The Glasgow School of Art: Mackintosh Building - Library balcony level
- NMC/1724J
- Item
- 1992
Architectural drawing of the GSA Mackintosh Building. Scale 1:100.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - Library balcony level
Architectural drawing of the GSA Mackintosh Building. Scale 1:100.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - Ground Floor Plan
Architectural drawing of the GSA Mackintosh Building. Scale 1:100.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - First Floor Plan
Architectural drawing of the GSA Mackintosh Building.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - First Floor Mezzanine/Book Store
Architectural drawing of the GSA Mackintosh Building. Scale 1:100.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - First Floor Mezzanine (RL)
Architectural drawing of the GSA Mackintosh Building. Scale 1:100.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - East Stair - vertical section
Architectural drawing of the GSA Mackintosh Building. Scale 1:20.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - East Stair - plan and elevation
Architectural drawing of the GSA Mackintosh Building. Scale 1:20.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - Context and City Plan
Architectural drawing of the GSA Mackintosh Building. Scale 1:1250/NTS.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - Basement Plan
Architectural drawing of the GSA Mackintosh Building. Scale 1:100.
Clarke, Paul
The Glasgow School of Art: Mackintosh Building - Basement Mezzanine
Architectural drawing of the GSA Mackintosh Building. Scale 1:100.
Clarke, Paul
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Appears in The Magazine, April 1894. 'The central figure is based upon that used in the 1893 design for a diploma for the GSA and like that in 'The Harvest Moon', has wings like an angel. Here, however, she appears naked and her outstretched arms and hair merge and are transformed into barren tree-like forms. These descend to the horizon behind which the sun is gradually disappearing under the feet of the winged figure. From the bottom of the picture, and directly beneath the sun, rises a flight of menacing birds. They are presumably nocturnal birds of prey and they seem to be flying directly towards the viewers. This is one of Mackintosh's earliest uses of this strange bird, which was to become more stylised and to appear in many different forms, in several media in his oeuvre.' (Roger Billcliffe).
Mackintosh, Charles Rennie
The Building Committee of the Board of Governors of The Glasgow School of Art
Portrait group. Inscribed on frame: "Mr. Charles. R. Mackintosh FRIBA The Architect/Col. R.J.Bennett V.D./Mr. David Barclay FRIBA/Sir Francis Powell, LLD, PRSW/Mr. John Munro FRIBA/Mr. Patrick S. Dunn - Convener/Councillor J. Mollison, MINA/ Mr. Hugh Reid DL/ Sir Wm Bilsland, Bart. LLD, DL/Sir John J. Burnet, RSA, FRIBA, LLD/Mr. John Henderson MA/Sir James Fleming - Chairman of Governors/Mr. John M. Groundwater - secretary/ Mr. Francis H. Newbery CAV OFF, INT, SBC, ARCA - Director, pinxit". When Newbery exhibited this group at the Glasgow Institute of the Fine Arts in 1913 it did not include the figure of Mackintosh. In 1914 he painted his large portrait of Mackintosh (collection: Scottish National Portrait Gallery) and his Building Committee portrait group was offered to the Board and accepted. When it was unveiled in 1914 it was seen that he had added Mackintosh's figure, a smaller version of his individual portrait, to the left of the group, and redated the whole canvas 1914. Painting cleaned and relined in 1963 by Mr Harry McLean who discovered the late addition of the figure of Mackintosh.
Newbery, Francis Henry
Textile related to the Mackintosh Interpreted exhibition
'Stylised Daisies Deco'.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Begg, Vicky
Textile related to the Mackintosh Interpreted exhibition
'Wave Check'.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Begg, Vicky
Textile related to the Mackintosh Interpreted exhibition
'Dried Dahlias' by J.R.Campbell.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Centre for Advanced Textiles
Textile related to the Mackintosh Interpreted exhibition
Mackintosh's textile design: flower bulbs 1915-23 (2 of 3).
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Centre for Advanced Textiles
Textile related to the Mackintosh Interpreted exhibition
Mackintosh's textile design: flower bulbs 1915-23 (3 of 3).
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Centre for Advanced Textiles
Textile related to the Mackintosh Interpreted exhibition
'Gothic Bulbs'.
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Begg, Vicky
Textile related to the Mackintosh Interpreted exhibition
Mackintosh's textile design: flower bulbs 1915-23 copied from watercolour in the Hunterian Collection, cat:GLAHA41999 (1 of 3).
Fabric from the Mackintosh Re-Interpreted Exhibition, Hunterian Museum & Art Gallery, 2008, with digital recreations of Mackintosh original designs and new designs by Vicky Begg, J.R.Campbell and Alan Shaw.
Centre for Advanced Textiles
Abstract design for fabric.
Mackintosh, Charles Rennie
Tea spoon from Ingram Street Tea Rooms (Version 3)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Tea spoon from Ingram Street Tea Rooms (Version 2)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Tea spoon from Ingram Street Tea Rooms (Version 1)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Tea knife from Ingram Street Tea Rooms (Version 3)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Tea knife from Ingram Street Tea Rooms (Version 2)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Tea knife from Ingram Street Tea Rooms (Version 1)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Tea fork from Ingram Street Tea Rooms (Version 3)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Tea fork from Ingram Street Tea Rooms (Version 2)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Tea fork from Ingram Street Tea Rooms (Version 1)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Bedford Lemere & Co
Bound in volume, The Magazine, November 1894.
Mackintosh, Charles Rennie
Bedford Lemere & Co
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for Miss Cranston's home at Hous'hill, Nitshill, Glasgow. A white table was originally placed at the window of the music room in Hous'hill. It was purchased at the 1933 exhibition and loaned to the GSA by the same family who purchased half the White Bedroom suite. In 1920 (after the death of her husband) Miss Cranston sold the property with its furniture to Mr Gamble, who took much of the furniture with him when he left. In 1927 the house was leased to John Henderson, and in 1934 extensively damaged by fire and purchased by Glasgow Corporation for demolition; all the interior fittings were destroyed. It is not known where the black table was originally used in the house, or even if it indeed came from Hous'hill.
Mackintosh, Charles Rennie
Soup spoon from Ingram Street Tea Rooms (Version 3)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Soup spoon from Ingram Street Tea Rooms (Version 2)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Soup spoon from Ingram Street Tea Rooms (Version 1)
Designed for Miss Cranston's Ingram Street Tea rooms, Glasgow. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
Sketch of (Italian) decorative panels
Italian subject matter. A study from Mackintosh's tour of Italy in 1891 as part of the Alexander 'Greek' Thomson travelling scholarship.
Mackintosh, Charles Rennie
Sheet of postage stamps of the Mackintosh Building
Sheet of 100 x 20p stamps featuring an image of the Mackintosh Building produced to commemorate Glasgow 1990, European City of Culture, designed by Paul Hogarth RDI. (Stamp designs Copyright Royal Mail)
Hogarth, Paul
Schoolroom bench for Gladsmuir
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Design for Gladsmuir, Kilmacolm. Designed to match the schoolroom tables and bookcase, the thistle motif pierced in the legs being repeated in the leaded glass of the bookcase.
Mackintosh, Charles Rennie
Sample of purple fabric used to re-upholster Charles Rennie Mackintosh yellow settle
Part of Examples of Mackintosh Fabric
Sample of replacement fabric for Dugout settle.
*Not available / given
Round table for Willow Tea Rooms
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the Billiards Room, Willow Tea Rooms, Glasgow. This table does not appear in contemporary photographs of the Tea Rooms. It is cruder in construction and more robust than the other round table, MC/F/46, and so has affinities with the heavier looking furniture designed for the Billiards Rooms. The square cut-outs on the legs echo the similar arrangements of squares on the panel dividing the fitted seating in the Billiards Room. (Roger Billcliffe).
Mackintosh, Charles Rennie
Roof of Napton Church, Norfolk
Sketch of three angels playing musical instruments.
Mackintosh, Charles Rennie
Part of Records of The Glasgow School of Art, Glasgow, Scotland
*Not available / given
Poster for Mackintosh exhibition in Vienna
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for Mackintosh exhibition at the Museum des 20. Jahrhunderts [Museum of the 20th century] in Vienna, Austria, 07 Jun 1969-20 Jul 1969.
*Not available / given
Poster for lecture 'Mackintosh and the Future', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for lecture 'Mackintosh and the Future', Glasgow Film Theatre, Glasgow. The lecture was given by Enric Miralles, who was a visiting lecturer at the Mackintosh School of Architecture. The date of the lecture was 03 Oct, no year is given but is believed to be 1998.
*Not available / given
Poster for exhibition 'Charles Rennie Mackintosh Pursuit of Perfection'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for exhibition 'Charles Rennie Mackintosh Pursuit of Perfection' at The Glasgow School of Art, 24 Jun 1986-02 Jul 1986
*Not available / given
Poster for Charles Rennie Mackintosh in association with Japanese Department Store
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This sky blue poster features a Charles Rennie Mackintosh chair and a distinctly dressed female wearing make-up and a blonde wig. Mackintosh's work was heavily influenced by Japanese design and culture. This poster advertises an association with Mackintosh's work and the Japanese Department store chain Daimaru.
*Not available / given