- DC 091/1/2/44
- Item
- 1958
Technical drawing of an installation, featuring a small sketch to the top right of the drawing showing plan view of installation.
Cameron, Dugald
Technical drawing of an installation, featuring a small sketch to the top right of the drawing showing plan view of installation.
Cameron, Dugald
Initial drawing of ultrasonic medical diagnostic machine
Developed from drawings by engineers: Initial drawing /visualisation of an ultrasonic medical diagnostic machine proposed by Kelvin Hughes. 1/6 Scale.
Cameron, Dugald
Technical drawing of Swedish Ultrasonic unit
Drawing 1 of 3 of Swedish Ultrasonic unit, end elevation. Part of set with DC 091/3/1/6 & 7.
Cameron, Dugald
Drawing of Swedish Ultrasonic Unit
Line drawing, larger version of drawing 1: Swedish Ultrasonic unit, end elevation, with more detail.
Cameron, Dugald
Perspective drawing of Glasgow School of Art from the north-west
View of the Glasgow School of Art, showing Hengler's circus, prior to the construction of the second half of the building.
McGibbon, Alexander
Study of young man (standing) and two crouching figures in background (probably a Glasgow subject).
Eardley, Joan Kathleen Harding
Study of male model from behind (from GSA life class).
Eardley, Joan Kathleen Harding
Study of seated male model (from GSA life class).
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of male worshippers. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of church interior.
Eardley, Joan Kathleen Harding
Study of San Rufino, Assisi. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Italian farm study. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Drawing of elderly, seated woman (probably from Lincolnshire).
Eardley, Joan Kathleen Harding
An old, four-wheeled farm wagon.
Eardley, Joan Kathleen Harding
Bound in volume, The Magazine, November, 1894.
Mackintosh, Charles Rennie
Roof of Napton Church, Norfolk
Sketch of three angels playing musical instruments.
Mackintosh, Charles Rennie
Plate 3 North Elevation from Portfolio of Prints
An Art-Lover's house competition. Portfolio published 1902. In 1901 the Zeitschrift fur Innen-Dekoration of Darmstadt organised an international competition for the design of an Art Lover's House. The 1st prize was shared among 16 entrants, Baillie Scott recieved 2nd prize and 3rd prizes were also awarded. Mackintosh's entry was disqualified as his interior drawings were not finished in time for the competition deadline, but when they arrived he was awarded a special purchase prize of 600 marks by the publishers. The original drawings cannot now be traced, but in 1902 Alexander Koch published them as a portfolio in 'Meister Der Innenkunst' with an introduction by Herman Muthesius. A portfolio was presented by Mackintosh to the GSA and a 2nd set of prints, framed, is in the GSA collection.Muthesius in his introduction to the 'Meister der Innen Kunst' portfolio, stresses the impact and novelty of Mackintosh's design. 'The exterior architecture of the building... exhibits an absolutely original character, unlike anything else known... The mass of the building consists of a large plain black, without any breaking up of the walls, the effect being sought for in unbroken uniform surfaces... the windows have the appearance of accidental openings deeply recessed in the walls... Ornament, save in two or three places, is conspicuously absent, all allurements being sternly repressed in order that the desired effect of plainness reticence and therewithal of mystery and height, might be revealed as strongly as possible.
Mackintosh, Charles Rennie
Plate 10 The Nursery from Portfolio of Prints
An Art-Lover's house competition. Portfolio published 1902. In 1901 the Zeitschrift fur Innen-Dekoration of Darmstadt organised an international competition for the design of an Art Lover's House. The 1st prize was shared among 16 entrants, Baillie Scott recieved 2nd prize and 3rd prizes were also awarded. Mackintosh's entry was disqualified as his interior drawings were not finished in time for the competition deadline, but when they arrived he was awarded a special purchase prize of 600 marks by the publishers. The original drawings cannot now be traced, but in 1902 Alexander Koch published them as a portfolio in 'Meister Der Innenkunst' with an introduction by Herman Muthesius. A portfolio was presented by Mackintosh to the GSA and a 2nd set of prints, framed, is in the GSA collection. One of the three perspectives submitted by Mackintosh after the competition had been judged. The fitted furniture, benches and table are all loosely based on those designed for William Davidson's house Windyhill. Interesting features are the lighting standards with their tree like arrangement of lamps and the gesso panel over the fireplace, possibly depicting an episode from the Sleeping Beauty Story, credited to Margaret Macdonald. (Roger Billcliffe).
Mackintosh, Charles Rennie
Design for the Grand Hall, Glasgow International Exhibition, 1901
The competition, held in 1898, was won by the Glasgow architect James Miller with a considerably more ornate design for a 'bit of Spanish baroque confectionery' (McLaren Young). Like Miller's, Mackintosh's design derives from James Sellars' for the 1888 Glasgow exhibition, but simplified. 'The dome, perhaps a prerequisite for Glasgow exhibitions, remained, but it was presented with severe geometricality, with an Art Nouveau lantern surmounted by a Chinese coolie hat.'
Mackintosh, Charles Rennie
Design for Liverpool Cathedral: preliminary sketch
Preliminary sketch of building. The competition for the Liverpool Anglican Cathedral was won by Giles Gilbert Scott. Mackintosh's design was unpremeditated, although it drew comment.
Mackintosh, Charles Rennie
Design for fireplace, Morning Room, Prospecthill House
Design for Miss Rowat. The job books indicate that this commission was carried out, but no photographs exist to indicate how closely the executed work followed this design. A completely new motif is introduced with the wavy apron below the top shelf which provides relief to an otherwise rigidly geometrical design.
Mackintosh, Charles Rennie
Design for a Memorial Fireplace, The Dug-Out, Willow Tea Rooms, Glasgow
Inscribed: This room was opened by Miss Cranston in the year 1917 during the Great European War between the Allied Nations and the Central Powers.The Dug-Out, which Miss Cranston created in the basement of the Willow Tea Rooms was Mackintosh's last work in Glasgow (designed while he was living in London) and develops his new style seen in 78 Derngate. A dramatic interior was created with black ceilings and dark walls highlighted by strong colours in the decorations. The centrepiece was the Memorial Fireplace, decorated with inlaid glass and paintings of the flags of the opposing nations; above the commemorative plaque was a panel of stencilled decoration in chequers, diamonds and triangles, all in the bright colours used in the Derngate frieze. Two interior elevations indicate Mackintosh's schemes for decoration and furniture, some of which survives.
Mackintosh, Charles Rennie
Design for Conversazione Programme
Designed for the Glasgow Architectural Association.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of basement floor
Architectural drawing showing basement floor plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: elevation to Renfrew Street
Architectural drawing showing north elevation. The main difference between the completed North elevation and that shown in the 1896-97 design is the addition of an attic storey, but by setting back the upper row of windows Mackintosh made them quite invisible from Renfrew Street.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of first floor
Architectural drawing showing first floor plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plan of first floor
Architectural drawing showing first floor plan.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: additions to South-East wing - lower left
Architectural drawing showing various additions to building. The handwriting suggests that this sketch plan was not drawn by Mackintosh himself, but probably by a draughtsman in his office.
Mackintosh, Charles Rennie
Design for Glasgow School of Art: plans for fire exit - East wing
Architectural detail of Mackintosh Building.
Mackintosh, Charles Rennie
Half-length study of man wearing jacket (probably a Glasgow subject).
Eardley, Joan Kathleen Harding
Binnie, Maureen
Various detailed studies of roof trusses.
Ferguson, Hugh C S
Shops and flats - working drawings
Half plan shop/flat. Elevations to North/South.
Ferguson, Hugh C S
Ground floor/first floor plan. Label reads "Brough prize 1958".
Ferguson, Hugh C S
First floor hall. Chair and light details.
Ferguson, Hugh C S
Elevation, 'Martini' logo.
Ferguson, Hugh C S
Glasgow Cathedral chapter house
Full size sectional details; group of three attached columns.
Ferguson, Hugh C S
Glasgow Cathedral chapter house
Full size sectional details; cap to pier columns.
Ferguson, Hugh C S
Glasgow Cathedral chapter house
Measuring one - chapter house.
Ferguson, Hugh C S
Glasgow Cathedral chapter house
Centre pier, section AA/BB.
Ferguson, Hugh C S
Sheet No.2 - site plan, section at AA/BB.
Ferguson, Hugh C S
An indoor bowling pavilion: The Rutland Prize
Sheet No.2 - Elevation to sea front (South).
Ferguson, Hugh C S
Photograph of drawing that appears in La Revue Moderne magazine
Photograph of a drawing by Ferguson of an Insurance Office on St James's Street in London which appeared in the French magazine, La Revue Moderene, of March 1972.
Ferguson, Hugh C S
Letter about a drawing that appears in La Revue Moderne magazine
Letter from Sun Alliance & London Insurance Group about the company's building at 88 St James's St, London, the subject of a drawing by Ferguson which appeared in the French magazine, La Revue Moderene, of March 1972.
Ferguson, Hugh C S
Decorative details.
Carrick, James Andrew
Plant study with hemlock seedhead. Ravenna coat of arms, top right.
Fulton, James Black
Mule.
McGlashan, Archibald A
Balconies.
McGlashan, Archibald A