHap.16) Awarded Silver Medal, Paris Salon 1913/W. Russell Flint/RWS/RSW".
Flint, Sir William Russell
The Death of Annourie the Sourceress (Version 1)
The Death of Annourie the Sourceress (Version 2)
Appears in The Magazine, April 1894. 'The central figure is based upon that used in the 1893 design for a diploma for the GSA and like that in 'The Harvest Moon', has wings like an angel. Here, however, she appears naked and her outstretched arms and hair merge and are transformed into barren tree-like forms. These descend to the horizon behind which the sun is gradually disappearing under the feet of the winged figure. From the bottom of the picture, and directly beneath the sun, rises a flight of menacing birds. They are presumably nocturnal birds of prey and they seem to be flying directly towards the viewers. This is one of Mackintosh's earliest uses of this strange bird, which was to become more stylised and to appear in many different forms, in several media in his oeuvre.' (Roger Billcliffe).
Mackintosh, Charles Rennie
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Bound in the November 1894 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
In art nouveau frame drawn in ink on brown backing paper: The Harvest Moon, Chas. R. Mackintosh, 1893, To John Keppie, October 1894.
Mackintosh, Charles Rennie
There are 4 known surviving volumes: The Magazine 1893, The Magazine April 1894, The Magazine November 1894, The Magazine 1896.
The Magazine was a publication of original writings and designs by students from the Glasgow School of Art, Glasgow, Scotland, and their friends. Appearing in 4 volumes between November 1893 and Spring 1896, The Magazine contains text from contributors handwritten by Lucy Raeburn, editor, accompanied by original illustrations. These volumes are the only known copies of The Magazine. In addition to rare, early watercolours and designs by Charles Rennie Mackintosh, the volumes contain early designs by Frances MacDonald and Margaret MacDonald, at a stage in their development which has been labelled 'Spook School', and two sets of photographs by James Craig Annan, when he was beginning to establish a reputation at home and abroad. Among other contributors were Janet Aitken, Katherine Cameron, Agnes Raeburn and Jessie Keppie, all of whom enjoyed lengthy careers in art and design.
The Magazine is similar to an album amicorum such as those which originated in the middle of the 16th century among German university students, who collected autographs of their friends and notable persons, sometimes adding coats of arms and illustrations. The Magazine resembled the album amicorum in that contributions were by a close group of students and their friends and is all the more interesting because the illustrations were produced by young people who had a common social background, were trained at the same school, and subjected to the same artistic influences. The contributors were closely linked, some by family, some by romantic attachments and had close social connections. Other contributors include C Kelpie, John M Wilson, Jane Keppie, and Ethel M Goodrich. Source: Jude Burkhauser, Glasgow Girls: women in art and design (Edinburgh : Canongate, 1990).
Raeburn, Lucy
The Magazine: Volume 1 (Page 1)
The Magazine: Volume 1 (Page 10)
The Magazine: Volume 1 (Page 11)
The Magazine: Volume 1 (Page 12)
The Magazine: Volume 1 (Page 13)
The Magazine: Volume 1 (Page 14)