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A thesis exploring links between the North and Scotland, and discussing issues of climate change and its effects on the Arctic pack ice. The thesis relates to a series of models and publications produced as part of a final year student project.

Volume detailing the processes which resulted in a final series of models and publications. These were produced as part of a final year student project, addressing issues of climate change and the relationship between Scotland and the North.

A Taxonomy of the North produced as part of a final year student project, addressing issues of climate change and the relationship between Scotland and the North.

A monochrome photograph of a watercolour painting featuring the distant landscape of Knoydart viewed from the Isle of Skye, Scotland. Annotated "The Knoydart Hill from Skye" on the reverse, but not dated.

A monochrome photograph of a watercolour painting depicting the landscape of the Eildon Hills in Melrose, viewed from Dryburgh, Scotland. Signed "W. Meldrum" on the backing paper, with the annotation "The Eildon Hills. From Dryburgh" on the reverse, but not dated. Presumed to be part of the same series as the identical photograph (DC 120/2/14).

An accompanying photograph of the watercolour landscape painting featuring the mansion in the country. Presumed to be part of the same series as the identical photograph (DC 120/2/12). Signed "W. Meldrum" and dated "1920," assumed to be the year of creation of the painting.

A monochrome photograph of a watercolour landscape painting featuring the Cuillin Hills viewed from Strathaird on the Isle of Skye, Scotland. Annotated "The Cuillin Hills from Strathaird, Loch Bracadale" on the reverse, but not dated.

An accompanying photograph of the watercolour landscape painting depicting the house in the country. Presumed to be part of the same series as the identical photograph (DC 120/2/10). Signed "W. Meldrum," but not dated.

A monochrome photograph of a watercolour painting depicting the landscape of the Eildon Hills in Melrose, Scotland. Signed "W. Meldrum" on the backing paper, with the annotation "Views of the Eildon Hills, Abbotsford" on the reverse, but not dated.

A monochrome photograph of a watercolour painting featuring the river Tweed in Melrose, Scotland. Annotated "The Tweed near Melrose" on the back side of the paper.

A monochrome photograph of a watercolour painting featuring a plain in the country. This work is not dated.

A drawing featuring the landscape view of a mountain peak of Marsco near Glen Sligachan, on the Isle of Skye, Scotland. Includes annotations indicating the location of drawing, "Marsco, Glen Sligachan, Clach Glas, Bheinn," but has no dates.

A drawing of a village view from a small square, featuring possibly Tudor style houses and a distant castle beyond the houses. This work is not dated.

An undated drawing of hands stacked over one another.

A rough sketch of a nude woman sitting with one arm folded. Signed "W.M." but not dated. The paper has been stamped with the embossed letters, "E.S.K. (Examined South Kensington)," indicating the late 19th century art education system in the UK.

A rough sketch featuring a standing woman with drapery, viewed from the back. Signed "W.M." with pencil, but not dated. Embossed letters "E.S.K. (Examined South Kensington)" stamped on the sheet indicate the late 19th-century UK art education system.

A sketch depicting a reclining woman in a white draped dress resembling the classical Himation. Signed "W. Meldrum." and stamped with the embossed letters "E.S.K. (Examined South Kensington)" indicating the late 19th-century UK art education system.

An undated rough sketch, presumably for one of his drawings in the collection, "Drawing of Marsco (DC 120/1/11)."

A drawing of a nude woman lying down, twisting her upper body while supporting her weight with an elbow, with downcast eyes. This work features shading of the entire background using pencil. Undated.

A drawing of a woman laying down in a twisting pose, while supporting her weight with an elbow and a hand. This work features shading of the entire background using pencil. Not dated.

A sketch depicting a draped classical Himation worn by a standing man. Signed "W.M." and stamped with the embossed letters "E.S.K. (Examined South Kensington)" indicating the late 19th-century UK art education system.

A sketch using pencil and white chalk and featuring a draped classical outfit, seemingly women's Chiton. The sheet has been Signed "W. Meldrum," stamped with "E.S.K. (Examined South Kensington)," and attached to backing paper.

A sketch of a landscape featuring a building with a tower peeking out beyond the trees. Undated.

A sepia-toned photograph of a watercolour painting depicting a park view. The bottom right side has been slightly degraded that the fibre-based layer separated from the paper base are exposed; presumed to be Gelatin silver printed. Undated.

A monochrome photograph of a watercolour painting depicting the front yard of a house. The paper has been faintly signed "W. Meldrum" on the bottom right, annotated "Skye" on the reverse, but not dated.

An illustrative drawing of a roe deer fleeing from two dogs in the forest. Undated.

An undated landscape sketch depicting a town view as seen from the upland. A man stands to the left of several typical houses, with the distant church in the background.

A small drawing featuring a stream under a bridge next to a house in a village. This work is not dated, but has some texts on the reverse, presumed to be Meldrum's diary.

This work is presumed from the same series as "Pressed seaweed art (DC 120/1/1)," but not dated. Two pieces of kelp and red dulse seaweed are attached to the paper.

A small design sketch of leaves on a grid. Undated.

A small landscape drawing featuring the outskirts of the countryside with a castle in the distance. This work is signed "W. M." and presumably dated "9.5," but with no exact year of creation.

A drawing made of dried kelp and red dulse seaweed from the sea near Millport in A, Scotland. Annotated "Millport. ap 3. 36." presumed to be the creation date. The pieces of seaweed adhere to the paper, maintaining their natural shapes.

A design sketch for a cup and saucer set, including side elevation drawings of the cup and two sketches of the saucer. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy."

Five pieces of teaching examples for printmaking, attached to backing paper. A few prints were created using both intaglio and relief printing techniques, while the others are relief prints. Also used as teaching materials in schools in Scotland, as marked the level of students "Fifth year."

Nine pieces of teaching examples for printmaking, attached to backing paper. These woodcut-printed examples include two pattern designs and seven printed drawings. Also used as teaching materials in schools in Scotland, as marked the level of students "Fourth year."

Six pieces of teaching examples for printmaking, attached to backing paper. A few prints have been engraved with letters indicating that these prints are intended for school activity poster designs. Also used as teaching materials in schools in Scotland, as marked the level of students "Fifth year."

Four pieces of teaching examples for printmaking, attached to backing paper. These woodcut prints were created using potentially intaglio and relief printing techniques. Also used as teaching materials in schools in Scotland, as marked with the level of students "Sixth year."

A title page for Murphy's teaching example portfolio. The sheet is attached to backing paper and titled "Printing."