- NMC/0696S
- Item
- c1902-1903
Purple and yellow flowers.
Porteous, James Henry
Purple and yellow flowers.
Porteous, James Henry
Pink and yellow geometric flowers.
Porteous, James Henry
Yellow and red flowers.
Porteous, James Henry
Red and yellow grape vines.
Porteous, James Henry
Red and yellow flowers.
Porteous, James Henry
Small red and yellow flowers.
Porteous, James Henry
Small multicoloured flowers.
Porteous, James Henry
Green and yellow vases.
Porteous, James Henry
Yellow thistles.
Porteous, James Henry
Dark blue and yellow flowers.
Porteous, James Henry
Yellow and pink crocuses.
Porteous, James Henry
Circular flowers.
Porteous, James Henry
Pink and yellow lillies.
Porteous, James Henry
Yellow and red poppies.
Porteous, James Henry
Yellow swathe of flowers.
Porteous, James Henry
Yellow flowers in vase.
Porteous, James Henry
White ribbons.
Porteous, James Henry
Blue and pink tulips.
Porteous, James Henry
Small white flowers.
Porteous, James Henry
Pink and blue flowers II.
Porteous, James Henry
Pink and blue flowers I.
Porteous, James Henry
White garlands.
Porteous, James Henry
Grape vines III.
Porteous, James Henry
Geometric flowers and trellis.
Porteous, James Henry
Yellow and pink flowers.
Porteous, James Henry
Yellow and purple flowers.
Porteous, James Henry
Grape vines II.
Porteous, James Henry
Yellow, pink and blue flowers.
Porteous, James Henry
Bluebells.
Porteous, James Henry
Repeat pattern of four large circles with abstracted plant stems.
Porteous, James Henry
Repeat pattern of simple flowers and stems. Design covered with pin holes to allow for tracing.
Porteous, James Henry
Grape vines I.
Porteous, James Henry
White flowers, black borders.
Porteous, James Henry
White lillies.
Porteous, James Henry
Green and blue hyacinths.
Porteous, James Henry
White fleur de lis.
Porteous, James Henry
Pink and blue flowers and ferns.
Porteous, James Henry
Porteous, James Henry
Empire style.
Porteous, James Henry
Abstract design for wallpaper. Signed and dated: 12/11/03.
Porteous, James Henry
Floral repeat pattern.
Porteous, James Henry
Floral repeat pattern.
Porteous, James Henry
Floral repeat pattern.
Porteous, James Henry
Floral repeat pattern.
Porteous, James Henry
Louis XIV style design.
Porteous, James Henry
Scaled drawing of a plaster ceiling.
Mackie, Thomas Callendar Campbell
Design for fireplace, Morning Room, Prospecthill House
Design for Miss Rowat. The job books indicate that this commission was carried out, but no photographs exist to indicate how closely the executed work followed this design. A completely new motif is introduced with the wavy apron below the top shelf which provides relief to an otherwise rigidly geometrical design.
Mackintosh, Charles Rennie
Design for a Memorial Fireplace, The Dug-Out, Willow Tea Rooms, Glasgow
Inscribed: This room was opened by Miss Cranston in the year 1917 during the Great European War between the Allied Nations and the Central Powers.The Dug-Out, which Miss Cranston created in the basement of the Willow Tea Rooms was Mackintosh's last work in Glasgow (designed while he was living in London) and develops his new style seen in 78 Derngate. A dramatic interior was created with black ceilings and dark walls highlighted by strong colours in the decorations. The centrepiece was the Memorial Fireplace, decorated with inlaid glass and paintings of the flags of the opposing nations; above the commemorative plaque was a panel of stencilled decoration in chequers, diamonds and triangles, all in the bright colours used in the Derngate frieze. Two interior elevations indicate Mackintosh's schemes for decoration and furniture, some of which survives.
Mackintosh, Charles Rennie
Design for The Dug-Out, Willow Tea Rooms, Glasgow
Design for the Restroom, North Elevation, Willow Tea Rooms, Sauchiehall Street, Glasgow. Stripes are the dominant motif in the decorations, in the panels over the settle and between the doors where they are carried over the ceiling as in the guest bedroom at 78 Derngate. The lampshades are also similar to those used in this bedroom. (Roger Billcliffe). The lattice work recalls the hall at Derngate, but here it is used as an open screen rather than with solid or glazed panels. The only furniture that has been traced is the chair at the writing desk and the small table.
Mackintosh, Charles Rennie
Plate 12 The Hall from Portfolio of Prints
An Art-Lover's house competition. Portfolio published 1902. In 1901 the Zeitschrift fur Innen-Dekoration of Darmstadt organised an international competition for the design of an Art Lover's House. The 1st prize was shared among 16 entrants, Baillie Scott recieved 2nd prize and 3rd prizes were also awarded. Mackintosh's entry was disqualified as his interior drawings were not finished in time for the competition deadline, but when they arrived he was awarded a special purchase prize of 600 marks by the publishers. The original drawings cannot now be traced, but in 1902 Alexander Koch published them as a portfolio in 'Meister Der Innenkunst' with an introduction by Herman Muthesius. A portfolio was presented by Mackintosh to the GSA and a 2nd set of prints, framed, is in the GSA collection.This drawing shows the construction of the gallery which connects the East and West portions of the house, resting on wooden cased pillars. In the upper portion of the pillars the dark woodwork is relieved by silver decorative panels, a painted frieze running between them. Similarly the double doors are relieved by panels of coloured glass, and coloured panels are inset above the fireplace. Through the doors one entered the reception/music rooms, their white walls and elegant decoration forming a brilliant contrast to the dark hall. Two features are reminiscent of earlier projects: the balcony with the pendant panels echoes the gallery at Queen's Cross Church, and the silver panels in the supporting posts recall those used beside the large gesso panels at Ingram St in 1900.
Mackintosh, Charles Rennie