The Young Regenerators Project - Drawing
- NMC/1926II
- Item
- 2018
Ink drawing, 'SHE TURNT THE WAINS AGAINST US!'
The Young Regenerators
The Young Regenerators Project - Drawing
Ink drawing, 'SHE TURNT THE WAINS AGAINST US!'
The Young Regenerators
The Young Regenerators Project - Drawing
Ink drawing of piggy bank with five £1 coins
The Young Regenerators
Study of women crowded around The Well in Toledo (inscription verso).
Jackson, Alexander Logan
In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Miller, Josephine Haswell
From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' has eluded all commentators on Mackintosh's early water-colours. The obvious source of the symbolism is nature, and Mackintosh here reaches his most extreme distortion of organic forms.' (Roger Billcliffe).
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Influence, The Tree of Importance, The Sun of Cowardice, Charles Rennie Mackintosh, Jan 1895.
Mackintosh, Charles Rennie
Henderson, Andrew Graham
Part of 'Round and About'.
Trotter, Robert
The Staff (The Glasgow School of Art)
Various GSA staff portrayed in caricature.
Coia, Emilio
From The Magazine, Spring 1896. The shadow does not correspond with the object in front; it touches it and echoes it but is different.
Mackintosh, Charles Rennie
The Severin Family 1958 toast and wish trust to all their friends
Part of Papers of Conrad McKenna, student and staff member at The Glasgow School of Art, Scotland
Dog and flask of wine.
Severin, Mark
The Servants of the Queen (from Salome)
Costume design for performance of Salome.
Smyth, Dorothy Carleton
Panelling and gallery.
Revel, John D
The Scottish Red Cross Territorial Brigade enrolment certificate
Miller, Archibald E Haswell
The Scots Pictorial calendar, 1914
"A E H Miller" (in pencil), bottom left.
Miller, Archibald E Haswell
View of Italian hill-top Town. One of seven works presented to GSA by the Scottish Arts Council, as a result of the Council's collection being broken up and dispersed across Scotland.
McKenzie, Alison
Part of Papers of Conrad McKenna, student and staff member at The Glasgow School of Art, Scotland
Wood engraving by Rosalind Bliss of a partridge on a potted plant in Winter. Message inside and on back.
Bliss, Rosalind
Study of the Parthenon.
Spiers, Richard Phené
The Painters Colquhoun & McBryde (The Two Roberts)
Study of the two Roberts - Colquhoun and McBryde - in their studio. Fleming's painting was the recipient of the 1938 Guthrie Award prize.
Fleming, Ian
The Nativity ('And lo the star...')
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
MacNair, Frances Macdonald
The Monastery, Durnstein, Austria
"AE Haswell Miller, Durnstein 1922".
Miller, Archibald E Haswell
"The Minster Church of St. Cuthberga, Wimborne Dorset" tea towel
"The Minster Church of St. Cuthberga, Wimborne Dorset" tea towel featuring image of church.
Chalmers, Sylvia
The Highlander's New Umbrella sketch
Design for publication, marked up with dimensions and the annotation, 'Handle with care. Do not touch surface of drawing or rub in anyway.'
Miller, Archibald E Haswell
Presumed final proof for publication.
Miller, Archibald E Haswell
The Herzl Memorial Competition
Elevation through memorial walls/menorah.
Selby, Frederick
The Herzl Memorial Competition
Elevation and sections of main entrance forecourt and service station.
Selby, Frederick
The Herzl Memorial Competition
Plans/sectional elevations of tomb.
Selby, Frederick
The Herzl Memorial Competition
Plan of main entrance forecourt and service station.
Selby, Frederick
The Herzl Memorial Competition
Section through mount Herzel, as proposed.
Selby, Frederick
The Herzl Memorial Competition
Plan/section through vehicle park.
Selby, Frederick
In art nouveau frame drawn in ink on brown backing paper: The Harvest Moon, Chas. R. Mackintosh, 1893, To John Keppie, October 1894.
Mackintosh, Charles Rennie
Sheets of decorative calligraphy.
Hunter, William R
Front/side elevation.
Revel, John D
View over the canal. Signed: "Fyffe Christie '51" (in ink), bottom right.
Christie, Fyffe
The Grissell Prize: A dance hall
Half inch detail of dance hall.
Wright, James
The Glasgow School of Art tie made by Rowans, Glasgow and Birmingham.
*Not available / given
The Glasgow School of Art tea towel
Printed tea towel of The Glasgow School of Art with an image of the Mackintosh building, in red on white background. Tea towel is made of two pieces of fabric sewn together and then printed.
Chalmers, Sylvia
The Glasgow School of Art presents a Christmas Ball: Elizabethan
Part of Papers of Conrad McKenna, student and staff member at The Glasgow School of Art, Scotland
Flyer for fancy dress ball. Woman in Elizabethan dress.
Huntly, Gordon F