'Homage to the Studio': Presentation box
- NMC/1962A
- Item
- 2018
Presentation box containing bound nails (NMC/1962B) and rust-dyed textiles (NMC/1962C & D) inspired by the 2014 Mackintosh Building fire.
McQuarrie, Erin
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'Homage to the Studio': Presentation box
Presentation box containing bound nails (NMC/1962B) and rust-dyed textiles (NMC/1962C & D) inspired by the 2014 Mackintosh Building fire.
McQuarrie, Erin
'Homage to the Studio': Nails from Mackintosh Building, bound with tape
Three rusty nails from the Mackintosh Building, bound with cotton rust-dyed tape. Inspired by the 2014 fire in the Mackintosh Building. Stored along with textiles (NMC/1962C & D) in presentation box (NMC/1962A).
McQuarrie, Erin
'Homage to the Studio': Rust-dyed crepe de chine
Rust-dyed crepe de chine. Inspired by the 2014 fire in the Mackintosh Building. Stored along with nails (NMC/1962B) and textile (NMC/1962D) in presentation box (NMC/1962A).
McQuarrie, Erin
'Homage to the Studio': Rust-dyed and heat-manipulated crepe satin
Rust-dyed and heat-manipulated crepe satin. Inspired by the 2014 fire in the Mackintosh Building. Stored along with nails (NMC/1962B) and textile (NMC/1962C) in presentation box (NMC/1962A).
McQuarrie, Erin
Material relating to Gerard V Murphy, former GSA student
A variety of drawings and graphic designs created by Gerard V. Murphy, a former student at The Glasgow School of Art in the 1930s. The diverse subjects of his drawings include animals, plants, architecture, human anatomy and figures. A subfonds titled 'Teaching examples' features his teaching materials as an art teacher at schools, intended for printmaking techniques and pattern design education.
Most items have been marked with his name or student registration numbers, assuming they were created during his time as a student at GSA. The dominant materials in his works are pencil and watercolour, worked on cartridge paper.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation was completed in 2019.
Murphy, Gerard V
Poster for careers seminar 'Gettin' Yer Livin'?', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for careers seminar 'Gettin' Yer Livin'?', Mac[kintosh] Lecture Theatre, Glasgow, 04 Nov. The year is not given but is believed to be late 20th century.
Not available / given
Poster for lecture 'Paolozzi "Images & Media"', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for lecture and slide show 'Paolozzi "Images & Media"', Haldane Building, Glasgow, 11 Feb. The year is not given but is believed to be c1970s.
Not available / given
Poster for lecture 'Ron Heron Pentagram', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for lecture 'Ron Heron Pentagram', Bourdon Lecture Theatre, Glasgow, 26 Apr. The year for the poster is not given but is believed to be late 1970s to early 1980s. As the lecture was held on a Thursday , the year would be 1979 or 1984.
*Not available / given
Poster for exhibition "Form and Fluidity"
Part of Records of The Glasgow School of Art, Glasgow, Scotland
A3 colour poster for "Form and Fluidity", an exhibition of artists' books by Glasgow School of Art Printmaking Department, held at the Marble Hall, Mitchell Library, Glasgow, 5th-31st Mar 1999.
Johnson, Mary
First year students on Renfrew Street
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Verso: GSA 1977/8 Photograph by Gerry Kelly, 1st Year. Fraser Taylor, Morag Ross, Robert McCann, Lis Martin. Black and white photograph, landscape.
Taylor, Fraser
Image from student photo shoot
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
One of a series of six photographs from a 1976 Fraser Taylor collection. Model wearing black garment against white backdrop.
Taylor, Fraser
Image from student photo shoot
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Black and white fashion photograph of model wearing garment made at GSA by Fraser Taylor. Model wears geometric dress which matches textile backdrop and holds her arm in a 'sling'/pocket/layering feature.
Taylor, Fraser
Image from student photo shoot
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Black and white fashion photograph of model wearing garment made at GSA by Fraser Taylor. Model wears dark dress with single pale tie detail on front, and tie details down sides.
Taylor, Fraser
Image from student photo shoot
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Fashion photographs of garments made at GSA by Fraser Taylor. Two models, one dark haired, one fair haired, wear chunky sectioned garments, featuring straps/ties in fabric tape, and stand back to back.
Taylor, Fraser
Image from student photo shoot
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Black and white fashion photograph of model wearing garments made at GSA by Fraser Taylor. Model holds arm out to side and other arm on hip. The garment features straps/ties and a semi-circular hoop detail.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Fashion show of printed dresses shown in DC 089/1/3/17 with hanging fabric and chicken wire backdrop. Black and white gloss photographs, portrait and landscape. 12 photographs.
Taylor, Fraser
Model fashion portraits, pierrot
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Fashion portraits of pierrot style design, 2 different models and locations. Possible Alexander ‘Greek’ Thompson building. Colour photographs, portrait and landscape. 3 photographs.
Taylor, Fraser
Fraser Taylor: Printed Textile Design June 1981
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Photocopied A4 sheet, possibly from 'Fifteen Degrees plus', with images and artist statement by Fraser Taylor.
Cosmopolitan UK
David Band: Printed Textile Design June 1981
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Photocopied A4 sheet, possibly from 'Fifteen Degrees plus', with images and artist statement by David Band.
Cosmopolitan UK
Poster for a film screening of 'Little Otik'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Catriona Hood has designed a poster for the Jan Svankmejer film 'Little Otik'. The poster has been created using off-set lithography techniques.
Hood, Catriona
Poster for a film screening of 'Tampopo'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example student Li Lui has designed a poster for the Japanese film 'Tampopo', using collograph printmaking techniques.
Li, Lui
Poster for a film screening of 'You, the Living'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Aaron McLaughlin has designed a poster for the Roy Andresson film 'You, the Living'. McLaughlin used Typeset printing techniques to create this poster.
McLaughlin, Aaron
Poster for a film screening of avant-garde short films
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Annie Ricard Strauss has designed a poster advertisting a screening of avant-garde films, the poster has been created using screen printing techniques.
Straus, Annie Ricard
Poster for a film screening of 'Inferno'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Eva Dolgyra has designed a poster for the Dario Argento film 'Inferno'. The poster has been created using collagraph printmaking techniques.
Dolgyra, Eva
Dresser for Glasgow School of Art
This item was partially lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
The upper (shelved) section and 2 lower drawer units remain. Designed for Ladies Common Room at Glasgow School of Art. Mackintosh's version of a traditional dresser/bookcase, making extensive use of the scalloped edging used at the Oak Room in 1907 and at the Glasgow School of Art Library 1907. (Roger Billcliffe).
Mackintosh, Charles Rennie
Table for the Director's Room, Glasgow School of Art
Designed for Director's Room, Glasgow School of Art. 'This large table may well have been designed for meetings of the Board of Governors, who rarely used the original Board Room which was eventually taken over as a studio. It was designed with two high backed armchairs and twelve low backed armchairs and was photographed in 1910 in the new Board Room which Mackintosh had provided for the Governors, and not in the Director's Room for which it was designed. The square is again the dominant motif in this group of designs. The table legs are square, but they are hollow, and square cut outs in them indicate the construction.' (Roger Billcliffe). This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Oval table for the Board Room, Glasgow School of Art
This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the (new) Board Room, Glasgow School of Art.
Mackintosh, Charles Rennie
Glasgow School of Architecture medal
Silver medal, blank on reverse.
*Not available / given
Glasgow School of Architecture medal
Medal awarded to Robert Elder for excellence.
*Not available / given
Glasgow School of Architecture medal
Medal awarded to Robert Elder for excellence.
*Not available / given
Includes:
Mackintosh, Charles Rennie
Montage of costume designs for the Masque of the City Arms.
Smyth, Dorothy Carleton
Poster for an exhibition entitled 'Saying it with Clay!'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster advertised an exhibition held in The Mackintosh Museum at The Glasgow School Of Art that showcased the work of graduating ceramics students from across Britain. The back of the poster lists exhibiting students along with details of where they studied. The exhibiting graduates included: - Jane Frankland: Manchester Polytechnic - Liz Astbury: Wolverhampton Polytechnic - Nicola Marrison: Crewe Alsager College Of Higher Education - Maria Lindemann: Central St. Martins College of Art And Design - Mark Hailley: Loughborough College of Art And Design - Madeleine Child: Camberwell School Of Art - Susan Wade-French: Glasgow School Of Art - Rob Richard: Bristol Polytechnic - Julian Smith: South Glamorgan Institute Of Higher Education - Zoe Whiteside: Staffordshire Polytechnic - Helen Hitchcock: Leicester Polytechnic - John Alliston: South Glamorgan Institute Of Higher Education - Susan Ross: Duncan of Jordanstone College Of Art And Design - Michael Green: Bath College Of Higher Education - Dale Butroid: Bristol Polytechnic - Michael O'Connor: Goldsmiths' College - Susan Room: Middlesex Polytechnic - Marie Bonlokke: Pederson Royal College Of Art - Bryony Seymour: Staffordshire Polytechnic - Brigitte Winsor: Birmingham Polytechnic - Philomena Pretsell: Edinburgh College Of Art - Frankie McKenna: Grays School Of Art The exhibition ran from the 6th to 27th of October 1990 and was funded by Potterycraft Ltd and The Glasgow District Council's Festival Budget for The Glasgow 1990 Culture Capital of Europe.
*Not available / given
The Glasgow School of Art Home Front Memorial
To mark the centenary of the First World War, GSA’s Archives & Collections and Exhibitions worked with Louise Welsh, Professor of Creative Writing at the University of Glasgow and Edwin Pickstone, GSA Lecturer, to create a memorial to GSA students, staff and governors who undertook work on the home front.
Consisting of three panels with text written by Louise and letterpress prints created by Edwin, the memorial was informed by archival research. The frame was designed and made by Steven Higgins with lettering from Erin Bradley-Scott.
This memorial is a partnership piece to GSA’s WWI Roll of Honour, created in 1925 by Dorothy Doddrell to commemorate students, staff and governors who had served in the armed forces.
The project was generously funded by Mr James McBroom whose father, James Nicol McBroom, was a prize-winning student at the School and who undertook munitions work during the war.
Pickstone, Edwin
There are 4 known surviving volumes: The Magazine 1893, The Magazine April 1894, The Magazine November 1894, The Magazine 1896.
The Magazine was a publication of original writings and designs by students from the Glasgow School of Art, Glasgow, Scotland, and their friends. Appearing in 4 volumes between November 1893 and Spring 1896, The Magazine contains text from contributors handwritten by Lucy Raeburn, editor, accompanied by original illustrations. These volumes are the only known copies of The Magazine. In addition to rare, early watercolours and designs by Charles Rennie Mackintosh, the volumes contain early designs by Frances MacDonald and Margaret MacDonald, at a stage in their development which has been labelled 'Spook School', and two sets of photographs by James Craig Annan, when he was beginning to establish a reputation at home and abroad. Among other contributors were Janet Aitken, Katherine Cameron, Agnes Raeburn and Jessie Keppie, all of whom enjoyed lengthy careers in art and design.
The Magazine is similar to an album amicorum such as those which originated in the middle of the 16th century among German university students, who collected autographs of their friends and notable persons, sometimes adding coats of arms and illustrations. The Magazine resembled the album amicorum in that contributions were by a close group of students and their friends and is all the more interesting because the illustrations were produced by young people who had a common social background, were trained at the same school, and subjected to the same artistic influences. The contributors were closely linked, some by family, some by romantic attachments and had close social connections. Other contributors include C Kelpie, John M Wilson, Jane Keppie, and Ethel M Goodrich. Source: Jude Burkhauser, Glasgow Girls: women in art and design (Edinburgh : Canongate, 1990).
Raeburn, Lucy
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