- DC 029/7/17A
- Item
- c1930s-1970s
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Pale blue sampler with grey metallic thread and chenille. Buttonhole stitch and couching.
*Not available / given
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Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Pale blue sampler with grey metallic thread and chenille. Buttonhole stitch and couching.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Not available / given
Part of Records and textiles of the Needlework Development Scheme
German. Worked in white on blue silk. Showing calf lying in field of flowers. By Suse Sardeman-Bermuth, Berlin. Used to be framed.
Sandeman-Bernuth, Suse
Part of Records and textiles of the Needlework Development Scheme
Part of Records and textiles of the Needlework Development Scheme
Panel - 'Carnival' (Version 1)
Part of Records and textiles of the Needlework Development Scheme
Booker, Molly
Part of Records and textiles of the Needlework Development Scheme
From Berlin, Germany. Worked in white on rust silk. Charming drawing of foal. Used to be framed.
Sandeman-Bernuth, Suse
Part of Records and textiles of the Needlework Development Scheme
Part of Records and textiles of the Needlework Development Scheme
Part of Records and textiles of the Needlework Development Scheme
Panel - Madonna and Two Angels
Part of Records and textiles of the Needlework Development Scheme
Austrian. Satin with satin appliqué, embroidered with silks and metal threads in cross, four-sided, lazy daisy, stem, satin stitches, couching with gold work and beads. Inscription "Unsereliebefrau" at base. By Emmy Zweybruck-Proshashka. Vienna.
Zweybruck-Proshashka, Emmy
Panel - Twelve Apostles (Version 1)
Part of Records and textiles of the Needlework Development Scheme
*Not available / given
Papers and textiles of Sheena Reid (nee Robertson), student at The Glasgow School of Art, 1950s
Collection includes a number of photographs featuring Sheena Reid and other GSA students plus five textiles designed and made by Sheena Reid as a student at GSA.
Reid, Sheena
Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
The collection includes:
Matthew, Veronica
Papers of Dorothy Campbell Smith, student at The Glasgow School of Art, Scotland
A collection of work by Dorothy C Smith including Glasgow School of Art student material and teacher training college material.
Includes:
GSA student notebooks
Smith, Dorothy Campbell
Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
A collection of Kath Whyte's personal papers which comprises:
This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.
Whyte, Helen Kathleen R
Various samples of embroidered weave, canvas work and applique, plus bound volumes with relevant notes.
The collection contains 6 folders, binders, or books, which hold the samples of work:
Plus six loose cards with designs and worked textiles attached.
Mackie, Mary
Part of Records and textiles of the Needlework Development Scheme
Cretan. Traditional design of scrolling pattern of animals, figures, birds and flowers. Dark blue silk embroidery on natural linen background, mostly in Cretan stitch.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
Part of Records and textiles of the Needlework Development Scheme
Part of Papers of Mary Mackie
Small blue card folder with the hand-written label Patchwork. It contains a handwritten explanation of the technique and materials, the pattern design with different shapes in white paper glued into the folder, and the worked textile in patterned fabric with blue, green, red, black and white.
Mackie, Mary
'Patchwork' fold-out booklet (Version 1)
Part of Papers of Mary Mackie
'Patchwork' fold-out booklet (Version 2)
Part of Papers of Mary Mackie
Part of Records and textiles of the Needlework Development Scheme
*Not available / given
Pink and black embroidery display
Framed display of pink and black embroidery with beading, with engraved title "Samples and Examples by Anne Knox Arthur, The Glasgow School of Art". Includes label "Embroidery C_Black and Pink" and instruction on back of frame. Due to information in archival documentation, display case can be dated pre-1943.
Arthur, Anne Knox
Pink and black embroidery display (Version 1)
Pink and black embroidery display (Version 2)
Place mat
Arthur, Anne Knox
Place mat
Arthur, Anne Knox
Place mat
Arthur, Anne Knox
Place mat
Arthur, Anne Knox
Place mat
Arthur, Anne Knox
Place mat
Arthur, Anne Knox
Part of Records and textiles of the Needlework Development Scheme
British. Posy of flowers worked in stem-stitch in soft colours on cream silk. Charming naturalistic design.
*Not available / given
Part of Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
Textile with red background and green, white, black and gold abstract design, printed by Veronica Matthew
Matthew, Veronica
Publications of the Needlework Development Scheme
Part of Records and textiles of the Needlework Development Scheme
The publications of the Needlework Development Scheme were central to its aims. The two bulletins, "And So to Sew" and "And So to Embroider" published three times a year, were issued free until 1958 until demand led to a charge being levied for orders of over 24 copies. At its height in the 1950s, the scheme spent the current equivalent (2003) of £1 million printing the bulletin and distributing it primarily to school girls as well as other interested parties. Other publications featured accounts of the Scheme's development along with images of selected needleworks or focused on particular themes within the collection, such as Swedish needlework.
The Needlework Development Scheme
Part of Records and textiles of the Needlework Development Scheme
*Not available / given
Records and textiles of the Needlework Development Scheme
The collection consists of the surviving papers of the Needlework Development Scheme and over 100 examples of needlework. Of these examples, 28 are from Great Britain and 54 are examples of non-British work including examples from Greece, India, Norway, Sweden, Italy, Switzerland, Turkey and Bosnia. Items include ecclesiatical, domestic, costume, clothing and modern embroideries, tea cosies, funeral pall, clothing, lace work, wall hangings, samplers, linen work and cushion covers.
The surviving papers include a complete inventory of 1012 items that were part of the Needlework Development Scheme prior to its dispersal in 1961. This provides information on the original numbering scheme used for the needlework examples and also provides information on the provenance of each item, although this is not necessarily the creator of the item but the person from whom the item was received, as well as a description of the item itself. There is an inventory of the parts of the collection received by the Glasgow School of Art, insurance details concerning the collection and the correspondence of the Needlework Development Scheme, 1931-1941.
This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.
The Needlework Development Scheme
Records of the Glasgow School of Art Modern Embroidery Group, alumni society, Glasgow, Scotland
Includes:
This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.
Glasgow School of Art Modern Embroidery Group