Palazzo Piccolomini, Pienza/Santa Maria della Pace, Rome
- NMC/0358OO
- Item
- c1907
Comparative elevations of both buildings. Drawing of Palazzo Piccolomini wrongly attributed (by artist) to Pisa.
Revel, John D
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Palazzo Piccolomini, Pienza/Santa Maria della Pace, Rome
Comparative elevations of both buildings. Drawing of Palazzo Piccolomini wrongly attributed (by artist) to Pisa.
Revel, John D
Elevation/Raffael Arch.
Revel, John D
Detail from elevation.
Revel, John D
Study of building's facade.
Fulton, James Black
Italian farm study. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Mosaic in St Marks, Venice (right hand side)
Study undertaken as part of Italian visit, complete with notation.
McGlashan, Archibald A
Mosaic in St Marks, Venice (left hand side)
Study undertaken as part of Italian visit, complete with notation.
McGlashan, Archibald A
Montefalco, near Perugia, Italy
Study of town buildings with church tower in the background.
Selby, Frederick
Little bridge over Venetian canal
Study of a Venetian canal. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Miller, Josephine Haswell
Landscape with mountains and buildings on hilltop, Italy
Miller, Josephine Haswell
Miller, Josephine Haswell
Miller, Josephine Haswell
This sketchbook consists of 81 pages of sketches made by Charles Rennie Mackintosh during his trip to Italy in 1891 funded by his Greek Thomson travelling scholarship prize money. The subjects he sketched are mainly architectural, with the one he felt to be most impressive being labelled 'A Caution'. Each sketch is labelled with the name of the city or town in which it was sketched. In 1890 Mackintosh won the Alexander 'Greek' Thomson Travelling Scholarship with a design for a public hall, which enabled him to take an extensive tour abroad from February to July 1891. He left Glasgow for London on 21 March 1891, sailing from Tilbury on the Thames on 27 March and arriving in Naples on 5 April. He then visited Palermo in Sicily, Rome, Orvieto, Siena, Florence, Pisa, Pistoia, Bologna, Ravenna, Ferrara, Venice, Padua, and Vicenza, arriving in Verona on 10 June 1891. The Sketchbook contains drawings from the later part of Mackintosh's tour, from 10th June, with sketches, mostly of architectural and sculptural details, beginning with Verona. It covers Verona (11-14 June); Mantua (14 June); Cremona (14-15 June); Brescia (16 June); Bergamo (17 June); Lecco (18 June); Cadenabbia and Lake Como (19-25 June); Como (26-27 June); Milan (28 June-6 July); Pavia (7 July-?); Certosa di Pavia (probably several days around 12 July); Paris and Chateau d'Ecouen (late July?); Antwerp (late July? - briefly visited on his return journey). It also contains several pages of designs for the Glasgow Art Club (1892-3) and the Glasgow Herald Building (1893-5). The drawings themselves are almost all pencil sketches, some of which are now quite faint.
Mackintosh, Charles Rennie
Italian Romanesque Architecture
Page titled 'Italian Romanesque' at top. This page features sketches and text relating to 'S. Michele, Pavia' and 'S Ambroggio, Milan'.
This is the seventeenth page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.
Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.
Gorman, James
Miller, Josephine Haswell
Tower, roof tops and hills.
Selby, Frederick
Tower, roof tops and trees.
Selby, Frederick
Study of a park.
Selby, Frederick
View of town with fields to the foreground.
Selby, Frederick
Unidentified Italian hill town. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Miller, Josephine Haswell
View of town seen from the roof tops.
Selby, Frederick
View of church tower and roof tops.
Selby, Frederick
Italian (Tuscan?) farm house with olive groves.
Selby, Frederick
Small street lined with trees, looking towards Lighthouse.
Selby, Frederick
Small street lined with trees. Possibly same view as NMC/144.
Selby, Frederick
Interior view of an Italian chapel, with scattered chairs. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Fontana delle Tartarughe, Rome
Study of the 'Turtle Fountain' by Giacomo della Porta.
Fulton, James Black
Fontana delle Tartarughe, Rome
Study of the 'Turtle Fountain' by Giacomo della Porta.
Fulton, James Black
View of Florence. Published by R.H. Laurie and Jas. Whittle, 53 Fleet Street, London.
*Not available / given
View of Venice. Published by R.H. Laurie and Jas. Whittle, 53 Fleet Street, London.
*Not available / given
Page titled 'Etruscan Architecture' at top right. This page features sketches and text related to Etruscan influence on Roman architecture.
This is the twentieth page of James Gorman's collection of handwritten, illustrated pages on the history of architecture which were produced as classwork for 'Section II'.
Please be aware that these pages should be read from NMC/1703A-Z, then NMC/1703AA, AB etc.
Gorman, James
Part of Papers of James Cosgrove
Sketchbook, drawings of figures, some loose inserts. Inside of front cover states "Jimmy Cosgrove Glasgow School of Art 1983". Inside of back cover states "Jimmy Cosgrove Rome Notebook 1982".
Cosgrove, James
Design for an Italian Gothic facade
Study of window tracery on Venetian building.
Mackie, Thomas Callendar Campbell
Cypress trees overlooking houses and hills, Italy
Miller, Josephine Haswell
Study undertaken as part of Italian visit.
McGlashan, Archibald A
Church interior, Basilica di San Marco, Venice
Study of male worshippers. One of Eardley's paintings undertaken as part of her art school travelling scholarship.
Eardley, Joan Kathleen Harding
Church interior, Basilica di San Marco, Venice
Study of church interior.
Eardley, Joan Kathleen Harding
Study of church door. Study undertaken as part of Italian visit.
McGlashan, Archibald A
Chigi Chapel, Santa Maria del Popolo, Rome, panel mouldings in spandrils
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, half section through chapel
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, half elevation to church
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, circular cornice to drum of dome
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, circular cornice to drum of dome
Henderson, Andrew Graham
Chigi Chapel, Santa Maria del Popolo, Rome, centre pattern of pavement
Henderson, Andrew Graham