Part of a costume used in Glasgow School of Art Masque. The wig may have been acquired separately, after the rest of the outfit, which at one point is believed to have included a cape and dagger.
British. Rose coloured satin cover with figure of a saint, richly embroidered in coloured silks in split stitch and conching. By Joan Nicholson, Bromley.
Fashion photographs of model in white dress and gloves made at GSA by Fraser Taylor. Possibly in Mackintosh Building. Black and white photograph, portrait.
Fashion portraits of pierrot style design, 2 different models and locations. Possible Alexander ‘Greek’ Thompson building. Colour photographs, portrait and landscape. 3 photographs.
Winter 1985 collection 'Log and Loggerie'. Example of dot fabric DC 089/3/2. Styling by Joe McKenna. Photography by Andrew McPherson. Black and white photograph, portrait. Cockling and tide marks.
Winter 1985 collection 'Log and Loggerie'. Example of dot fabric DC 089/3/2. Styling by Joe McKenna. Photography by Andrew McPherson. Black and white photograph, portrait.
Remnant length of heavy cotton upholstery fabric printed in bold geometric design in shades of orange, red, purple and brown. Deposited by Crissie White.
Arc of painted textile design, mounted within paper. Monogram on the lower right of textile attributes the design and execution to Dorothy Doddrell. Interior annotation further attributes the work to Dorothy Doddrell at The Glasgow School of Art. Sticker on the back attributes work to D. Doddrell.
Originally located inside folder: Item DC 094/1/3/10 - Folder of calligraphic life studies
Costume doll: Mrs Keith of Raveltson, Grandmother of Marjorie Fleming and friend of Sir Walter Scott (or Charlotte Charpentier, Sir Walter Scott's Wife).
Framed display of navy and green embroidery with beading, with engraved title "Samples and Examples by Anne Knox Arthur, The Glasgow School of Art". Includes label "Embroidery A_Navy and Green" and instruction on back of frame. Due to information in archival documentation, display case can be dated pre-1943.
8-page newsletter from the 8th of September 2011 from Wallace's Arthouse Scotland, discussing Pringle of Scotland designs from 1903-1978. Includes professional photographs, and personal images of items from Shaw's private collection.
Photocopied newspaper extract from Southern Reporter from 14th April 2011. The article advertises a Pringle of Scotland exhibition in Hawick, and discusses the influence on the young female models in shaping the brand. Images of these models alongside Graham Garvie and Wallace Shaw are included.
Photocopied newspaper extract showing a picture of a young female model in Pringle of Scotland knitwear. The annotation names the model as Maureen Black.
Extract of an article on Donna Karan menswear from the Daily News Record newspaper, dated April 12th 1991. Annotations on the designs are included next to the images of the article. Attached is a personal note addressed to Wallace Shaw, dated April 1991.
British. Pale blue linen cloth, embroidered with 'Grace before meals' in a border, also featuring figures between the words. In white and lime green in a wide variety of textured stitches. By Pat Miller, Glasgow School of Art.
Framed textile landscape includes a white felt like background and mesh blue representing water and linen like green to represent land. Includes various pieces of metallic fabric and stitches throughout. Includes an orange grid like mesh within the art and a wood gold frame.
Green and brown striped horse-hair semicircular cover.
In the Summer of 2023, this item was conserved and a small sample (formerly referenced as DC 020/3B) was reattached by a student of Textile Conservation from the University of Glasgow.
4-page extract with annotation in upper right corner attributing the pages as being from the Pringle of Scotland Annual, December 1965. Pages include information of Pringle designs, as well as information on achievements of members of staff. Wallace Shaw is noted to have visited the USA and Italy in his first trip abroad for the company.
Austrian. Satin with satin appliqué, embroidered with silks and metal threads in cross, four-sided, lazy daisy, stem, satin stitches, couching with gold work and beads. Inscription "Unsereliebefrau" at base. By Emmy Zweybruck-Proshashka. Vienna.
