Student work from junior non-diploma course and general course
- DC 091/1
- Series
- 1957-1959
Folder containing work produced by Dugald Cameron during his time on the Junior Non-diploma course and general years of diploma course at GSA.
Cameron, Dugald
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Student work from junior non-diploma course and general course
Folder containing work produced by Dugald Cameron during his time on the Junior Non-diploma course and general years of diploma course at GSA.
Cameron, Dugald
Student work created during general course years 1 and 2
Work produced during first year of general course.
Cameron, Dugald
Step figurative textile design
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract disassembled human form painted in blue and red on white paper. Torso of form revealing the white of the paper with an ultramarine outline and sporting a sash like garment.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Step figurative textile design
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract female form painted on white paper using red, blue, yellow and a range of green paints. Collaged and adhered to black paper.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Step figurative textile design
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract forms painted in an arrange of colours and many different forms of paint. Layers of water soluble media have been layered over acrylic based media to create a crackled two-tone effect.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
*Not available / given
Records relating to Dugald Cameron
This collection comprises predominantly student work undertaken by Dugald Cameron whilst studying at The Glasgow School of Art between 1957-1963.
In addition it contains the following publications:
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Cameron, Dugald
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Ten figures in various reclining poses, printed/hand painted on textile and mounted on board. The figure outlines are printed in a dark brown/black, whilst their bodies are filled and shaded in a red-ochre and dark peach (possibly hand-painted).
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Poster for exhibition 'Tapestries and Paintings: Linda and Derek Green', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for exhibition 'Tapestries and Paintings: Linda and Derek Green', Glasgow Arts Centre, Glasgow, 03 Nov 1984-24 Nov 1984.
*Not available / given
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Taylor, Fraser
A variety of photographs featuring loose photographs of artworks and GSA students and staff.
Collection includes artworks and sketchbooks made by Jimmy Cosgrove as a student at the Glasgow School of Art; while working as a Tutor and the Director of the Glasgow School of Art; and afterwards, including work relating to the House for an Art Lover, and documenting travels across Europe, North America, and Mexico.
Cosgrove, James
Part of Papers of Dorothy Doddrell
Circular textile sample pinned to paper with painted details on front. Inscription on lower right of painting shows Dorothy Doddrell's monogram.
Originally located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Doddrell, Dorothy Maria F
Part of Papers of Dorothy Doddrell
Circular textile sample pinned to paper with painted details on front. Inscription on lower right of painting shows Dorothy Doddrell's monogram.
Originally located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Doddrell, Dorothy Maria F
Part of Papers of Dorothy Doddrell
Circular textile sample pinned to paper with painted details on front. Inscription on lower right of painting shows Dorothy Doddrell's monogram.
Originally located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Doddrell, Dorothy Maria F
Part of Papers of Dorothy Doddrell
Circular textile sample with painted details on front.
Originally located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Doddrell, Dorothy Maria F
Part of Papers of Dorothy Doddrell
Textile sample with painted details on front.
Originally located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Doddrell, Dorothy Maria F
Mounted painted textile design
Part of Papers of Dorothy Doddrell
Arc of painted textile design, mounted within paper. Monogram on the lower right of textile attributes the design and execution to Dorothy Doddrell. Interior annotation further attributes the work to Dorothy Doddrell at The Glasgow School of Art. Sticker on the back attributes work to D. Doddrell.
Originally located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Doddrell, Dorothy Maria F
Mackintosh Art, Design and Architecture Collection
Items in The Glasgow School of Art's Mackintosh collection include: furniture, watercolours, drawings, architectural drawings, design drawings, sketchbooks, metalwork and photographs.
Mackintosh studied evening classes at the Glasgow School of Art between 1883-1894, winning numerous student prizes and competitions including the prestigious Alexander Thomson Travelling Studentship in 1890. Mackintosh and his contemporaries also produced four volumes of a publication called "The Magazine" during their time as students, which included examples of their writing and artworks. GSA Archives and Collections hold Mackintosh's Italian Sketchbook, as well as all four volumes of The Magazine, all of which can be browsed on our catalogue.
The majority of Mackintosh's three-dimensional work was created with the help of a small number of patrons within a short period of intense activity between 1896 and 1910. Francis Newbery was headmaster of The Glasgow School of Art during this time and was supportive of Mackintosh's ultimately successful bid to design a new art school building in 1896 - his most prestigious undertaking. For Miss Kate Cranston he designed a series of Glasgow tearoom interiors and for the businessmen William Davidson and Walter Blackie, he was commissioned to design large private houses, 'Windyhill' in Kilmacolm and 'The Hill House' in Helensburgh. In Europe, the originality of Mackintosh's style was quickly appreciated and in 1900 he was invited to participate at the 8th Vienna Secession.
In 1902 Mackintosh was invited to participate at the International Exhibition of Modern Decorative Art in Turin and later at exhibitions in Moscow and Berlin. Despite this success Mackintosh's work met with considerable indifference at home. Few private clients were sufficiently sympathetic to want his 'total design' of house and interior and he was incapable of compromise.
By 1914 Mackintosh had despaired of ever receiving true recognition in Glasgow and together with his wife Margaret Macdonald he moved, temporarily, to Walberswick on the Suffolk Coastline (in England), where he painted many fine flower studies in watercolour. In 1915 the Mackintoshes settled in London and for the next few years Mackintosh attempted to resume practice as an architect and designer. The designs he produced at this time for textiles, for the 'Dug-out' Tea Room in Glasgow and the dramatic interiors for 78 Derngate in Northampton, England show him working in a bold new style of decoration, using primary colours and geometric motifs.
In 1923 the Mackintoshes left London for the South of France, finally living in Port Vendres where Mackintosh gave up all thoughts of architecture and design and devoted himself entirely to painting landscapes. He died in London, of cancer, on 10 December 1928.
The majority of Mackintosh's design work, (including furniture and metalwork), architectural drawings, textile designs and watercolours are in the possession of three public collections - The Glasgow School of Art, Glasgow Museums, and the Hunterian Art Gallery at the University of Glasgow - although significant (individual) pieces can be found in museums across the UK and Europe, North America and Japan. However, some of Mackintosh's most important, symbolist watercolours from the early to mid-1890s are to be found in the collection of The Glasgow School of Art.
The Glasgow School of Art Archives and Collections hold a large number of items by Mackintosh, giving us one of the largest collections of his work held in public ownership. The collection is one of 50 Recognised Collections of National Significance to Scotland. We continue to investigate new routes of engagement for the collection. For example, our Mac(k)cessibility project in conjunction with GSA’s School of Simulation and Visualisation explores digital display and loans of our Mackintosh furniture. Find out more about the Mac(k)cessibility project here.
Mackintosh, Charles Rennie
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Textiles and student papers from Fraser Taylor's time at The Glasgow School of Art (GSA) as an undergraduate student.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Two painted figures in ink and gouache mounted onto white card. Design one shows an abstract face painted in coloured inks and white gouache. Design two shows an abstract face painted in black ink and purple, blue and cream gouache.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Fashion fabric design (dots and stripes)
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Fabric design in blue and pink paint on white card. Annotated on front: "Dots + stripes- print silk, fashion fabric".
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Fabric design in charcoal, pink and purple paint on cream paper.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Papers of Dorothy Doddrell
Variety of designs created by Dorothy Doddrell.
Doddrell, Dorothy Maria F
Design for embroidered pulpit-fall, 'Be Ye Doers of the word not hearers only.' The words of the design are taken from James, chapter 1, verse 22 in the New Testament. Inscribed upper right: Design for a pulpit fall/J.R. Newbery Centre: "Be Ye Doers of the world not hearers only".
Newbery, Jessie Wylie
This collection includes works by a number of artists, designers and architects associated with Charles Rennie Mackintosh, including his wife Margaret Macdonald Mackintosh, his sister-in-law Frances Macdonald MacNair and his sister-in-law's husband Herbert MacNair. These works include textiles, designs, and four volumes of a Glasgow School of Art student publication called The Magazine, as well as several individual watercolours now separated from the publication. The collection also includes a number of models for proposed architectural schemes by Mackintosh.
Mackintosh, Charles Rennie
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Artworks, primarily on paper.
Includes GSA student work such as sketchbooks and loose sketches, collages and textile samples.
Fraser Taylor student sketches and collages for various student projects experimenting with media. Collages of preparatory designs for printed textiles of various media including layers of tissue papers, glassine paper, foam pieces, tracing paper with crayon, inks, dyes and mono print. Textile samples of figure studies with gouache paint, ink and collage areas in various medium. Designs for printed textiles in acrylic and pen on paper with areas of collage. Sketches of landscape and figure studies, pencil, charcoal, chalk, crayon, glue, acrylic and watercolour on paper. With hand written titles, dates and notes. 44 sheets various dimensions varying from 296 x 210 mm to 740 x 555 mm. Some mounted on card. The items are very fragile with
some collage elements, flaking of the friable media such as gouache and acrylic paints.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Art, Design and Architecture collection
Artworks, design pieces and architectural designs related to Glasgow School of Art staff and students.
Items include
Almost all works are by former students and staff or figures related to the history of The Glasgow School of Art. The earliest pieces date from the 16th century and later examples have been purchased from recent Degree Shows. The work is in a variety of media and includes drawings, paintings, prints, sketchbooks, furniture and sculpture. Artists represented include many key figures and the most influential and successful students.
There are also several works from former tutors including Neil Dallas Brown, David Donaldson and Fred Selby, alongside contemporary works by students, donated or purchased at degree show. Key works include those by: Maurice Greiffenhagen, Francis Newbery, John Quinton Pringle, Benno Schotz, Ian Fleming and James D Robertson. Suites of note include large collections of Joan Eardley sketches and paintings, Joan Palmer prints, and architectural drawings by Eugene Bourdon.
*Not available / given
Art and design work by Rose Valentine
Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.
Valentine, Rose