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Glasgow, Scotland Drawings (visual works)
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Daylight effects on street: looking through North Court Royal Exchange from Royal Exchange Square

Free hand sketch showing the contrast between immediate shade and distant sunlit. Buildings invite you through the lane and rewards you at the other end with a street where you can check your bearings. Cobbles just past archway indicate lane running across path.

Platt, Christopher

Daylight effects on street: Royal Bank Place

Daylight effects on street: Royal Bank Place

Free hand sketch describing Royal Bank Place as a peaceful space, very different from Royal Exchange Place (other side of arch) or Buchanan Street where there is either vehicular traffic or pedestrian traffic. Nothing invites you through the Arch except the sun.

Platt, Christopher

Design criteria: "The eight proposals"

A tracing paper showing the eight proposals from the Design criteria.
1- Thou shalt have thy sleeping/recreational space away from thy work space
2- Thou shalt have some plant life in thy study bedroom
3- Thou shalt have a wash hand basin near some natural light
4- Thou shalt have storage to lay A1 sheets flat
5- Thy study/writing space must be attached to and lower down than thy drawing space
6- Thy bed must not be opposite an open door
7- Thou shalt have facilities for an electric kettle
8- Thou shalt have shelving above the bed and the drawing/study space

Platt, Christopher

Design for the Grand Hall, Glasgow International Exhibition, 1901

Design for the Grand Hall, Glasgow International Exhibition, 1901

The competition, held in 1898, was won by the Glasgow architect James Miller with a considerably more ornate design for a 'bit of Spanish baroque confectionery' (McLaren Young). Like Miller's, Mackintosh's design derives from James Sellars' for the 1888 Glasgow exhibition, but simplified. 'The dome, perhaps a prerequisite for Glasgow exhibitions, remained, but it was presented with severe geometricality, with an Art Nouveau lantern surmounted by a Chinese coolie hat.'

Mackintosh, Charles Rennie

Different kinds of Street's lightings

Different kinds of Street's lightings

Free hand sketches showing different kinds of lighting on three different street at Glasgow:

  • Maxwell Street from Howard Street,
  • St. Enoch Car Park, Pedestrian Entrance view from inside,
  • St. Enoch Car Park, Pedestrian Entrance view from outside.

Platt, Christopher

Drawings 1983

Sketchbook, drawings of figures, some loose inserts. Inside of front cover states "Jimmy Cosgrove Glasgow School of Art 1983". Inside of back cover states "Jimmy Cosgrove Rome Notebook 1982".

Cosgrove, James

Evergreen Club: Elevations

Detail drawings on tracing paper for project 2 Evergreen Club elevations all in scale of 1:100 showing the front elevation facing east, the rear elevation facing west, and two side elevations facing south and north. Human figures are included to bring drawings to life. The design indicates how the club fits within the surrounding landscape.

Platt, Christopher

Evergreen Club: Plan & sections

Detail drawings on tracing paper for project 2 Evergreen Club. Plan and sections all in scale of 1:100. The floor plan shows room types, dimensions and furniture. Sections aa, bb, cc are all in details and include height dimensions, construction materials, and heating methods. Human figures are included to bring drawings to life. The design includes some facilities for disabled people.

Platt, Christopher

Evergreen Club: Section CC

Detail drawings on tracing paper for project 2 Evergreen Club section cc in scale of 1:20. Human figures and furniture are included to bring drawing to life. The design shows all the construction materials and details including:

  • Floor materials and construction method
  • Foundations
  • Roof materials and construction method
  • External and internal wall materials and construction method including windows openings
  • Heating system

Platt, Christopher

Folio of calligraphy

Folio containing calligraphy and illuminated heading/border, addressed to Eliza Jane Aikman. Front of folio has a pencil sketch, which dates the folio to 1925.

Originally located inside folder (DC 094/1/2/1).

Doddrell, Dorothy Maria F

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