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An undated rough sketch, presumably for one of his drawings in the collection, "Drawing of Marsco (DC 120/1/11)."

Includes drawings and landscape paintings and sketches, notes and designs of the playground, Grounds for Play, and the Art Park centre for Art and Heritage at House for an Art Lover, Bellahouston Park, Glasgow. Also includes a series of 14 photographic reproductions of acrylic paintings of landscapes.

Street lined with trees and small building in background.

A drawing in graphite pencil of an ancient sarcophagus with the head rendered in white correction fluid. The drawing also features half of a figure with patterned dress and background. Annotated verso: "leather figure of a man." with drawing.

Three printed graphic designs featuring school magazine covers, annotated "Motherwell R.C. H.G. School Magazine." and attached to textured backing paper. This work was used as teaching material in schools in Scotland, as marked the level of students "Fifth year."

Black screen print of a naked female figure sitting cross legged on a carpet with a plant to the left. Paper is cut open at the top. Signed at bottom by Helen Biggar. Various sketches of planes verso.

A two sided drawing in charcoal and graphite pencil on white paper. One side features drawings of figurative sculptures from antiquity displayed on plinths. Featuring the head of an Egyptian style sculpture and torso. The other side is a composition in pencil showing sculptures on plinths and lilies in the foreground.

Figure drawing.

Quick, sketch study of female model.

Study of a seated man at a table. Another portrait study, verso.

Self portrait, tonal pencil drawing of head and shoulders. Also features sketches at the side, working out proportions of nose. Dugald and his classmates were required to produce a self portrait once a week as part of their drawing class lead by W Drummond Bone.

Self portrait, tonal pencil drawing of head and shoulders. Small sketch of lips to the left side of the drawing. Dugald and his classmates were required to produce a self portrait once a week as part of their drawing class lead by W Drummond Bone.

Self portrait, tonal drawing of head and shoulders. Dugald and his classmates were required to produce a self portrait once a week as part of their drawing class lead by W Drummond Bone.

A sketch depicting a draped classical Himation worn by a standing man. Signed "W.M." and stamped with the embossed letters "E.S.K. (Examined South Kensington)" indicating the late 19th-century UK art education system.

A rough sketch of a nude woman sitting with one arm folded. Signed "W.M." but not dated. The paper has been stamped with the embossed letters, "E.S.K. (Examined South Kensington)," indicating the late 19th century art education system in the UK.

An undated landscape sketch depicting a town view as seen from the upland. A man stands to the left of several typical houses, with the distant church in the background.

A sketch depicting a reclining woman in a white draped dress resembling the classical Himation. Signed "W. Meldrum." and stamped with the embossed letters "E.S.K. (Examined South Kensington)" indicating the late 19th-century UK art education system.

A rough sketch featuring a standing woman with drapery, viewed from the back. Signed "W.M." with pencil, but not dated. Embossed letters "E.S.K. (Examined South Kensington)" stamped on the sheet indicate the late 19th-century UK art education system.

Ring bound sketchbook.

A sketchbook of notes and artworks by Mary Ramsay produced between 1916-1917 during her second year at The Glasgow School of Art. This item consists of portraits and life drawings, interior illustration, lettering design for A Midsummer Night's Dream, religious illustrations, book cover designs for The Language of Flowers, sketches of ceramics, and a list of reference books about art and design. These artworks are primarily in pencil, with some using ink and paint. Four pages from this sketchbook are loose from the spine.

A sketchbook of notes and artworks by Mary Ramsay. This item does not include an official date, but is presumed to be from 1918, when Ramsay was still at The Glasgow School of Art, due to dates included in some illustrations. This sketchbook includes floral illustrations, religious illustrations, greeting card designs, portraits and life drawings, and some notes.
There is one loose drawing included in this sketchbook. Most artworks are in pencil, with a few additional pieces in ink or paint on paper.

Various abstract landscape designs.

Ringbound sketchbook (with board covers) comprising 24 pages. Multiple subjects including Glasgow and Paris.