- HA/3/5a
- Item
- c1830s-1840s
Part of Photographs by David Octavius Hill and Robert Adamson
Hill, David Octavius
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Part of Photographs by David Octavius Hill and Robert Adamson
Hill, David Octavius
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Agnes McCreadie. In brown, burgundy and blue.
Smyth, Isobel
Letter received by John Henderson, Director of Glasgow School of Art
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Letter signed by 19 members of GSA teaching staff, thanking Henderson for the "work & worry you have expended on our behalf". Signatories include: James M. Dunlop, A. Proudfoot, D. Carleton Smyth and James Gray, Glasgow.
*Not available / given
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Agnes McCreadie.
Smyth, Isobel
Printed length for degree show
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Gladys Harrison. The design was based on an exercise using cut out paper, particularly the discarded pieces of paper rather than the shapes cut out.
Smyth, Isobel
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
A Room, The English King's Palace, Sc III (from Macbeth)
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
The English King's Palace. Sc III (from Macbeth)
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Act V, Sc I/Sc III (from Macbeth)
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for performance of Parsifal.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
The Servants of the Queen (from Salome)
Costume design for performance of Salome.
Smyth, Dorothy Carleton
Costume design for performance of Parsifal.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for performance of Salome.
Smyth, Dorothy Carleton
Costume design for performance of Parsifal.
Smyth, Dorothy Carleton
Costume design for performance of Parsifal.
Smyth, Dorothy Carleton
Stained glass panel. Inscribed above: "Glasgow School of Art"; below: "Isolde Mark's wife who gave the love potion to Tristan". It was one of Fra Newbery's considerable achievements to see the need for training students in industrial art and design and persuade the governors to establish a decorative arts department. His annual report of 1893 announces 'This room has been specially fitted up and artist craftsmen have been engaged to give instruction in such subjects as glass staining, pottery, repousse and metalwork, wood carving and book binding, beside Artistic Needlecraft taught by a Lady.' Early teachers of stained glass at the GSA included Norman Macdougall, Harry Roe and William Stewart. Among the students were Jessie Rowat, Emily Hutcheson, Herbert MacNair, Stephen Adam Jr, W.G Morton and Dorothy Carleton Smyth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Malcolm, Act IV-III (from Macbeth)
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Design for stage set - Shakespeare's Macbeth.
Smyth, Dorothy Carleton
Costume design for performance of Salome.
Smyth, Dorothy Carleton
Costume design for performance of Salome.
Smyth, Dorothy Carleton
Pharaisees & Rabbis (from Salome)
Costume design for performance of Salome.
Smyth, Dorothy Carleton
Two Roman soldiers (from Salome)
Costume design for performance of Salome.
Smyth, Dorothy Carleton
Poster for a performance of 'Le Dieu Nusku' and 'Narcissius'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster advertised two dramatic performances of 'Le Dieu Nusku' and 'Narcissius' which were produced by Miss Dorothy Carleton Smyth and performed by students at The Glasgow School Of Art. The performances were in aid of raising funds for a war memorial to honour students and staff who served or were killed in action in World War One. The memorial was eventually commisioned in 1925 and was designed by former student Dorothy Doddrell. The image on the poster is a stone lithograph drawing by Maurice Greiffenhagen who was a tutor at The Glasgow School Of Art from 1906 until 1926. The reverse of the poster is annotated with the words "See Box".
Greiffenhagen, Maurice