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With stylised leaves and Greek lettering. Bears illegible maker's stamp. Annotated with faint, illegible Greek lettering.

Bears "Musée de Sculpture Comparée du Trocadero, Paris" maker's stamp. Annotated "976" and other illegible numbers.

Bears "Musée de Sculpture Comparée du Trocadero, Paris" maker's mark.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

Original: Created at some time between 130 and 100 BC, to revive pre-hellenistic ideas. It is believed to depict Aphrodite (Venus to the Romans) the Greek goddess of love and beauty. Original excavated in 1820 on the Island of Melos. Original currently in the collection of the Louvre, Paris, France.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.

Original: Created at some time between 130 and 100 BC, to revive pre-hellenistic ideas. It is believed to depict Aphrodite (Venus to the Romans) the Greek goddess of love and beauty. Original excavated in 1820 on the Island of Melos. Original currently in the collection of the Louvre, Paris, France.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018.

Original: Created at some time between 130 and 100 BC, to revive pre-hellenistic ideas. It is believed to depict Aphrodite (Venus to the Romans) the Greek goddess of love and beauty. Original excavated in 1820 on the Island of Melos. Original currently in the collection of the Louvre, Paris, France.

Original: Andrea della Robbia, c1479. Glazed terracotta. A variant of the Brizi Adoration relief at La Verna, Italy. Currently in the collection of the Courtauld Institute of Art, London, UK. Annotated: "2168".

Original: Andrea della Robbia, c1487. Blue and white tin-glazed terracotta. Florence, Italy. The original relief is believed to have been commissioned by Gabriele di Cambio de' Medici, whose marriage to Lucrezia di Alessandro Rondinelli took place in 1487-88. The style of the relief is related to that of Andrea del Verroccio.

Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Bears "Commission Royale Belge Atelier du Moulage, Bruxelles" maker's mark.

Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Annotated "D Brucciani & Co" and "324".

Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Bears "D Brucciani & Co" maker's stamp. Annotated: "324".

In relief. Original: c100AD. Marble. Currently in the National Museum, Naples, Italy.

Carved in relief, female figure in draped clothes. Figure is leaning on a sythe with a jug pouring out water at her feet. Original: Jean Goujon, c1550. Marble. Paris, France.

Carved in relief, female figure in draped clothes. Figure is holding the jug and pouring out water (front view). Original: Jean Goujon, c1550. Marble. Paris, France.

Carved in relief, female figure in draped clothes. Figure is holding the jug and pouring out water (back view). Original: Jean Goujon, c1550. Marble. Paris, France.

Carved in relief, female figure in draped clothes. Figure is carrying an object. Original: Jean Goujon, c1550. Marble. Paris, France.

Panel showing scrolling foliage with two central figures turned toward each other in relief.

Plaster length made from indentations of 3D printed histology slides.

Plaster bust maquette of Sir John Ritchie Richmond, for the bronze sculptured bust in GSA's collection.

Plaster relief roundel with raised silhouette portrait of Charles Dowell and 'Chas R Dowell 1920' in raised lettering in legend. Signed W T Miller.

Plaster portrait after a 15th century bronze bust of Dante Alighieri in the Museo Archeologico Nazionale, Naples.

Portrait bust of Professor Smith, with triangular stand.

Plaster bust after one of several "seated Voltaire" sculptures completed by the workshop of Jean Antoine Houdon in the late 18th century.

Poster for Sculpture and Environmental Art exhibition, 2013

Students named in poster are Brigid Daly, Hugh Pottiger, Dorothy Cairns, Ruaridh Macpherson, Todd Braylor Pleasants, Grace Anne Johnston, Sarah Garcia, Luca George, Sharon McBrearty, Krysia Kordeki, Caroline Gooch, Louis Shekal, Christopher A W Milligan, Rachel Levine, Amy Pickles, Gordon Andrew McKerrow, James MacEachran, Jamie Kane, Gordon Douglas, Muyan Gao, Chris Silver, Delphine Dallison, Jen Martin, Rosie Sillitoe, Justyna Ataman, Aleksandra Roch, Patrick Queen, Dawn Mackinnon, Julia Wylie and Holly Goldsworthy.

Poster for exhibition 'A Basketful of Currencies', Glasgow Arts Centre, Glasgow. The exhibition featured paintings and sculpture by Richard Walker, Peter Bevan, John Main and Tommy Lyndon. The date for the exhibition is given as 01 Sep-22 Sep, no year is given but it was held in 1990.

Source: https://archive.list.co.uk/the-list/1990-09-14/66/

Print of 'An Angel Adoring' by Robert Anning Bell. Protective cover sheet has annotation which attributes the original work to Robert Anning Bell, and the medium as a coloured plaster relief.

Located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies

Plaster cast after the right ear of Michelangelo's David.