Entrance to Glasgow School of Art
- NMC/0727
- Item
- 01 May 1951
Study of entrance doorway, Director's balcony and windows.
Kerr, Robert
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Entrance to Glasgow School of Art
Study of entrance doorway, Director's balcony and windows.
Kerr, Robert
Entertainment & Social Centre, Dunkenny Road, Drumchapel
Drawings related to the project.
Gillespie, Kidd and Coia
Tracing paper showing two elevations from the bed position: Elevation A, and Elevation B.
Platt, Christopher
Tracing paper showing two elevations from the desk position: Elevation A, and Elevation B.
Platt, Christopher
Different kinds of Street's lightings
Free hand sketches showing different kinds of lighting on three different street at Glasgow:
Platt, Christopher
Development, Sauchiehall Street, Glasgow
Drawings related to project.
Gillespie, Kidd and Coia
Design for the Grand Hall, Glasgow International Exhibition, 1901
The competition, held in 1898, was won by the Glasgow architect James Miller with a considerably more ornate design for a 'bit of Spanish baroque confectionery' (McLaren Young). Like Miller's, Mackintosh's design derives from James Sellars' for the 1888 Glasgow exhibition, but simplified. 'The dome, perhaps a prerequisite for Glasgow exhibitions, remained, but it was presented with severe geometricality, with an Art Nouveau lantern surmounted by a Chinese coolie hat.'
Mackintosh, Charles Rennie
Design criteria: "The eight proposals"
A tracing paper showing the eight proposals from the Design criteria.
1- Thou shalt have thy sleeping/recreational space away from thy work space
2- Thou shalt have some plant life in thy study bedroom
3- Thou shalt have a wash hand basin near some natural light
4- Thou shalt have storage to lay A1 sheets flat
5- Thy study/writing space must be attached to and lower down than thy drawing space
6- Thy bed must not be opposite an open door
7- Thou shalt have facilities for an electric kettle
8- Thou shalt have shelving above the bed and the drawing/study space
Platt, Christopher
Drawings related to project.
Gillespie, Kidd and Coia
Daylight effects on street: Royal Bank Place
Free hand sketch describing Royal Bank Place as a peaceful space, very different from Royal Exchange Place (other side of arch) or Buchanan Street where there is either vehicular traffic or pedestrian traffic. Nothing invites you through the Arch except the sun.
Platt, Christopher
Daylight effects on street: looking through North Court Royal Exchange from Royal Exchange Square
Free hand sketch showing the contrast between immediate shade and distant sunlit. Buildings invite you through the lane and rewards you at the other end with a street where you can check your bearings. Cobbles just past archway indicate lane running across path.
Platt, Christopher
Job files and drawings relating to the project.
Gillespie, Kidd and Coia
Drawings related to project.
Gillespie, Kidd and Coia
Commercial Development Buchanan Street, Glasgow
Job files, images and drawings related to project.
Gillespie, Kidd and Coia
Colin D A Porteous Collection - Easthall Solar Demonstration Project
The collection consists of job files, photographs, and architectural drawings and plans related to Easthall Solar Demonstration Project.
Porteous, Professor Colin D A
Church of St Benedict, Drumchapel
Job files, images and drawings related to project.
Gillespie, Kidd and Coia
Church Hall, Santa Maria Goretti, Cranhill
Job files and drawings related to project.
Gillespie, Kidd and Coia
Job files, photographs and drawings related to the project.
Gillespie, Kidd and Coia
Buck Rogers Burger Station, Queen Street
Job files, drawings and plans relating to the project.
Gillespie, Kidd and Coia
British Airways Office, Fleming House, Glasgow
Job files related to the project.
Gillespie, Kidd and Coia
Brierlands (Private House), Busby
Drawings related to project.
Gillespie, Kidd and Coia
Watercolour and pencil sketch of Bothwell Church. The backing board notes that the sketch depicts the church before restoration. A joint visit by the Glasgow and Edinburgh Architectural Associations was made to the church on 22 Jun 1889; McGibbon possibly attended this trip and produced this sketch. The drawing bears the stamp of the Glasgow School of Art Library.
McGibbon, Alexander
Black Cat Studios, Springfield Road, Parkhead, Glasgow
Job files, images and drawings related to the project.
Gillespie, Kidd and Coia
Back Court Environmental Improvement Scheme, Kilmarnock Road, Glasgow
Drawings and job files related to the project.
Gillespie, Kidd and Coia
Free hand sketch of an axonometric view from the desk perspective point showing how the interior design meets the space requirement.
Platt, Christopher
Free hand sketch of an axonometric view from the window perspective point showing how the interior design meets the space requirement.
Platt, Christopher
Ascot Cinema, Glasgow - perspective
Design for cinema located on Great Western Road, Glasgow.
Elder, Robert Walter
Free hand sketch showing The Glasgow School of Art elevation from Pitt Street including some architectural descriptions, for example, the view of The Glasgow School of Art showing west side and part of south side and how different is was to the Neo-Classical buildings that were being built at the same time which belonged to where they originated in Italy and Greece whereas the Art School was designed with Scottish influences.
Platt, Christopher
Apsley Hotel, Sauchiehall Street
Job files, images and drawings related to project.
Gillespie, Kidd and Coia
Adelaide Place (off Bath Street), Glasgow
Study of unfinished building.
Kerr, Robert
Tracing paper contains three activities resources:
Working: drawing, writing, reading, sketching
Relaxing: reading, watching TV, listening to radio, entertaining
Living: sleeping, washing, etc.
Platt, Christopher
Gillespie, Kidd and Coia
A Roman catholic seminary & chaplaincy for Glasgow University: SW elevation to University Avenue
Architectural drawing on tracing paper includes the south west elevation in scale 1:100, showing the differences of the exterior design between the traditional building and the modern style of the new building. It shows the main entrance of the Wellington church, with six palladio columns. On the other side, the square windows show the simplicity of the new style representing the modern architectural movement at the time of designing this project. This elevation comes with coloured finishing.
Platt, Christopher
Architectural drawing on tracing paper showing the site plan in scale 1:500, situated at Glasgow University campus surrounded by University Avenue, Oakfield Avenue, Gibson Street, and Southpark Avenue. The site plan is presented with the north sign, the main building, the surrounding blocks and the landscape. The architect created these drawings with coloured presentation. The sheet also includes the elevation to University Avenue showing the whole design of the project with the new one and the other existing building within the site.
Platt, Christopher
A Roman catholic seminary & chaplaincy for Glasgow University: Second, third, and fourth floors
Architectural drawing on tracing paper showing the second, third and fourth floor plans, all in scale 1:100, in which all the functional spaces have been identified with coded numbers, then addressed their titles, as below:
1 student's bedroom, 2 bathroom, 3 terrace, and 4 pergola.
Platt, Christopher
Architectural drawing on tracing paper showing the south east elevation to Oakfield Avenue in scale 1:100, in which the external columns defining the main entrance and supporting the pitch roofing for both sides. All the architectural details for windows sills, column crowns, and other roof stone details are shown as well. This sheet also includes the long section in scale 1:100. Both drawings are to be completed with the next item. There is an outline plan in scale 1:1000 to identify where the long section has been taken.
Platt, Christopher
Architectural drawing on tracing paper showing the second part of both the south east elevation to Oakfield Avenue and the long section in scale 1:100, in which this item has to be attached with the previous item from the left hand side to complete the whole elevation and section. All architectural details of the new building showing the modern style are compared with the traditional style of the existing building, especially with the design of the windows. The long section presents the main structural elements and the building construction system used for the new building. The architect created this façade with coloured finishing.
Platt, Christopher
Architectural drawing on tracing paper showing the second part of both the north west elevation to garden and the long section in scale 1:100, in which this item has to be attached with the previous item from the left hand side to complete the whole elevation and section. It shows the differences between the modern architectural style of the new building comparing with the traditional style of the existing building. The long section shows the main structural elements and the building construction system.
Platt, Christopher
Architectural drawing on tracing paper showing the first part of both the north west elevation to garden and the long section in scale 1:100, in which this item has to be attached with the next item from the right hand side to complete the whole elevation and section. All the architectural details of the new building showing the modern style compared with the traditional style of the existing building, especially with the design of the windows. The architect chose to present these drawings with coloured finishing. There is an outline plan in scale 1:1000 to identify where the long section has been taken.
Platt, Christopher
A Roman catholic seminary & chaplaincy for Glasgow University: NE elevation to Gibson Street
Architectural drawing on tracing paper includes the north east elevation to Gibson Street, in scale 1:100, showing the the first part of this elevation, which to be attached within the next item from right hand side complete the whole elevation. The design reflects the modern style of the architectural movement at the time of designing this project. This elevation comes with mono-colour (black and white) finishing.
Platt, Christopher
A Roman catholic seminary & chaplaincy for Glasgow University: NE elevation to Gibson Street
Architectural drawing on tracing paper includes the north east elevation to Gibson Street, in scale 1:100, showing the the second part of this elevation, which has to be attached within the previous item from left hand side to complete the whole façade. The design reflects the modern style of the architectural movement at the time of designing this project. This elevation comes with mono-colour (black and white) finishing.
Platt, Christopher
A Roman catholic seminary & chaplaincy for Glasgow University: Ground floor
Architectural drawing on tracing paper showing the ground floor plan in scale 1:100, in which all the functional spaces have been identified with coded numbers, then addressed their titles, as below:
1 chapel, 2 sacristy, 3 lecture theatre, 4 projection, 5 store, 6 games, 7 chaplains' flat, 8 housekeeper, 9 priest's living/studying, 10 priest's bedroom, 11 guest suite, 12 reception rooms, reception, 14 entrance hall, 15 seminary entrance, 16 craft workshop, 17 boiler room, 18 laundry, 19 infirmary, and 20 courtyard.
Platt, Christopher
A Roman catholic seminary & chaplaincy for Glasgow University: First floor
Architectural drawing on tracing paper showing the first floor plan in scale 1:100, in which all the functional spaces have been identified with coded numbers, then addressed their titles, as below:
1 Wellington church, 2 terrace, 3 chaplaincy entrance, 4 foyer / exhibition, 5 lounge, 6 chaplain's bedroom, 7 counselling, 8 entrance gallery, 9 chaplaincy reading, 10 seminary reading, 11 library, 12 manuscript display, librarian, 14 rector, 15 secretary, 16 dining, 17 servery, 18 kitchen, 19 priest's lounge, 20 priest's living / study, and priest's bedroom.
Platt, Christopher
A Roman catholic seminary & chaplaincy for Glasgow University: Cross section
Architectural drawing on tracing paper includes a cross section through the courtyard, in scale 1:100, showing the height of the indoor spaces. It also shows the inner façade of the rear side of the new building, which refers to the modern style of the architectural movement at the time of designing this project. There is an outline plan, scale 1:1000, indicating where this cross section has been taken. This cross section comes with coloured finishing.
Platt, Christopher
A Roman catholic seminary & chaplaincy for Glasgow University: Cross section
Architectural drawing on tracing paper includes a cross section in scale 1:100, showing the building construction system and its main structural elements. There is an outline plan, scale 1:1000, indicating where this cross section has been taken. Cross section shows the differences of the interior design between the traditional building and the modern interior design for the new building, simplicity vs heavy details.
Platt, Christopher
A Roman catholic seminary & chaplaincy for Glasgow University: Basement, Gallery, and fifth floors
Architectural drawing on tracing paper showing the second, third and fourth floor plans, all in scale 1:100, in which all the functional spaces have been identified with coded numbers, then addressed their titles, as below:
Basement floor consists of: 1 chapel entrance, 2 chaplaincy entrance, 3 coats, 4 hall / cafeteria, 5 sitting alcove, 6 servery, 7 chair store, and 8 garden. Gallery floor consists of: 9 terrace, and 10 gallery. Fifth floor consists of: 11 television, 12 music, 13 common room, 14 tanks, and 15 roof.
Platt, Christopher
Gillespie, Kidd and Coia
(6) Sections B-B, C-C, and D-D: 1/8"
DRAWINGS SUBMITTED FOR PLANNING PROPOSAL, PROPOSED NEW CHURCH AT THORNLIEBANK
Gillespie, Kidd and Coia
(5R) Layout elevations: 1/4"-1'0"