- NMC/1696
- Item
- 1959
Argyll landscape with farm buildings.
Gorman, James
Argyll landscape with farm buildings.
Gorman, James
Study of two men against a pastoral landscape. The subject was painted whilst the artist was a student of Gourock High School. Annotated verso.
Gorman, James
Backyard, Shore Street, Greenock
Backyard of Greenock tenement building.
Gorman, James
Domestic interior scene featuring a woman bathing a child with a figure seated at a table in the background.
Byrne, John
Study of the Artist's family home with a child being bathed by her mother.
Johnston, Janet
Photograph of the Cuillin Hills view painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour painting depicting the view of the Cuillin Hills on the Isle of Skye, Scotland. Annotated "Loch Scavaig, The Cuillin Hills from the south" on the reverse, but not dated.
Meldrum, William
Photograph of Tollcross Park view painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A black-and-white photograph of a watercolour painting featuring a view from Tollcross Park in Glasgow. A distant building, assumed to be a church, is visible over the woodland scenery. Annotated "Tollcross Park Glasgow" on the reverse, but not dated.
Meldrum, William
Photograph of a stream view painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour painting depicting the stream in Clarkston, Scotland, as annotated "Placid Stream Clarkston" on the reverse. Signed "W. Meldrum," but not dated.
Meldrum, William
Photograph of a country house painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour landscape painting depicting a house in the countryside. Signed "W. Meldrum," but not dated.
Meldrum, William
Photograph of a country mansion painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour landscape painting featuring a mansion in the country. Signed "W. Meldrum,"and dated "1920" assumed to be the date of creation of the painting.
Meldrum, William
Photograph of a painting featuring a boat on the river Tweed
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A monochrome photograph of a watercolour landscape painting depicting two people near the river Tweed in Melrose, Scotland. One person is standing towards the river, while another is on a floating boat in the painting. Signed "W. Meldrum," but not dated. Includes the annotation "The Tweed near Melrose" on the reverse of backing paper.
Meldrum, William
Photograph of a bay view painting
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
A sepia-toned photograph of a watercolour painting depicting Gourock Bay, as annotated "Gourock at the Clyde" on the reverse. Signed "W. Meldrum," but not dated.
Meldrum, William
Part of Material relating to Gerard V Murphy, former GSA student
A small watercolour drawing depicting the head of rooster.
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A multi-coloured oblique pattern design with fruits and trees repeatedly intersected. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A pattern design featuring a repeating motif of plants with purple-coloured stems, blue-toned leaves, and green petals.
Murphy, Gerard V
Study of holly and a young plant
Part of Material relating to Gerard V Murphy, former GSA student
Botanical watercolour studies of Holly in fruit and a young green plant.
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A watercolour painting depicting three brightly coloured anemone flowers with distinctive leaves, marked the probable creation date '17/10/34' on the back.
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A diamond shaped organic pattern design. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A botanical watercolour painting of violet flowers. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
Wrecking Ball woodcut and cardboard print
Note from the artist: This print is part of the collection Wank!, a series of six posters for various sources - such as essays, video clips, movies or performances - all dealing with the taboo subject of female masturbation. Acting like a curator of these references, I aim to highlight that any attempt to represent feminine masturbation through a feminist eye still finds its limits where a branded masculine interpretation of feminine sexuality starts.
Campistron, Dominique
Drawing of Venetian bridge. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Study of farmhouse set amongst trees. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Interior view of an Italian chapel, with scattered chairs. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of Catterline shoreline, looking northwards over the bay and showing the pier, boat shed, and salmon bothie, with 'the Watchie' building above.
Eardley, Joan Kathleen Harding
The sitter was a painting student at GSA.
Atherton, Barry
Landscape of low lying hills and fields. Dominant sky with clouds.
Morrison, James
Still life composition.
McCance, William
Abstract landscape.
Robertson, James Downie
Female portrait study.
Clapham, Georgina
View of harbour with moored boats.
Edgar, Norman
From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' has eluded all commentators on Mackintosh's early water-colours. The obvious source of the symbolism is nature, and Mackintosh here reaches his most extreme distortion of organic forms.' (Roger Billcliffe).
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Influence, The Tree of Importance, The Sun of Cowardice, Charles Rennie Mackintosh, Jan 1895.
Mackintosh, Charles Rennie
The Painters Colquhoun & McBryde (The Two Roberts)
Study of the two Roberts - Colquhoun and McBryde - in their studio. Fleming's painting was the recipient of the 1938 Guthrie Award prize.
Fleming, Ian
Part of Papers and Textiles of Veronica Matthew, student at The Glasgow School of Art, 1950s
Framed watercolour with blues, oranges, and browns of the Botanical Gardens in Glasgow. Includes a blue path and orange grass. Matthew wrote "Botanic Garden" bottom right of the painting before the frame. Wrote "Matthew 223 / Full size 7/8 x 3/8 box white".
Matthew, Veronica
From The Magazine, April 1894. The long text by Mackintosh which accompanies this watercolour in The Magazine (reproduced in full in Billcliffe's catalogue) suggests that he had already encountered public hostility to his work, possibly even from fellow students, on the grounds of incomprehensibility.
Mackintosh, Charles Rennie
In art nouveau frame drawn in ink on brown backing paper: The Harvest Moon, Chas. R. Mackintosh, 1893, To John Keppie, October 1894.
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
Mackintosh, Charles Rennie
Study of two female figures, set against a background of classical statuary.
Laurie, John
Portrait of Sir Harry Jefferson Barnes
Portrait of former Glasgow School of Art director.
Donaldson, David Abercrombie
Figure drawing.
McCance, William
Abstract study.
Palmer, Joan
Oil painting, portrait of Agnes D Smith
McCance, William
Oil painting of Scottish quayside scene
McCance, William
Design for a Bookplate for Lucy Raeburn
Bound in the November 1893 edition of 'The Magazine'.
MacNair, Frances Macdonald
From The Magazine, Spring 1896. The shadow does not correspond with the object in front; it touches it and echoes it but is different.
Mackintosh, Charles Rennie
Bound in volume, The Magazine, Spring 1896. One of three watercolours depicting the seasons drawn for The Magazine.
Mackintosh, Charles Rennie
Bound in volume, The Magazine, November 1894. 'Behind a stylised tree stands another of Mackintosh's mysterious female figures, but this is the first one to appear that is not meticulously drawn. Only the head is shown in any detail, and the shape of the body is hidden by a voluminous cloak from which not even its limbs appear. This figure was to be repeated many times, becoming more and more stereotyped until, with the banners designed for the Turin Exhibition in 1902, the head is the only recognisably human part of a figure with a twelve-foot long, pear shaped torso. In 1895-96, Mackintosh was to develop this drawing into a poster for the Scottish Musical Review (Howarth, p1, 9F). The same cloaked figure appears with similar formal emblems at the ends of the branches of the bush.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Bound in volume, The Magazine, November 1894.
Mackintosh, Charles Rennie