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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Tall, shelved unit for use in the Library at Glasgow School of Art. Perhaps originally kept in the book store on the mezzanine floor above the Library. Nothing about their appearance could be said to date specifically from c1910, so it is possible that they were made at the time of the first phase of the School (c1899) to provide temporary storage (Roger Billcliffe).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Square display unit for the Library at Glasgow School of Art. Probably designed to support large bound volumes such as newspapers or folio books which were too large for the readers' tables. The deep zinc lined well in the centre could have been used as a receptacle for pot plants. It has been suggested that it was used for plant drawing, with four students working at drawing boards on each side of the stand, but this seems unlikely, the students would have been too close to the plant to be able to see it. The construction allows this piece to be dismantled and folded.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Tall, shelved unit for use in the Library at Glasgow School of Art. Perhaps originally kept in the book store on the mezzanine floor above the Library. Nothing about their appearance could be said to date specifically from c1910, so it is possible that they were made at the time of the first phase of the School (c1899) to provide temporary storage (Roger Billcliffe).

An Art-Lover's house competition. Portfolio published 1902. In 1901 the Zeitschrift fur Innen-Dekoration of Darmstadt organised an international competition for the design of an Art Lover's House. The 1st prize was shared among 16 entrants, Baillie Scott recieved 2nd prize and 3rd prizes were also awarded. Mackintosh's entry was disqualified as his interior drawings were not finished in time for the competition deadline, but when they arrived he was awarded a special purchase prize of 600 marks by the publishers. The original drawings cannot now be traced, but in 1902 Alexander Koch published them as a portfolio in 'Meister Der Innenkunst' with an introduction by Herman Muthesius. A portfolio was presented by Mackintosh to the GSA and a 2nd set of prints, framed, is in the GSA collection.

Designed for the principal bedroom at Windyhill, Kilmacolm. A much simpler design than the cheval mirror used at 120 Mains Street. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.

1/8": 1 foot scale Coloured balsa wood model of the Mackintosh Building on a wooden base. Made by former students of the Glasgow School of Art.

A 3/32 inch:1 foot (3:384) scale model made by students of the Manchester University School of Architecture (under the auspices of Professor Thomas Howarth?).

A 1:50 interior model of the music room, designed by Mackintosh for the Haus eines Kunstfreundes (House for Art Lover) competition in 1901, made by Angus Modelmakers Ltd, Glasgow in 1985.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for either the Museum or Library at the Glasgow School of Art.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for either the Museum or Library at the Glasgow School of Art.

This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the (new) Board Room, Glasgow School of Art.

One of a set of four panels shown at the Exhibition of Modern Decorative Art in Turin in 1902.

One of a set of four panels shown at the Exhibition of Modern Decorative Art in Turin in 1902.

One of a set of four panels shown at the Exhibition of Modern Decorative Art in Turin in 1902.

One of a set of four panels shown at the Exhibition of Modern Decorative Art in Turin in 1902.

Collection includes:

• Menus and dinner invitation to artistic gatherings with a sketch by James E Christie
• London Sketch Club ephemera including menus, invitations, cards with sketches by Shepperson, W Lee Hank, Rene Butt and Jock Bere, 1902-1906
• F. Carruthers Gould ephemera containing invites to private views
• tudies for Pictures by J Moyr Smith, 1868
• Information on John Burnet, Architect, 1814-1901
• Photograph album, c1893

The photograph album contains photographs of "The Immortals", including Jessie Keppie, Charles Rennie Mackintosh, Herbert MacNair, Frances Macdonald, Margaret Macdonald and others of their circle.

The Moyr Smith sketches are from Moyr Smith's first published book Studies in Pictures. Smith trained in Glasgow, becoming influenced by Alexander Thomson and Daniel Cottier, moving to London in 1864.

Of great importance in this collection is a sketchbook of drawings by Charles Rennie Mackintosh. The sketchbook, dating from the 1890s, consists of 19 drawings of flowers, furniture sketches, and interior sketches of Craigie Hall, Pollokshields, Glasgow.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for Library at Glasgow School of Art. 'This piece appears in the 1910 Bedford Lemere photographs without the upper rack but even in those photographs it served as a reading desk for the periodicals. The arrangement of stretchers, with a small lattice work area in the centre of each section, is typical of the period, each of the intermediate vertical stretchers, at both ends of the table, is pierced with a unique design similar to the carved pendants on the balcony. The upper rack is simply slotted over the desk. Each end has an exaggerated play on the wedges and toggle fasteners which hold the piece together.' (Roger Billcliffe).

These images show Charles Rennie Mackintosh and fellow Glasgow School of Art Students, Herbert MacNair, Frances Macdonald, Margaret Macdonald, Agnes Raeburn, Janet Aitken, Katherine Cameron and Jessie Keppie. Jessie Keppie's brother, John Keppie also appears in the photographs. John Keppie was a partner in Honeyman and Keppie, the architectural firm at which Mackintosh and Herbert McNair worked.

Photographic portraits of Mackintosh and associated individuals.