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Poster advertising "International Merry Go Round".

Costume design for Shakespeare's Macbeth.

Costume design for Shakespeare's Macbeth.

Costume design for Shakespeare's Macbeth.

Costume design for Shakespeare's Macbeth.

Costume design for Shakespeare's Macbeth.

Costume design for Shakespeare's Macbeth.

Costume design for Shakespeare's Macbeth.

Medal 'A bittersweet advent moment'. Includes bronze made from cast of a palm to palm handshake, wrapped in the style of a Christmas tree chocolate decoration. From a series of 16 medals entitled 'Sensing every moment: a celebration of the ordinary'.

Design for stage set - Shakespeare's Macbeth.

Black square with green, red and purple face motif. White cotton short sleeved t-shirt with screen print design.

A folded brochure for a supper marking the retiral of G W Lennox Paterson in the Bourdon Assembly Hall, on Thursday 20th December. Includes a printed portrait on handmade paper on the inside by Colin Wilson, and a quote that reads: "About as like me as a duff bottle of Hirondelle."

Medal 'A historic moment'. Includes bronze made from cast of a palm to palm handshake. From a series of 16 medals entitled 'Sensing every moment: a celebration of the ordinary'.

Man on horse.

Medal 'A moment in Munich'. Includes key made from exhibition piece in Munich. From a series of 16 medals entitled 'Sensing every moment: a celebration of the ordinary'.

Design for stage set - Shakespeare's Macbeth.

Medal 'A treasured moment on Hope Street'. Includes portion of traffic cone suspended from bolt. From a series of 16 medals entitled 'Sensing every moment: a celebration of the ordinary'.

Abstract collage pieces of paper painted in a spot design, shaded in black conte crayon and adhered to a grey acrylic painted background on paper. Backed on conservation board.

Abstract figurative mono-print in black ink on white card. Collage pieces adhered. Pink and blue dotted ink pattern applied to surface of print.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract figurative mono-print in black ink on white card. Shapes rendered in pastel colours using gouache. Similar design to DC 089/1/2/4/1.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Red ink design with painted geometric shapes. shapes deducted from paper by knife and painted in purple paint, yellow and blue ink, shapes reintroduced to the paper by tapping them from the back to create a collage effect with a flush surface. Similar materials and format to DC 089/3/6/4.

Blue ink design with painted lines in bleach. Squares deducted from piece by cutting them and painting them in blue, yellow, orange and lilac acrylic paint. Shapes reintroduced to the piece by taping them from the back. Similar in design and format to DC 089/3/6/6. Annotated verso "F.T.19".

Abstract drawing of gestural lines and cirlces in ballpoint pen. Collaged pieces attached from reverse using masking tape. Pink and black pen. Annotated verso "F.T.47".

Abstract collage design of architectural shapes on cream paper painted with spot design in grey and black. Adhered to white paper with a light grey painted background.

Red ink design with painted check in purple paint. shapes deducted from paper by knife and painted in purple and yellow ink, shapes reintroduced to the paper by tapping them from the back to create a collage effect with a flush surface. Similar materials and format to DC 089/3/6/5.

Abstract painted design for textile on black paper with linear paint strokes in cream paint, washed over with black ink creating a crackled effect. Background painted in grey. Annotated verso "FT.35". Similar materials and format to DC 089/3/6/2

Crosshatched abstract design on grey paper with collage pieces of cream paper adhered to the surface. Collage pieces in chip like shapes with gestural paint marks in grey and black paint. Similar materials and format to DC 089/3/6/1.

Rectangular motif drawing in conte crayon and collaged onto a piece on cream paper. Ball point pen is applied to the surface creating linear marks in a repeat style pattern. Pink ink splotches in background of design. Similar in design and media to DC 089/3/6/5. Backed on conservation board.

Collage design of multiple rectangular pieces of paper adhered to white paper. Black pen and ink applied to the surface in a gestural fashion creating linear marks. Circles of bright pink drawing ink in background of design. Backed on conservation board.

5 repeats. Dyed. 7 colours. Cotton.

Some damage, tide marks and dye run. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.

Printed cotton. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was undertaken in 2019.

Organic shapes painted in black ink on paper. Background painted in cream coloured gouache with pink, gold and blue paint marks. Abstract piece on card and white ink attached to item with line drawing of leaf motif in ballpoint pen adjacent. Similar style and application of material to DC 089/1/2/4/9.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Geometric design painted in gouache with organic shapes. Orange, blue and cream coloured design

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Abstract drawing in brown ink rendered with purple and cream coloured gouache.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Organic shapes painted in black ink and rendered in pink, white and green gouache. Gold and copper coloured flecks of ink on surface of design.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Black crayon is applied to the background in a dense crosshatch pattern. Coloured inks are washed over the surface creating a watery effect. Organic shapes with gestural brush strokes in black ink are applied to the surface of the composition. Paper backed on conservation board.

Abstract organic design painted in black ink and gouache, similar style of painting on reverse. Painted on paper and backed on white card.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Design for stage set - Shakespeare's Macbeth.

Design for stage set - Shakespeare's Macbeth.

Design for stage set - Shakespeare's Macbeth.

Menswear photo from file of photographs for men's and women's clothing collections. It is not known which brand the designs are attributed to.

Costume design for Maurice Maeterlinck's The Death of Tintagiles.

Costume design for performance of Parsifal.

Apron in blue, green, and white with Scottish motifs (bagpipes, thistle, trout, grouse, bottle of whisky, shortbread, haggis, and quaich) and a celtic knotwork border.

Brown placemat with white fringed edges. Features a geometric design and is labelled "Arabesque; a two coloured placemat in chocolate and biscuit by Sylvia Chalmers"

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.

Designed for original board room at Glasgow School of Art. The chairs were designed for the original Board Room in the East wing (now the Mackintosh Room). The Governors never used this room for meetings and it was initially used as a studio while space was short in the half-finished building. When the new Board Room was built in the second phase of the building, Mackintosh designed a more elaborate version of this chair for it, MC/F/61. Six chairs reupholstered in brown horsehair 1985, very similar to the original fabric found on one of the chairs. Two remaining chairs reupholstered in 1986. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Designed for the Willow Tea Rooms, Glasgow. 'A very sturdy but not particularly comfortable chair, used in the ground floor saloons, the Gallery and the Smoking room... Their boxy shape contrasts with the taller and more open ladder-backs arranged alongside them in the layout of furniture which Mackintosh devised.' (Roger Billcliffe). Reupholstered in blue horsehair 1984 (the original upholstery on these and the Willow settle was a green and gold striped horsehair). This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.

Featuring green and dark red devil and angel.

Wood engraving by Rosalind Bliss of two people, based on a manuscript at Peterborough Abbey. Message inside.

Blue placemat with scalloped edges featuring Noah's arc.