- NMC/0862
- Item
- 1978
Animal figure lying in field.
Palmer, Joan
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Animal figure lying in field.
Palmer, Joan
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Summer landscape, with trees and water to foreground.
Alison, Henry Young
Framed oil painting of sunflowers. Annotated on reverse 'Sunflowers I Oil on board 61 x 51cm 2016 Hannah Mooney GSA 2017 graduate'
Mooney, Hannah
Painting in ochres, reds, greens and whites. Large sunshine/star motif at top of painting with geometric design below.
Johnston, Janet
Rock patterns.
Palmer, Joan
Study, possibly of Forth and Clyde canal.
Reeves, Philip
Scene from a swimming pool with a swimmer in the foreground, a child being helped out of the water and a bather sitting by the poolside as others mill around.
*Not available / given
Symmetrical figure pattern design
Part of Material relating to Gerard V Murphy, former GSA student
A pattern design with vertically aligned symmetrical figures. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."
Murphy, Gerard V
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Two running dogs and arrowed target.
Brown, Neil Dallas
Part of Material relating to Gerard V Murphy, former GSA student
14 sheets of teaching examples and one title page, assumed to have been compiled as Murphy's portfolio during his career as an art teacher in schools located in Scotland, such as Motherwell RC High School and Coatbridge Secondary School. These teaching materials include pattern designs, graphic designs (possibly for students' school activities), and woodblock printmaking examples. Most items have been marked with the intended level of students as appropriate examples for education.
Murphy, Gerard V
Teaching examples of pattern design
Part of Material relating to Gerard V Murphy, former GSA student
Four pieces of teaching examples for pattern designs, attached to backing paper. These pattern designs were used as teaching materials in schools in Scotland, as marked the level of students "Second year."
Murphy, Gerard V
Teaching material for basic pattern design
Part of Material relating to Gerard V Murphy, former GSA student
Seven pieces of teaching examples for basic pattern designs, attached to backing paper. This work was used as teaching material in schools in Scotland, as marked the level of students "Primary 5-7."
Murphy, Gerard V
Teaching material for pattern design
Part of Material relating to Gerard V Murphy, former GSA student
Seven pattern designs examples are attached to backing paper. This work was used as teaching material in schools in Scotland during Murphy's career as an art teacher.
Murphy, Gerard V
Teaching material for printmaking
Part of Material relating to Gerard V Murphy, former GSA student
Nine pieces of teaching examples for printmaking, attached to backing paper. These prints appear to be intended as teaching materials in schools in Scotland, as marked the level of students "Third year."
Murphy, Gerard V
Teaching material for textile design
Part of Material relating to Gerard V Murphy, former GSA student
Four pieces of teaching examples for pattern designs, attached to backing paper. These pattern designs were created for possibly textiles and used as teaching materials in schools in Scotland, as marked the level of students "First year."
Murphy, Gerard V
Spider's web.
Palmer, Joan
Frog and lily pad.
Palmer, Joan
Standing stone.
Palmer, Joan
Thatched cottage, Isle of Jura
Thatched cottage with field/hedgerow to foreground.
Alison, Henry Young
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
Crane, Paula
The Building Committee of the Board of Governors of The Glasgow School of Art
Portrait group. Inscribed on frame: "Mr. Charles. R. Mackintosh FRIBA The Architect/Col. R.J.Bennett V.D./Mr. David Barclay FRIBA/Sir Francis Powell, LLD, PRSW/Mr. John Munro FRIBA/Mr. Patrick S. Dunn - Convener/Councillor J. Mollison, MINA/ Mr. Hugh Reid DL/ Sir Wm Bilsland, Bart. LLD, DL/Sir John J. Burnet, RSA, FRIBA, LLD/Mr. John Henderson MA/Sir James Fleming - Chairman of Governors/Mr. John M. Groundwater - secretary/ Mr. Francis H. Newbery CAV OFF, INT, SBC, ARCA - Director, pinxit". When Newbery exhibited this group at the Glasgow Institute of the Fine Arts in 1913 it did not include the figure of Mackintosh. In 1914 he painted his large portrait of Mackintosh (collection: Scottish National Portrait Gallery) and his Building Committee portrait group was offered to the Board and accepted. When it was unveiled in 1914 it was seen that he had added Mackintosh's figure, a smaller version of his individual portrait, to the left of the group, and redated the whole canvas 1914. Painting cleaned and relined in 1963 by Mr Harry McLean who discovered the late addition of the figure of Mackintosh.
Newbery, Francis Henry
Flying birds, red flame.
Palmer, Joan
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. An allegorical study.
Bell, Robert Anning
The Cote Vermeille, Collioure, France
"A E Haswell Miller 1920", bottom left.
Miller, Archibald E Haswell
The courtesan Hana-Muraski of the Tamaya brothel processing to an assignation.
Eisen, Keisai
The Death of Annourie the Sourceress
Study of the death of Annourie the Sourceress. Verso: "The Death of Annourie the Sourceress (Malory's Morte D'Arthur Book IX CHap.16) Awarded Silver Medal, Paris Salon 1913/W. Russell Flint/RWS/RSW".
Flint, Sir William Russell
The Death of Annourie the Sourceress (Version 1)
The Death of Annourie the Sourceress (Version 2)
Appears in The Magazine, April 1894. 'The central figure is based upon that used in the 1893 design for a diploma for the GSA and like that in 'The Harvest Moon', has wings like an angel. Here, however, she appears naked and her outstretched arms and hair merge and are transformed into barren tree-like forms. These descend to the horizon behind which the sun is gradually disappearing under the feet of the winged figure. From the bottom of the picture, and directly beneath the sun, rises a flight of menacing birds. They are presumably nocturnal birds of prey and they seem to be flying directly towards the viewers. This is one of Mackintosh's earliest uses of this strange bird, which was to become more stylised and to appear in many different forms, in several media in his oeuvre.' (Roger Billcliffe).
Mackintosh, Charles Rennie
The Do It Yourself Guide to Urban Wildlife
Booklet describing how to make kingfisher out of Irn Bru cans.
Brice, Sage
The Do It Yourself Guide to Urban Wildlife
Plastic speciman jar containing 'bug' made from Irn Bru can.
Brice, Sage
The Do It Yourself Guide to Urban Wildlife (Version 1)
The Do It Yourself Guide to Urban Wildlife (Version 2)
The Do It Yourself Guide to Urban Wildlife (Version 3)
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Bound in the November 1894 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
Rock patterns.
Palmer, Joan
Drawing, 'The future as a large, overbearing ball of blackness'
Kirkwood, Jonathan
Caricature study of geography class; teacher with four pupils.
Orpen, William
View over the canal. Signed: "Fyffe Christie '51" (in ink), bottom right.
Christie, Fyffe
In art nouveau frame drawn in ink on brown backing paper: The Harvest Moon, Chas. R. Mackintosh, 1893, To John Keppie, October 1894.
Mackintosh, Charles Rennie
Presumed final proof for publication.
Miller, Archibald E Haswell
The Highlander's New Umbrella sketch
Design for publication, marked up with dimensions and the annotation, 'Handle with care. Do not touch surface of drawing or rub in anyway.'
Miller, Archibald E Haswell
There are 4 known surviving volumes: The Magazine 1893, The Magazine April 1894, The Magazine November 1894, The Magazine 1896.
The Magazine was a publication of original writings and designs by students from the Glasgow School of Art, Glasgow, Scotland, and their friends. Appearing in 4 volumes between November 1893 and Spring 1896, The Magazine contains text from contributors handwritten by Lucy Raeburn, editor, accompanied by original illustrations. These volumes are the only known copies of The Magazine. In addition to rare, early watercolours and designs by Charles Rennie Mackintosh, the volumes contain early designs by Frances MacDonald and Margaret MacDonald, at a stage in their development which has been labelled 'Spook School', and two sets of photographs by James Craig Annan, when he was beginning to establish a reputation at home and abroad. Among other contributors were Janet Aitken, Katherine Cameron, Agnes Raeburn and Jessie Keppie, all of whom enjoyed lengthy careers in art and design.
The Magazine is similar to an album amicorum such as those which originated in the middle of the 16th century among German university students, who collected autographs of their friends and notable persons, sometimes adding coats of arms and illustrations. The Magazine resembled the album amicorum in that contributions were by a close group of students and their friends and is all the more interesting because the illustrations were produced by young people who had a common social background, were trained at the same school, and subjected to the same artistic influences. The contributors were closely linked, some by family, some by romantic attachments and had close social connections. Other contributors include C Kelpie, John M Wilson, Jane Keppie, and Ethel M Goodrich. Source: Jude Burkhauser, Glasgow Girls: women in art and design (Edinburgh : Canongate, 1990).
Raeburn, Lucy