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A free hand drawings consisting of the external views of:

• Gunnenheim Museum building,
• Houseboat.

Material created for summer project relating to the extension of Clubhouse at Fort Matilda Bowling Club at Greenock including drawing details of the door's plan, section, and elevation, all are in scale of 1:20.

Material created to study Fort Matilda Bowling club extension to the main club including free hand sketches showing the plan, side elevation of the extension, front elevation, and some details of the main door.

Free hand sketches showing "Farmhouse in Bishopton approach facing the west describing the way the road gently slopes and waves in and out gives a pleasant approach to a group of farm buildings. The dry stone dyke on one side and the thick trees on the other enhance this approach. The motorway safety barrier on the top right spoils what would be a picturesque scene".

Free hand sketch showing farmhouses in Bishopton facing the east describing the gap between the right hand cluster of building and the left hand cluster of buildings, filled by the farmhouse giving it the most important position and forming the third side of the courtyard.

Architectural drawings of the existing boathouse showing the floor plans, sections, and elevations in scale 1:100. The drawings are all Rotring ink pen on tracing paper. The drawings are in their real measurement, however, there is no mention of the names of the spaces or the materials used on elevations and sections. The aim of this material is to study the existing boathouse and get an idea about the design of such a building.

Architectural drawings presenting the first submission of project 1 (Exhibition stand) including free hand sketches of plans, section, and elevation, all in scale 1:50 (approx.).

Detail drawing on tracing paper for project 2 Evergreen Club site plan and landscaping in scale of 1:500 showing the North sign, main roads and the surrounding buildings.

Detail drawings on tracing paper for project 2 Evergreen Club section cc in scale of 1:20. Human figures and furniture are included to bring drawing to life. The design shows all the construction materials and details including:

• Floor materials and construction method
• Foundations
• Roof materials and construction method
• External and internal wall materials and construction method including windows openings
• Heating system

A copy from detail drawings for project 2 Evergreen Club section cc in scale of 1:20 with examiner notes especially on construction details.

Detail drawings on tracing paper for project 2 Evergreen Club. Plan and sections all in scale of 1:100. The floor plan shows room types, dimensions and furniture. Sections aa, bb, cc are all in details and include height dimensions, construction materials, and heating methods. Human figures are included to bring drawings to life. The design includes some facilities for disabled people.

Detail drawings on tracing paper for project 2 Evergreen Club front elevations in scale of 1:50. Human figures are included to bring drawing to life. The design indicates how the club fits within the surrounding landscape.

Detail drawings on tracing paper for project 2 Evergreen Club elevations all in scale of 1:100 showing the front elevation facing east, the rear elevation facing west, and two side elevations facing south and north. Human figures are included to bring drawings to life. The design indicates how the club fits within the surrounding landscape.

Tracing paper showing two elevations from the bed position: Elevation A, and Elevation B.

Tracing paper showing two elevations from the desk position: Elevation A, and Elevation B.

A pencil drawing illustrating a decorative Gothic window, accompanied by the annotation "Gothic Window, Decorated Period" and stamped "The Glasgow School of Architecture, Session 1935-36."

Free hand sketch showing two outline perspectives of the Parthenon with a brief history of the Parthenon. Timeline starting from the 6th century to1831 consists of 6 stages:
6th century: converted to Christian church
A.D. 1204: became Latin church
A.D. 1456: converted onto mosque
A.D. 1687: damage by shell during capture of Athens by Venetians
A.D. 1688: Athens restored to Turks and Parthenon suffered in their hands
1831: sculptures removed to British Museum.

Three photographs from the converted church.
Photograph 1: the upper hall landing converted to a space for work
Photograph 2: shows the main bedroom furniture
Photograph 3: shows the bedroom furniture

Free hand sketch site map of The City of Glasgow showing some selected features including their icons and indexes.
The drawing focuses on the most comprehensive development areas: Townhead, Anderston Cross, Gorbals, and Govan.

Two vertical sections showing how the light entered the temple, one through the doorways, the second through the skylight.

Three photographs from the converted church.
Photograph 1: analyses the interior design describing the furniture against the colours and textures of the background.
Photograph 2: describes the contrast between the chapel's original Gothic windows to the room upstairs which are lighted by the dormers.
Photograph 3: describes the setting room and the wrought iron staircase specially ordered from a Glasgow foundry.

Free hand sketches of some of Glasgow's building facades, including Glasgow Cathedral, Tenements, and Multi-storey flats. The drawing gives some architectural details and historical information, especially comparing their external appearance.

Architectural details of the exterior column showing the basic elements.

Free hand sketches of the Site map of The Clyde Valley, showing its major Towns and Industries.

Free hand sketch of an external perspective of an uninhabited church. A description of the original state of the church and the contrast between the Gothic windows with their ecclesiastical feel and the new dormer ones.

Free hand sketch showing the floor Plan and the East Elevation of the Parthenon.

Free hand sketches of The Clyde Valley, showing its major roads, rivers, and railways describing Glasgow as a Nodal City.

Free hand sketch of two types of spoon: soup spoon, and teaspoon. Details and dimensions show the differences between the two types in appearance, weight, and performance. A description of the preferred materials is provided as well.

Free hand sketch showing the location of the Parthenon where it was erected on the Acropolis.

Free hand sketches of buildings facades of Stehekin School. Details about design-awareness of the outdoor natural environmental elements and their impacts on the indoor built environment.

Free hand sketch of two types of fork: carved fork, and a modern table fork. Details and dimensions shown the differences between the two types in appearance, weight, and performance. A description of the preferred materials is provided as well.

Different shapes of Temple's Floor Plans showing the development of the basic layout of the Peripteral Temple of the Parthenon

Site map. Free hand sketch shows some features of the vernacular houses including information of the heating and lighting elements.

Free hand sketch of two types of knives: fish knife, and bread knife. Details and dimensions show the differences between the two types in functions, weight, sharpness and edges.

A free hand drawing consisting of some details of Park Centre: Culzean, showing some details of window, door, main gate, and chair.

A poster design on tracing paper for an exhibition of work by four local students architects from the Mackintosh School of Architecture. The poster has the title of "Inclined to Design", held at The Arts Guild, Campbell Street, Greenock, from 9th to 20th September (mentioned with no year). Designed by: Alan Fullarton, Brain Hendry, Christopher Platt, and Richard Robb. The exhibition is built on the idea that the architectural drawings become paintings and sculptures rather than just as end products for buildings, following London and New York architectural drawings sold as paintings. The main theme of the poster is centred around an arch, and a pendant hanging in the centre of the arch (from a drawing by David MacAuley), screen-printing by Colin Johnstone. The poster is rolled, and is in two pieces of tracing paper attached together by tape.

A tracing paper showing the eight proposals from the Design criteria.
1- Thou shalt have thy sleeping/recreational space away from thy work space
2- Thou shalt have some plant life in thy study bedroom
3- Thou shalt have a wash hand basin near some natural light
4- Thou shalt have storage to lay A1 sheets flat
5- Thy study/writing space must be attached to and lower down than thy drawing space
6- Thy bed must not be opposite an open door
7- Thou shalt have facilities for an electric kettle
8- Thou shalt have shelving above the bed and the drawing/study space