- NMC/1237
- Item
- 1924
"Norham Castle. Northumberland Aug 1924" (in pen), bottom right.
Miller, Archibald E Haswell
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"Norham Castle. Northumberland Aug 1924" (in pen), bottom right.
Miller, Archibald E Haswell
Llanilted Vale, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
'Night Ride to Alston, Hairpin at Cupola'
Abstract landscape in shades of blue, grey, brown and beige - fading distant light suggested. Possibly bleach treated.
Manning, Mick
Abstract landscape.
Robertson, James Downie
Study of river valley. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
"AE Haswell Miller, 1922" (in pencil), bottom left.
Miller, Archibald E Haswell
Museum, The Glasgow School of Art
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This painting of the first-floor museum, looking East, is one of the very earliest artistic depictions of the building's celebrated interior.
Anderson, Elizabeth
Mural design for Decorative Arts Building
Annotated by artist.
Miller, Archibald E Haswell
"AEH Miller, Munchen 1908".
Miller, Archibald E Haswell
"AEH Miller, Munchen 09".
Miller, Archibald E Haswell
Rough ink sketch on reverse.
Thomson, Robert Sinclair
Views of Windsor Castle and Conway Castle. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Fish market on the beach, Hastings. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Riverside composition. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Morning at Eton College. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Underwater reeds.
Palmer, Joan
View on the Thames near Chertsey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Annotated by artist.
Miller, Archibald E Haswell
Miller, Archibald E Haswell
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Image of bird against abstract background.
Brown, Neil Dallas
Bridge and pollard willows. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Midday, view of a cornfield. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Cottage near Birmingham. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Part of Papers of James Cosgrove
Poem sent from Mexico to Janet Cosgrove.
Cosgrove, James
Alison, Henry Young
With farm buildings in centre of composition.
Gray, William
Maurice Greiffenhagen: self portrait
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Self portrait.
Greiffenhagen, Maurice
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of wolf and arrowed target.
Brown, Neil Dallas
"A E H Miller" (in pencil), bottom right.
Miller, Archibald E Haswell
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Sitter was donor's late husband's aunt.
Crawford, Hugh Adam
Miller, Archibald E Haswell
Part of Papers and artworks related to Colin Wilson, student at The Glasgow School of Art, 1970s
Oil painting on board of a man standing on a bridge over a river in with hills and trees in background. The painting is signed 'C. Wilson. 71' There is a label on the back of the painting marked 'DALER BOARD FOR OILS' listing the stock sizes of the manufacturers' boards.
Wilson, Colin
Part of Papers and artworks related to Colin Wilson, student at The Glasgow School of Art, 1970s
Abstract oil painting in black, yellow and white of an open-mouthed man seated on a chair surrounded by geometric structures. The painting is signed 'Wilson 1972'. The back of the board is marked with a company stamp which reads 'CANVAS BOARDS FOR PAINTING IN OIL COLOURS' and the size of the board.
Wilson, Colin
Part of Papers of James Cosgrove
Small-scale painting of the head of a man surrounded by flying birds. With the words "Tambien de Borricas ay mascaras literatos".
Cosgrove, James
Study of male figure; naked torso.
Brown, Margaret Oliver
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Self-portrait, or portrait of artist's brother Henry Y. Alison.
Alison, David
"AE Haswell Miller 1928" (in pen), bottom left.
Miller, Archibald E Haswell
Malcesine waterfront, Lake Garda, Italy
"Malcesine, Lago di Garda" (in pencil), bottom right.
Miller, Archibald E Haswell
Still life with mackerel. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Lunch, Original Refectory, GSA 42/43
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. GSA students and staff featured in this work include (from left to right), amongst others: Harry McLean, GSA student and conservator (seated at table bottom left, resting elbow on table); Hugh Adam Crawford, GSA staff, Drawing and Painting department (standing, front-facing, slightly left of centre); Joan Eadley, GSA student and artist (centre, standing, facing left); John Miller, GSA staff, Drawing & Painting department (slightly right of centre, facing right, carrying portfolio under right arm); Margot Sandeman, GSA student and artist (slightly right of centre, facing right, arms folded, in conversation with Cordelia Oliver); Cordelia Oliver, GSA student, art critic and journalist (slightly right of centre, facing left, in conversation with Margot Sandeman); Margaret McGavin, GSA student and artist (right of centre, adjacent to Cordelia Oliver, front-facing but looking right, in conversation with another female student); David Donaldson, GSA staff, Drawing and Painting department (right of centre, left-facing, positioned between Margaret McGavin and the female student she is talking to); Benno Schotz, GSA staff, Modelling and Sculpture department and sculptor (right hand side, facing left); Timothy Powell, GSA staff, Graphic Design department (right hand side, in the foreground, front-facing, wearing a suit).
Gardner, Tom
Miller, Archibald E Haswell
Part of Papers of James Cosgrove
Illustrations, sketches, collage, including some loose drawings stored in the back pocket. Includes landscapes, seascapes, and portraits, and some writing about the weather.
Cosgrove, James
Miller, Archibald E Haswell
Another design verso.
Miller, Archibald E Haswell
Study of red and white lilies and bluebells.
Anderson, Daisy McGlashan
Figure study.
Parker, Agnes Miller
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
An abstract composition with outline of two figures. Small pieces of paper collaged to surface and shaded in a cream coloured gouache, and black crayon. Pale blue paint in background.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
In 1896 McNair held his first one-man show, an exhibition of pastels at the Gutekunst Gallery, London. Twenty-one works, including this, were displayed in distinctive dark-stained wood frames. McNair had clearly drawn inspiration from Whistler’s exhibition installations, even down to the typesetting of the catalogue. The entry for this work explained, ‘The Fairy is guarding the Leaf of Love from the Witch of Evil who has robbed the Tree of Life of all its other leaves.’
MacNair, James Herbert