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Coat of Arms for the stairwell at Glasgow School of Art

This item was severely damaged in the fire in The Mackintosh Building at The Glasgow School of Art on 15th June 2018. Some fragments have been salvaged. The bell survives as it was not in the building at the time of the fire.

The symbols which form the Glasgow coat of arms all refer to miracles performed by St. Mungo, the patron saint of the city who is normally represented with these emblems on the coat of arms. They first appeared on the seals of bishops of Glasgow, the fish on the seal of William Wishart in 1270, the bird on the seal of Robert Wishart in 1271. They were used together for the first time on the seal of the Chapter of Glasgow in 1488. The salmon with the ring in its mouth refers to the story of the local Queen who gave her ring to a knight she was in love with, the jealous King stole the ring from the knight while he was asleep and then demanded it back from the Queen, having thrown it into the Clyde. In desperation she prayed to St. Mungo who told his followers to cast their fishing nets in the river and bring him the first fish that they caught, a salmon with the Queen's ring in its mouth. The tree represents the green hazel twig which Mungo restored to life after his companions had killed it. The bell represents the service bell used in Mungo's church and still in Glasgow until c1700. Mackintosh's tree is highly abstract in its Art Nouveau 'whiplash' spirals untypical of his work. The bird is a modern replacement of the stolen original.

Mackintosh, Charles Rennie

Cosgrove 3rd Textiles

Glasgow School of art Third Year Printed Textiles sketchbook labelled 'Botanic Gardens 1969'. Abstract designs.

Cosgrove, James

Daylight effects on street: looking through North Court Royal Exchange from Royal Exchange Square

Free hand sketch showing the contrast between immediate shade and distant sunlit. Buildings invite you through the lane and rewards you at the other end with a street where you can check your bearings. Cobbles just past archway indicate lane running across path.

Platt, Christopher

Daylight effects on street: Royal Bank Place

Free hand sketch describing Royal Bank Place as a peaceful space, very different from Royal Exchange Place (other side of arch) or Buchanan Street where there is either vehicular traffic or pedestrian traffic. Nothing invites you through the Arch except the sun.

Platt, Christopher

Design criteria: "The eight proposals"

A tracing paper showing the eight proposals from the Design criteria.
1- Thou shalt have thy sleeping/recreational space away from thy work space
2- Thou shalt have some plant life in thy study bedroom
3- Thou shalt have a wash hand basin near some natural light
4- Thou shalt have storage to lay A1 sheets flat
5- Thy study/writing space must be attached to and lower down than thy drawing space
6- Thy bed must not be opposite an open door
7- Thou shalt have facilities for an electric kettle
8- Thou shalt have shelving above the bed and the drawing/study space

Platt, Christopher

Design for the Grand Hall, Glasgow International Exhibition, 1901

The competition, held in 1898, was won by the Glasgow architect James Miller with a considerably more ornate design for a 'bit of Spanish baroque confectionery' (McLaren Young). Like Miller's, Mackintosh's design derives from James Sellars' for the 1888 Glasgow exhibition, but simplified. 'The dome, perhaps a prerequisite for Glasgow exhibitions, remained, but it was presented with severe geometricality, with an Art Nouveau lantern surmounted by a Chinese coolie hat.'

Mackintosh, Charles Rennie

Different kinds of Street's lightings

Free hand sketches showing different kinds of lighting on three different street at Glasgow:

  • Maxwell Street from Howard Street,
  • St. Enoch Car Park, Pedestrian Entrance view from inside,
  • St. Enoch Car Park, Pedestrian Entrance view from outside.

Platt, Christopher

Drawings 1983

Sketchbook, drawings of figures, some loose inserts. Inside of front cover states "Jimmy Cosgrove Glasgow School of Art 1983". Inside of back cover states "Jimmy Cosgrove Rome Notebook 1982".

Cosgrove, James

Edge of A Wood, Milngavie

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Landscape study of woods in Milngavie, near Glasgow. Verso: 'Edge of a wood, Milngavie', John Laurie, 4 Somerset Place Mews Glasgow G3.

Laurie, John

Evergreen Club: Elevations

Detail drawings on tracing paper for project 2 Evergreen Club elevations all in scale of 1:100 showing the front elevation facing east, the rear elevation facing west, and two side elevations facing south and north. Human figures are included to bring drawings to life. The design indicates how the club fits within the surrounding landscape.

Platt, Christopher

Evergreen Club: Plan & sections

Detail drawings on tracing paper for project 2 Evergreen Club. Plan and sections all in scale of 1:100. The floor plan shows room types, dimensions and furniture. Sections aa, bb, cc are all in details and include height dimensions, construction materials, and heating methods. Human figures are included to bring drawings to life. The design includes some facilities for disabled people.

Platt, Christopher

Evergreen Club: Section CC

Detail drawings on tracing paper for project 2 Evergreen Club section cc in scale of 1:20. Human figures and furniture are included to bring drawing to life. The design shows all the construction materials and details including:

  • Floor materials and construction method
  • Foundations
  • Roof materials and construction method
  • External and internal wall materials and construction method including windows openings
  • Heating system

Platt, Christopher

Folio of calligraphy

Folio containing calligraphy and illuminated heading/border, addressed to Eliza Jane Aikman. Front of folio has a pencil sketch, which dates the folio to 1925.

Originally located inside folder (DC 094/1/2/1).

Doddrell, Dorothy Maria F

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