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Featuring male and female figures in front of oversized artist's palette.

The library was destroyed by fire on 23 May 2014, though many metal and glass fragments from the lights were subsequently salvaged. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. This small selection of salvaged lights fragments has been retained as evidence of the fire tragedy. These fragments are also surplus to the needs of Rodney French of Lonsdale and Dutch, Edinburgh who has been tasked with reconstructing the entire set of library lights, whilst reusing as much of the surviving fragments as possible.

The library was destroyed by fire on 23 May 2014, though many metal and glass fragments from the lights were subsequently salvaged. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. This small selection of salvaged lights fragments has been retained as evidence of the fire tragedy. These fragments are also surplus to the needs of Rodney French of Lonsdale and Dutch, Edinburgh who has been tasked with reconstructing the entire set of library lights, whilst reusing as much of the surviving fragments as possible.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018. The bell is all that remains.

The symbols which form the Glasgow coat of arms all refer to miracles performed by St. Mungo, the patron saint of the city who is normally represented with these emblems on the coat of arms. They first appeared on the seals of bishops of Glasgow, the fish on the seal of William Wishart in 1270, the bird on the seal of Robert Wishart in 1271. They were used together for the first time on the seal of the Chapter of Glasgow in 1488. The salmon with the ring in its mouth refers to the story of the local Queen who gave her ring to a knight she was in love with, the jealous King stole the ring from the knight while he was asleep and then demanded it back from the Queen, having thrown it into the Clyde. In desperation she prayed to St. Mungo who told his followers to cast their fishing nets in the river and bring him the first fish that they caught, a salmon with the Queen's ring in its mouth. The tree represents the green hazel twig which Mungo restored to life after his companions had killed it. The bell represents the service bell used in Mungo's church and still in Glasgow until c1700. Mackintosh's tree is highly abstract in its Art Nouveau 'whiplash' spirals untypical of his work. The bird is a modern replacement of the stolen original.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018. The bell is all that remains.

The symbols which form the Glasgow coat of arms all refer to miracles performed by St. Mungo, the patron saint of the city who is normally represented with these emblems on the coat of arms. They first appeared on the seals of bishops of Glasgow, the fish on the seal of William Wishart in 1270, the bird on the seal of Robert Wishart in 1271. They were used together for the first time on the seal of the Chapter of Glasgow in 1488. The salmon with the ring in its mouth refers to the story of the local Queen who gave her ring to a knight she was in love with, the jealous King stole the ring from the knight while he was asleep and then demanded it back from the Queen, having thrown it into the Clyde. In desperation she prayed to St. Mungo who told his followers to cast their fishing nets in the river and bring him the first fish that they caught, a salmon with the Queen's ring in its mouth. The tree represents the green hazel twig which Mungo restored to life after his companions had killed it. The bell represents the service bell used in Mungo's church and still in Glasgow until c1700. Mackintosh's tree is highly abstract in its Art Nouveau 'whiplash' spirals untypical of his work. The bird is a modern replacement of the stolen original.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Robert Heatherington has designed a poster for the Carl Dreygar film 'The Passion of Joan of Arc'. Heatherington has created the poster using screen print techniques.

Poster advertising a film screening of a Sergei Parajanov film 'Shadows of Forgotten Ancenstors' in the Bourdon Lecture Theatre on 23rd November 2013, 10:10am.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Kim Diamond has designed a poster for Jack Clayton's 1967 film 'Our Mother's House'. Diamond has used screenprinting and collage techniques to create the poster.

This poster advertised an exhibition which showcased the work of graduating postgraduate fine art students from 1988. Exhibitors included David Bowe, Jillian Campbell, Kathy Chambers, Kirstie Cohen, Matthew N. Dalziel, Mark Durden, Peter Finnemore, Steven Hurrel, Evelyn Jardine, Simon C. Laurie, Olivia Lloyd, Maree Meahan, Iona A. E. Montgomery, Ann Vance, Alison Watt and Eveleen Wright. The exhibition was held in the Mackintosh Building at The Glasgow School Of Art from the 18th to the 23rd of June 1988. The poster was designed at the school and features a photograph of the exhibitors sitting on top of The Glasgow School Of Art's Bourdon Building which was taken by Stanley C. Shepherd.

This poster advertised an exhibition of work by postgraduate fine art students in 1985. The exhibition was held in the Mackintosh Building at The Glasgow School Of Art and included work by students studying drawing and painting, photography, printmaking, sculpture and stained glass. The exhibition ran from the 14th to the 20th of June and the image on the poster shows the exhibiting students. The photograph was taken by H. Kerr and was printed at David J. Clark Limited.

Poster for the 2014 Fashion Show at The Glasgow School of Art, held on 4 Mar 2014 and 5 Mar 2014.

Poster for screening of film 'Mystery Train' by the Film Club at the Barnes Lecture Theatre. Screening date is Thursday 12 Apr, year unknown but believed to be from the 1990s to the 2010s.

This poster advertised a lecture given by the artist Ian Breakwell that was held in the Mackintosh Lecture Theatre at The Glasgow School Of Art. Breakwell is well known for working in a variety of mediums including print, installation, film and photography, however he is best known for making work based around his diary entries. He is also associated with The Artist Placement Group, an organisation set up in 1966 to bring art practice into hospitals and prisons. This particular lecture focused on work made between 1965 and 1967. The reverse of the poster is annotated with "J.Cosgrove".

Invitation for a social event held in the Institute of Fine Art Galleries, Sauchiehall Street, Glasgow, 25 November 1893.
Featuring two seated, semi-clothed female figures integrated amongst swirling plant forms.

A sketchbook of notes and artworks by Mary Ramsay produced between 1916-1917 during her second year at The Glasgow School of Art. This item consists of portraits and life drawings, interior illustration, lettering design for A Midsummer Night's Dream, religious illustrations, book cover designs for The Language of Flowers, sketches of ceramics, and a list of reference books about art and design. These artworks are primarily in pencil, with some using ink and paint. Four pages from this sketchbook are loose from the spine.

A sketchbook of notes and artworks by Mary Ramsay produced between 1916-1917 during her second year at The Glasgow School of Art. This item consists of portraits and life drawings, interior illustration, lettering design for A Midsummer Night's Dream, religious illustrations, book cover designs for The Language of Flowers, sketches of ceramics, and a list of reference books about art and design. These artworks are primarily in pencil, with some using ink and paint. Four pages from this sketchbook are loose from the spine.

A sketchbook of notes and artworks by Mary Ramsay produced between 1916-1917 during her second year at The Glasgow School of Art. This item consists of portraits and life drawings, interior illustration, lettering design for A Midsummer Night's Dream, religious illustrations, book cover designs for The Language of Flowers, sketches of ceramics, and a list of reference books about art and design. These artworks are primarily in pencil, with some using ink and paint. Four pages from this sketchbook are loose from the spine.

This poster advertised a lecture given by the Scottish artist and illustrator Emilio Coia. Coia was born in Glasgow and studied at The Glasgow School Of Art. He is recognised for his work for The Edinburgh Fringe Festival as well as the Scotsman newspaper. Coia was elected as president of The Glasgow Art Club, a role which he held until his death in 1997. This lecture focused on Coia's surreal drawings of famous buildings, with a particular focus on the Sydney Opera House, and was held at The Glasgow School Of Art on the 19th of February 1973.

This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Essi Kimpanyaki has designed a poster for the film 'Kapurush'. To create the poster Kimpanyaki has used screen printmaking techniques.

This poster advertised The Glasgow School Of Art's fashion show which ran from the 11th to the 15th of March 1980. Tickets were priced at £1.50 and were available from the registrar's office.

This poster advertised an exhibition that was to be the first of a number of annual exhibitions showcasing the work of students from the School Of Fine Art. The exhibition was held in The Mackintosh Museum and ran from the 30th of January to the 7th of February 1987. The poster was designed by John Shankie who would later become a technician for the masters of fine art course. There are two copies of this poster in the collection, both with the same reference number.

This poster advertised the work of graduating fine art students included in The Glasgow School Of Art degree show in 1986. The exhibition included work by students of painting, photography, printmaking and sculpture and environmental art. The undergraduate work was exhibited in the Mackintosh Building on The Glasgow School Of Art campus while the postgraduate students exhibited in the McLellan Galleries on Sauchiehall street. The image used on the poster shows the students standing in front of the Mackintosh Building and was taken by Vaughan Judge who was a previous lecturer at the school. The poster was designed by The Glasgow School Of Art and printed by David J Clark Limited.

This poster advertised a farewell dinner held for the retirement of Kath Whyte. Whyte taught in The Glasgow School of Art's textile department from 1949 to 1974 and was highly regarded for her work in embroidery and weave.The event took place in the Newbery Tower on the 12th of June 1974. The poster was designed and printed by Robert Stewart who produced a number of the posters in The Glasgow School Of Art's poster collection. Stewart was acting Head Of Design in 1974.

This poster advertised a Glasgow School Of Art fashion show that ran from the 24th to the 29th April 1978. Tickets for this event were priced at £1 and could be purchased from the registrar's office at The Glasgow School Of Art as well as The Design Centre on St Vincent Street. This particular print is number five of ten editions.

This poster advertised an exhibition of work by graduating fine art students included in The Glasgow School Of Art degree show in 1988. The exhibition showcased work by students studying environmental art, painting, photography, printmaking and sculpture and was held in the Mackintosh Building at The Glasgow School Of Art from the 18th to the 23rd of June. The image on the poster is a photograph taken by previous lecturer Vaughan Judge and shows the exhibiting students sitting on the steps of the Mackintosh Building. A key naming most of the students can be found alongside the poster under the same reference number. The list was compiled with the help of Eddie Stewart who was a former student at The Glasgow School Of Art who then became a tutor in painting and printmaking. Stewart graduated with an undergraduate degree in drawing and painting in 1988 and is included in the photograph on this poster. He then went on to do a Masters in 1990. The poster was designed by The Glasgow School Of Art and printed at David J Clark Limited. Names of students in the photograph: - Leslie Anderson - Suzanne Appleford - Shona Barr - David Burns - Christine Campbell - Alan Connell - Alex Dempster - Graham Fagan - Andrew Fitzpatrick - Jean Gavin - Douglas Gordon - Janice Gray - Simon Greer - Fiona Gurley - Janice Hunter - Fiona Leitch - David Lang - Richard Learoyd - Jeff MacDonald - Alison Mate - Anne McKay - Grant McTavish - Ann Morrison - William Mulraney - Murial Patterson - Craig Richardson - Julie Roberts - Ann Russell - John Shankie - Andrew Sneddon - Eddie Stewart - Pamela Topping - Cathy Wilkes

This poster advertised a seminar lead by Dr. John McHale which focused on a theme entitled "The Future Of The Future". He did this seminar three times, twice at The Glasgow School Of Art on the 4th and 5th of November and once at The University Of Strathclyde on the 4th of November 1976. McHale was the Director of the Centre for Integrative Studies and School of Advanced Technology for the State University of New York. He is credited as the founder of the Independent Group, a London based artistic movement which kickstarted British Pop Art. Members of the group included Richard Hamilton, Eduardo Paolozzi, and architects Alison and Peter Smithson. The poster was designed and printed by Bob Stewart, who was a senior lecturer in textile design at this time.

This poster advertised a lecture given by actor Burt Kwouk and director Joe McGrath which was held in the Mackintosh Lecture Theatre on the 23rd of February 1983. Burt Kwouk is famously known for his character Cato in the Pink Panther films while Joe McGrath was a student at The Glasgow School Of Art in the 1940s. The poster was printed by Bob Stewart who was a senior member of staff at The Glasgow School Of Art at this time.

This poster advertised a retrospective exhibition of work by Bob Stewart which ran between the 4th and the 31st of October 1980 at The University Of Strathclyde. Stewart is a leading figure in The Glasgow School Of Art's history. His role progressed from lecturing in textiles to Head of Design before he became Deputy Director of the school. He was highly regarded by staff and students and also designed and printed many of the posters in The Glasgow School Of Art's poster collection.

One third section of a poster advertising a series of films that were shown in The Mackintosh Lecture Theatre at The Glasgow School Of Art. Screening were documentaries about artists including Mackintosh, Rousseau, Klee, McLaren, Giacometti, Hamilton, Paolozzi, Jones, Kitaj, Bosch and Spencer as well as a film entitled 'A Short Vision'. This section screenprinted using four layers of CMYK inks.

Poster for screening of film 'Mon Oncle', by Jacques Tati in the Barnes Lecture Theatre. Screening date was 16 Jan, year unknown but believed to be late 20th century.

Poster for screening of film 'The End of Summer', by Yasujiro Ozu in the Bourdon Lecture Theatre. Screening date is unknown but believed to be late 20th century.

Poster for exhibition 'Robert Gordy drawings : lithographs' at the Compass Gallery, Glasgow, 22 Jan1972-17 Feb 1972

Poster for exhibition 'Charles Rennie Mackintosh Pursuit of Perfection' at The Glasgow School of Art, 24 Jun 1986-02 Jul 1986

Poster of a copy of the Declaration of Arbroath. With the compliments of the Foulis Archive Press and the Scottish Design Centre on the occasion of the Exhibition of Scottish Print, Proof '76, Glasgow, Oct 1976.

Print on photographic paper containing two images of student work. Left: close-up of sample of embroidered cloth depicting a woman bent to water a plant in blue, green and cream thread, bordered with various decorative marks, shapes and images in multicolour. ‘1932’ and ‘JEAN WILSON’ are embroidered above and below the image in lilac thread. Right: image of a page of illuminated poetry (by Janet Begbie) hand-written in black ink and bordered by coloured ink illustrations relating to the poem’s themes of adventure, youth and travel at sea, in blue, green and red, as well as a decorative border in gold, blue, red and black.

Printed page featuring three scanned black and white photographs. Top left depicts five women, likely GSA students, posed and smiling on a set of stairs; top right depicts two women wearing artists smocks stood next to a plaster bust; bottom right depicts fifteen women, likely students, and one man, likely their teacher, posed on the same stairs. The page is captioned ‘Diploma June 12th 1934 in Design & Decorative Art GSC’.

Montage of costume designs for the Masque of the City Arms.