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Designed for the schoolroom, Gladsmuir, Kilmacolm. The same two metal panels first appear in the design for the fireplace and fender probably intended for Regent Park Square and were repeated in the wardrobe designed for Westdel in 1898. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Portrait group. Inscribed on frame: "Mr. Charles. R. Mackintosh FRIBA The Architect/Col. R.J.Bennett V.D./Mr. David Barclay FRIBA/Sir Francis Powell, LLD, PRSW/Mr. John Munro FRIBA/Mr. Patrick S. Dunn - Convener/Councillor J. Mollison, MINA/ Mr. Hugh Reid DL/ Sir Wm Bilsland, Bart. LLD, DL/Sir John J. Burnet, RSA, FRIBA, LLD/Mr. John Henderson MA/Sir James Fleming - Chairman of Governors/Mr. John M. Groundwater - secretary/ Mr. Francis H. Newbery CAV OFF, INT, SBC, ARCA - Director, pinxit". When Newbery exhibited this group at the Glasgow Institute of the Fine Arts in 1913 it did not include the figure of Mackintosh. In 1914 he painted his large portrait of Mackintosh (collection: Scottish National Portrait Gallery) and his Building Committee portrait group was offered to the Board and accepted. When it was unveiled in 1914 it was seen that he had added Mackintosh's figure, a smaller version of his individual portrait, to the left of the group, and redated the whole canvas 1914. Painting cleaned and relined in 1963 by Mr Harry McLean who discovered the late addition of the figure of Mackintosh.

This poster advertised an exhibition showcasing the work of Scottish artist, architect and designer Charles Rennie Mackintosh. Held in the Miezsznorodowego Cultural Centre in Krakow, Poland, the exhibition ran from the 18th of September to 31st of October 1996 and was arranged by the British Council of Poland, with sponsorship from the Polish Airlines Cargo.

Poster advertising 'Charles Rennie Mackintosh & The Glasgow School', Bute Gardens, The University of Glasgow. Dates given are 27 Jan-20 Feb, year is not given but is believed to be late 20th century.

Architectural drawing of the GSA Mackintosh Building. Scale 1:20.

Architectural drawing of Hill House, Helensburgh. Scale 1:100.

Architectural drawing of Hill House, Helensburgh. Scale 1:20.

Mackintosh's textile design: flower bulbs 1915-23 (2 of 3).

Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.

Mackintosh's textile design: flower bulbs 1915-23 (3 of 3).

Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.

Line drawing showing the elevated section through the east half of the building including cut-away floors and roof.

Line drawing showing elevated section through east half of the building including cut-away floors and roof.

Line drawing showing elevated section through west half of the building, viewed from the South-east.

Line drawing showing a section through the west staircase at second floor level.

Architectural drawing of the GSA Mackintosh Building. Scale 1:1250/NTS.

Architectural drawing of the GSA Mackintosh Building. Scale 1:100.

Architectural drawing of the GSA Mackintosh Building. Scale 1:100.

Architectural drawing of the GSA Mackintosh Building.

Architectural drawing of the GSA Mackintosh Building. Scale 1:100.

Architectural drawing of the GSA Mackintosh Building. Scale 1:100.

Architectural drawing of the GSA Mackintosh Building. Scale 1:100.

Architectural drawing of the GSA Mackintosh Building. Scale 1:100.

This sky blue poster features a Charles Rennie Mackintosh chair and a distinctly dressed female wearing make-up and a blonde wig. Mackintosh's work was heavily influenced by Japanese design and culture. This poster advertises an association with Mackintosh's work and the Japanese Department store chain Daimaru.

Broadsheet poster on Scottish Architecture featuring Mackintosh's Hill House, Helensburgh.

Charles Rennie Mackintosh banner. Larger version of scaled replica of banner that the Hunterian owns, featuring a tall standing female figure with pink rose and green leaves details.

Poster features a grey Mackintosh portrait focusing on his moustache, grey and orange in colour. Also features line drawings of Mackintosh chairs. The exhibition of twenty Mackintosh chairs from the Glasgow School of Art's collection formed part of the opening celebrations at Norway’s newest cultural attraction, the Jugenstilsenteret (Art Nouveau Centre), in Ålesund, from the 6th June to 12th Oct 2003. Similar to Glasgow, this city is one of the founding partners of the EU-funded Réseau Art Nouveau Network. The School’s contribution was hoped to inspire further cultural and artistic ties between the two countries.

This poster advertises a Japanese exhibition of Charles Rennie Mackintosh's work.The poster is white, has pink and navy writing and includes an image of a Mackintosh chair. From Art Today, the poster is a design by Ikko Tanaka for 'Gurafiku: Japanese Graphic Design' in 1979.

This poster advertised an exhibition of Charles Rennie Mackintosh and Margaret Macdonald Mackintosh in 1983 at the Fine Art Society, 134 Blythswood Street, Glasgow, which ran from 24 Aug to 26 Sep 1983. Entitled 'The 1933 Memorial Exhibition: A Reconstruction', it was part of the Charles Rennie Mackintosh Society's 10th Anniversary Celebrations (1973-1983). The poster features a watercolour painting of a flower in lilac, white and black paint.

In 1988, a Mackintosh architecture exhibition opened in Certaldo in Tuscany, Italy. It was organised by Comune di Certaldo in Palazzo Vicariale di Certaldo from 31st July to 30th September. A book was published by Electa Firenze about the exhibition including images of architectural drawings, photographs, sketches and paintings. This image is of a blue, beige, and black coloured architectural drawing.

This poster is for an exhibition of Charles Rennie Mackintosh's lost furniture from the Glasgow School of Art in association with the Glasgow Herald. The poster features Miss Kate Cranston's bedroom suite, which Mackintosh designed in 1904.

The poster advertised an exhibition of work by Charles Rennie Mackintosh that was held in the McLellan Galleries on Sauchiehall Street in Glasgow. The show itself was sponsored by the Whyte and Mackay Group and ran from the 25th of May to 30th of September 1996. Admission to the exhibition was priced at £4 for adults and £2 for concessionary rate. The poster has a geometric square design.

This poster advertised an exhibition of the work of Charles Rennie Mackintosh which took place at det Danske Kunstindustrimuseum, Kobenhavn, from 10th September to 10th October 1982 and features an image of an iron bird, tree and rose.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for Argyle Street Tea Rooms, Glasgow. At least four examples of this table appear in contemporary photographs of the Smoking and Billiards Rooms at Argyle Street. Some appear in photographs of the Ingram Street Tea Rooms taken in the 1940s - possibly Mackintosh specified them for the Cloister Room but it is more likely that they were taken when the Argyle Street Tea Rooms were closed in 1920. The lower shelves held the cups and plates and unused dominoes of the four players.The GSA originally owned a second example of this table, which was donated to the Museum of Modern Art in New York in 1958 by Douglas Percy Bliss, then Director of GSA. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the Oak Room, Ingram Street Tea Rooms, Glasgow. Probably designed to provide the basic seating unit in the Oak Room. An unusual design for Mackintosh in that it is a very strong chair and now used in the Glasgow School of Art library. These were introduced by the School into the library c.1950 as a replacement for the more fragile windsor chairs originally designed for the room. The chamfering along the back-rails of the chair anticipates the similar waggon-chamfering on the library balustrade. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for the Library at Glasgow School of Art. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). A more elegant version of the windsor chairs designed for the Dutch Kitchen at Argyle Street (Billcliffe 1906.49). These chairs proved much too delicate for their original purpose; only eight of approximately forty have survived, and all of these have had to be reinforced. They were replaced in the GSA Library c1950 by the much sturdier chairs originally designed for the Ingram Street Tea Rooms, MC/F/67. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Designed for the Blue or Chinese Room at the Ingram Street Tea Rooms, Glasgow. The fretted back and side rails match the Chinese style motifs of the Blue Room (as called in the job books). Much of the woodwork in the Chinese Room was painted bright blue or red, but there is no trace of any finish having been applied to these chairs other than the ebonising which most of them still display. These chairs have always been associated with the Chinese Room and so must be identified with the entry for thirty-six in the job books (Roger Billcliffe). All the chairs rwere eupholstered in blue horsehair in 1985. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.

The library was destroyed by fire on 23 May 2014, though many metal and glass fragments from the lights were subsequently salvaged. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. This small selection of salvaged lights fragments has been retained as evidence of the fire tragedy. These fragments are also surplus to the needs of Rodney French of Lonsdale and Dutch, Edinburgh who has been tasked with reconstructing the entire set of library lights, whilst reusing as much of the surviving fragments as possible.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018. The bell is all that remains.

The symbols which form the Glasgow coat of arms all refer to miracles performed by St. Mungo, the patron saint of the city who is normally represented with these emblems on the coat of arms. They first appeared on the seals of bishops of Glasgow, the fish on the seal of William Wishart in 1270, the bird on the seal of Robert Wishart in 1271. They were used together for the first time on the seal of the Chapter of Glasgow in 1488. The salmon with the ring in its mouth refers to the story of the local Queen who gave her ring to a knight she was in love with, the jealous King stole the ring from the knight while he was asleep and then demanded it back from the Queen, having thrown it into the Clyde. In desperation she prayed to St. Mungo who told his followers to cast their fishing nets in the river and bring him the first fish that they caught, a salmon with the Queen's ring in its mouth. The tree represents the green hazel twig which Mungo restored to life after his companions had killed it. The bell represents the service bell used in Mungo's church and still in Glasgow until c1700. Mackintosh's tree is highly abstract in its Art Nouveau 'whiplash' spirals untypical of his work. The bird is a modern replacement of the stolen original.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018. The bell is all that remains.

The symbols which form the Glasgow coat of arms all refer to miracles performed by St. Mungo, the patron saint of the city who is normally represented with these emblems on the coat of arms. They first appeared on the seals of bishops of Glasgow, the fish on the seal of William Wishart in 1270, the bird on the seal of Robert Wishart in 1271. They were used together for the first time on the seal of the Chapter of Glasgow in 1488. The salmon with the ring in its mouth refers to the story of the local Queen who gave her ring to a knight she was in love with, the jealous King stole the ring from the knight while he was asleep and then demanded it back from the Queen, having thrown it into the Clyde. In desperation she prayed to St. Mungo who told his followers to cast their fishing nets in the river and bring him the first fish that they caught, a salmon with the Queen's ring in its mouth. The tree represents the green hazel twig which Mungo restored to life after his companions had killed it. The bell represents the service bell used in Mungo's church and still in Glasgow until c1700. Mackintosh's tree is highly abstract in its Art Nouveau 'whiplash' spirals untypical of his work. The bird is a modern replacement of the stolen original.