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The Glasgow School of Art Drawings (visual works)
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Architectural drawings

A variety of architectural drawings and studies completed by Mary Ramsay. These items are dated to her time as a student at The Glasgow School of Art, between the years 1915-1917, and bear labels details her teachers from this period. Most items are pencil on paper, with a few further studies in paint.

Ramsay, Mary

Architectural study

Architectural study of an archway and columns, including a caption 'ionic order'. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Professor McGibbon as the teacher.

On the reverse of this item are additional sketches and notes for the study.

Originally located inside portfolio folder (DC 110/1/4).

Ramsay, Mary

Architectural study

Architectural study of an archway and columns. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Professor McGibbon as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Ramsay, Mary

Architectural study

Architectural study of a room interior. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and Professor McGibbon as the teacher.

On the reverse of this item are some additional sketches.

Originally located inside portfolio folder (DC 110/1/4).

Ramsay, Mary

Architectural study

Architectural study of a room interior. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and Professor McGibbon as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Ramsay, Mary

Architectural study

Architectural study of an interior, featuring a young girl. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session; due to damage the name of the teacher is illegible.

Originally located inside portfolio folder (DC 110/1/4).

Ramsay, Mary

Art, Design and Architecture collection

  • NMC
  • Collection
  • 13th century to early 21st century

Artworks, design pieces and architectural designs related to Glasgow School of Art staff and students.

Items include

  • oil paintings
  • ilk screen prints
  • lithograph prints
  • prints
  • photographs
  • sketches
  • sketch books
  • drawings
  • watercolours
  • collage
  • metalwork, sculpture and ceramics.

Almost all works are by former students and staff or figures related to the history of The Glasgow School of Art. The earliest pieces date from the 16th century and later examples have been purchased from recent Degree Shows. The work is in a variety of media and includes drawings, paintings, prints, sketchbooks, furniture and sculpture. Artists represented include many key figures and the most influential and successful students.

There are also several works from former tutors including Neil Dallas Brown, David Donaldson and Fred Selby, alongside contemporary works by students, donated or purchased at degree show. Key works include those by: Maurice Greiffenhagen, Francis Newbery, John Quinton Pringle, Benno Schotz, Ian Fleming and James D Robertson. Suites of note include large collections of Joan Eardley sketches and paintings, Joan Palmer prints, and architectural drawings by Eugene Bourdon.

*Not available / given

Artworks

A variety of artworks completed by Mary Ramsay, including life drawings, portraits, architectural studies, designs, prints, and illustrations. Some of these items are dated to her time as a student at The Glasgow School of Art. Most items are pencil on paper, with a few further studies in paint.

This subfond includes one item by Jessie Wilson (DC 110/1/1/18), another student of The Glasgow School of Art, with whom Mary Ramsay and Margaret Macdonald started a pottery decorating business at The Studio, Strathyre, in 1926.

Ramsay, Mary

Design for altarpiece

Architectural design for an altarpiece. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Professor McGibbon as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Ramsay, Mary

Design for Glasgow School of Art: back elevation

Architectural drawing showing back elevation. On the left is the tower block of the Library. The little walkway at the top of the building (the 'Hen Run') links the new West wing with the earlier East wing, separated by the already built Director's Studio. The greenhouse cantilevered out from a studio on the top floor provided models for still life painting. The superimposed alterations show changes made to the first building, and those in pencil others thought of between 1907 and 1910.

Mackintosh, Charles Rennie

Design for Glasgow School of Art: elevation to Scott Street/elevation to Dalhousie Street

Architectural drawing showing east/west elevations. 'The East elevation is as built... the West elevation has been completely redesigned. In 1897 the roof line falls with the steep slop of Scott Street: in 1907 the lower part of the site provides a base for a soaring tower block containing the Library which, if it has affinities with the spirit of the traditional Scottish tower house, is completely twentieth century in all its detailing... Other changes were made in the course of construction,... the ashlar of the blank wall on the left was replaced by undressed stone and... the normal sized doorway grew to colossal proportions, extending well above the line of the windows (Mackintosh's pencilled alterations are just visible on the drawing).' (McLaren Young).

Mackintosh, Charles Rennie

Design for Glasgow School of Art: plan of basement floor - East wing

Architectural drawing showing basement plan of building. This sketch, very possibly not in Mackintosh's own hand but drawn by a draughtsman in his office, shows how the accommodation was arranged in the East wing basement before the GSA was completed with the addition of the West wing in 1906-09. The technical studios on the plan were housed in a temporary building which can be seen in the perspective drawing of the unfinished GSA.

Mackintosh, Charles Rennie

Design for Glasgow School of Art: plan of second floor

Architectural drawing showing second floor plan. The addition of this floor in the 1907-09 stage of building did not change the external appearance of Mackintosh's original two storey facade as the set back series of studios are not visible from street level. The plan shows how Mackintosh linked the two ends of the floor, by passing the already built Director's studio with the 'Hen-Run'.

Mackintosh, Charles Rennie

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