- NMC/0026
- Item
- 1956
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of trees.
Laurie, John
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This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of trees.
Laurie, John
Wood scene near Sevenoaks, Kent. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Abstract study of trees.
Robertson, James Downie
Heavily annotated by artist.
Thomson, Robert Sinclair
Landscape under snow. Possibly near Pinwherry, Ayrshire.
Alison, Henry Young
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Country track under snow; possibly near Pinwherry, Ayrshire.
Alison, Henry Young
Landscape under snow. Possibly near Pinwherry, Ayrshire.
Alison, Henry Young
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Winter landscape with cottage under snow. Location: Pinwherry, Ayrshire.
Alison, Henry Young
Windmill with labourers in foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Vinewood Hills - cross section model
The sculpture translates a cross-section of the Vinewood Hills from the 'Grand Theft Auto' video game into a physical scale model.
Dalzell, Timothy
Drawing of church or minster, with herd of cattle in foreground.
Anderson, Agnes
Probably the Cote Vermeille, France. "A E Haswell Miller 1920", bottom left.
Miller, Archibald E Haswell
Miller, Josephine Haswell
Study of cottage in North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
View of part of Battle Abbey, Sussex
View of Battle Abbey with sheep grazing in foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Landscape study. Signed verso: "View of Gourock Pier".
Christie, Fyffe
Landscape with farmhouse. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of mills at Bromley, Kent and Dulwich Common, Surrey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of two water mills near Llanfair, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Two cottages; near Knowle, Warwickshire and Bromley, Kent. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Snowdon seen across Fraeth Mawr, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
View of small town with church and halls in the distance.
Bliss, Douglas Percy
Study of three bridges; near Knowle (Warwickshire), Leicester and North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Study of three bridges; near Birmingham, Llanberis, (North Wales) and Arden, Warwickshire. Published in London.
Cox, David
Studies of cottages and part of Caernarvon Castle, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
View of Italian hill-top Town. One of seven works presented to GSA by the Scottish Arts Council, as a result of the Council's collection being broken up and dispersed across Scotland.
McKenzie, Alison
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Summer landscape, with trees and water to foreground.
Alison, Henry Young
Study of trees.
Alison, Henry Young
View on the coast of Hastings. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Drawing of the bridge and abbey.
Anderson, Agnes
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape with figure amongst trees, Ayrshire.
Raeburn, Agnes
Shepherd and sheep. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Mackintosh, Charles Rennie
Part of Papers of James Cosgrove
Drawings and paintings, including landscapes and figurative representations.
Cosgrove, James
Various abstract landscape designs.
Palmer, Joan
12 bound pages, 8 loose sheets, various studies, landscapes, figures.
Rogers, William G
Part of Mary Ramsay artworks
A sketchbook of artworks by Mary Ramsay. This item includes a number of pastel and pencil drawings of landscape scenes and floral studies; however, most of the pages are left blank.
Ramsay, Mary
Small artist's sketchbook featuring sketches of Scottish landscapes; 32 single sheets with card covers.
Brydall, Robert
Unfinished study of trees.
Pringle, John Quinton
Part of Papers and photographs of William Meldrum, artist, student at The Glasgow School of Art, Scotland
An undated landscape sketch depicting a town view as seen from the upland. A man stands to the left of several typical houses, with the distant church in the background.
Meldrum, William
Part of Papers and artworks related to Colin Wilson, student at The Glasgow School of Art, 1970s
Woodblock print of landscape and trees in black and white with painted sky. The print is marked as edition 5/10 and signed and dated.
Wilson, Colin
Part of Papers and artworks related to Colin Wilson, student at The Glasgow School of Art, 1970s
Woodblock print of landscape and trees in black and white. The print is marked as edition 9/10 and signed and dated.
Wilson, Colin
Part of Papers and artworks related to Colin Wilson, student at The Glasgow School of Art, 1970s
Woodblock print of landscape and trees in black and white. The print is marked as edition 4/10 and signed and dated.
Wilson, Colin
Part of Papers and artworks related to Colin Wilson, student at The Glasgow School of Art, 1970s
Woodblock print of landscape and trees in black and white. The print is marked as edition 2/10 and signed and dated.
Wilson, Colin
Part of Papers and artworks related to Colin Wilson, student at The Glasgow School of Art, 1970s
Woodblock print of landscape and trees in black and white with painted sky in brown. The print is marked as edition 2/10 and signed and dated.
Wilson, Colin
Part of Papers and artworks related to Colin Wilson, student at The Glasgow School of Art, 1970s
Woodblock print of landscape and trees in black and white with painted sky in brown. The print is marked as edition 3/10 and signed and dated.
Wilson, Colin
Part of Papers and artworks related to Colin Wilson, student at The Glasgow School of Art, 1970s
Woodblock print of landscape and trees in black and white. The print is marked as edition 3/10 and signed and dated.
Wilson, Colin