Bridge and pollard willows. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
For ID Magazine. Summer 1986 collection 'Flock of Boots'. Screen print on cotton fabric details of abstract tree motif. Photograph by Eamonn J. McCabe.
Remnant length of heavy cotton upholstery fabric printed in bold geometric design in shades of orange, red, purple and brown. Deposited by Crissie White.
View on the Thames near Chertsey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Fish market on the beach, Hastings. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Riverside composition. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Morning at Eton College. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Views of Windsor Castle and Conway Castle. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Study of river valley. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Subject matter derived from George Orwell's book, '1984' first published in 1949. The wood engraving depicts a group of workers, three in the foreground, and others climbing an external staircase.
Llanilted Vale, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Study of three cottages. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
The cover image features three western soldiers outside Jerusalem during the Last Crusade. The foldable pages feature a drawing of the city of Jerusalem. The third page features a map of Jerusalem and its environs by Archibald Haswell Miller and William M. Christie.
The front cover image features three western soldiers outside Jerusalem during the Last Crusade. The back cover image features a map of Jerusalem and its environs by Archibald Haswell Miller and William M. Christie.
Two landscape studies. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Spot design drawn in pencil and painted in pink gouache. Two parallel stripes rendered in blue and pink gouache dominating the composition. Similar to DC 089/1/2/4/4.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Brown ink circle design with pink gouache center on cream paper. Similar in design to DC 089/1/2/4/3.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Brown ink lines with blue gouache spots on cream coloured paper. Similar in design to DC 089/1/2/4/4
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Green book with a handwritten label saying Pattern Making. It has 24 double page spreads:
Title page, with Pattern Making written on the right-hand page and two lines of potato-cut printed patterns across the top and bottom of both pages.
Double-page spread with Introduction on written on the right-hand page and four photographs on the left-hand page of a baskets, fabric, a drinking glass, and a pot.
Two pages with Elements of Design written on the right-hand page and examples of 10 patterns across both pages.
Two pages with Techniques and Materials on written on the right-hand page and information about potato cut, lino cut, and stencils.
Double-page spread with Octagon Network written on the right-hand page and examples of different patterns across both pages.
Double-page spread with Diamond Network written on the right-hand page and examples of different patterns across both pages.
Double-page spread with Stripe Patterns written on the right-hand page and examples of different patterns across both pages.
Double-page spread with Oval Network written on the right-hand page and examples of different patterns across both pages.
Double-page spread with Square Network written on the right-hand page and examples of different patterns across both pages.
Double-page spread with Brick Network written on the right-hand page and examples of different patterns across both pages.
Double-page spread with Half-drop Network written on the right-hand page and examples of different patterns across both pages.
Double-page spread with Lozenge Network written on the right-hand page and examples of different patterns across both pages.
Double-page spread with Ogee Network written on the right-hand page and examples of different patterns across both pages.
Double-page spread with Circle Network written on the right-hand page and examples of different patterns across both pages.
Double-page spread with Hexagon Network written on the right-hand page and examples of different patterns across both pages.
Double-page spread with Composite Network written on the right-hand page and examples of different patterns across both pages.
Double-page spread with Lino Cuts written on the right-hand page and three coloured images printed from lino cuts: one of two women dancing; and two of a horse and a tree which is printed in different colours.
Double-page spread with Stencils written on the right-hand page and four stencilled coloured images: two patterns; a plant; and repeated stags.
Double-page spread with Free Brush Patterns written on the right-hand page and examples of different patterns across both pages.
Double-page spread with Oval Network written on the right-hand page and examples of different patterns across both pages.
Double-page spread with Ideas may come from anything… written on the right-hand page and examples such as a photograph of flats and a pattern and the words ‘…fabric design from pattern of windows…’; another of a design from a woven chair back; ‘….idea for a garden urn….’ and ‘…bottled fruit and carrots inspire a design….’
Continued double-page spread from previous pages with examples. ‘…pattern evolved from modern spoons…’ and ‘… textile design based on ceramic decoration…’
Double-page spread with Hexagon Network written on the right-hand page and examples of different patterns across both pages.
Double-page spread with Composite Network written on the right-hand page and examples of different patterns across both pages.