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Item Design (arts) With digital objects
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Section of a poster advertising a series of film screenings at The Glasgow School Of Art

One third section of a poster advertising a series of films that were shown in The Mackintosh Lecture Theatre at The Glasgow School Of Art. Screening were documentaries about artists including Mackintosh, Rousseau, Klee, McLaren, Giacometti, Hamilton, Paolozzi, Jones, Kitaj, Bosch and Spencer as well as a film entitled 'A Short Vision'. This section screenprinted in CMYK inks using both drawn elements and half dot images.

*Not available / given

Section of a poster advertising a series of film screenings at The Glasgow School Of Art

One third section of a poster advertising a series of films that were shown in The Mackintosh Lecture Theatre at The Glasgow School Of Art. Screening were documentaries about artists including Mackintosh, Rousseau, Klee, McLaren, Giacometti, Hamilton, Paolozzi, Jones, Kitaj, Bosch and Spencer as well as a film entitled 'A Short Vision'. This section screenprinted using four layers of CMYK inks.

*Not available / given

Section of a poster advertising a series of film screenings at The Glasgow School Of Art

One third section of a poster advertising a series of films that were shown in The Mackintosh Lecture Theatre at The Glasgow School Of Art. Screening were documentaries about artists including Mackintosh, Rousseau, Klee, McLaren, Giacometti, Hamilton, Paolozzi, Jones, Kitaj, Bosch and Spencer as well as a film entitled 'A Short Vision'.

*Not available / given

Schoolroom bench for Gladsmuir

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Design for Gladsmuir, Kilmacolm. Designed to match the schoolroom tables and bookcase, the thistle motif pierced in the legs being repeated in the leaded glass of the bookcase.

Mackintosh, Charles Rennie

Sandblasted glass panel

Piece of experimental sandblasted glass made by the artist as a postgraduate student. This item was made as sample for possible commission for an architect in relation to a shop front for Leeds Building Society. The final piece was made with kiln-fired fused and lustred glass panels.

The image is one of a series based loosely on a setting sun behind a pyramidal island.

Cosgrove, James

Round table for Willow Tea Rooms

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the Billiards Room, Willow Tea Rooms, Glasgow. This table does not appear in contemporary photographs of the Tea Rooms. It is cruder in construction and more robust than the other round table, MC/F/46, and so has affinities with the heavier looking furniture designed for the Billiards Rooms. The square cut-outs on the legs echo the similar arrangements of squares on the panel dividing the fitted seating in the Billiards Room. (Roger Billcliffe).

Mackintosh, Charles Rennie

Printed sheets with instructions from the artist 'A Poster Project by Jonathan Monk'

A4 printed sheets with instructions from the artist 'A Poster Project by Jonathan Monk'

This special edition consists of ten posters by Jonathan Monk, originally made for a touring exhibition "Again, A Time Machine", commissioned by Book Works and Eastside Projects. The posters were made according to instructions given to Book Works by the artist, and fly-posted in locations in Birmingham, Bristol, Berlin, New York and London.The edition includes: Ten posters, printed offset litho on blue back poster paper, 841 x 594 mm. A black and white photograph of Martin Kippenberger (detail from fly-posted poster, Berlin), signed and numbered by the artist, 203 x 152 mm. Text work, instructions by Jonathan Monk. Art-work and design by James Langdon; photography by Stuart Whipps (Birmingham, Bristol, London); Jonathan Monk (Berlin) and Roberto De Luna (New York). Published by Book Works in an edition of 45.

Information courtesy of Book Works: https://www.bookworks.org.uk/node/1745

Monk, Jonathan

Printed sheet with written description of 'A Poster Project Limited Edition'

A4 printed sheet with written description of 'A Poster Project Limited Edition'

This special edition consists of ten posters by Jonathan Monk, originally made for a touring exhibition "Again, A Time Machine", commissioned by Book Works and Eastside Projects. The posters were made according to instructions given to Book Works by the artist, and fly-posted in locations in Birmingham, Bristol, Berlin, New York and London.The edition includes: Ten posters, printed offset litho on blue back poster paper, 841 x 594 mm. A black and white photograph of Martin Kippenberger (detail from fly-posted poster, Berlin), signed and numbered by the artist, 203 x 152 mm. Text work, instructions by Jonathan Monk. Art-work and design by James Langdon; photography by Stuart Whipps (Birmingham, Bristol, London); Jonathan Monk (Berlin) and Roberto De Luna (New York). Published by Book Works in an edition of 45.

Information courtesy of Book Works: https://www.bookworks.org.uk/node/1745

Monk, Jonathan

Printed page of photographs featuring female students

Printed page featuring three scanned black and white photographs. Top left depicts five women, likely GSA students, posed and smiling on a set of stairs; top right depicts two women wearing artists smocks stood next to a plaster bust; bottom right depicts fifteen women, likely students, and one man, likely their teacher, posed on the same stairs. The page is captioned ‘Diploma June 12th 1934 in Design & Decorative Art GSC’.

Wilson, Jeanne

Printed page of images featuring embroidery and calligraphy work

Print on photographic paper containing two images of student work. Left: close-up of sample of embroidered cloth depicting a woman bent to water a plant in blue, green and cream thread, bordered with various decorative marks, shapes and images in multicolour. ‘1932’ and ‘JEAN WILSON’ are embroidered above and below the image in lilac thread. Right: image of a page of illuminated poetry (by Janet Begbie) hand-written in black ink and bordered by coloured ink illustrations relating to the poem’s themes of adventure, youth and travel at sea, in blue, green and red, as well as a decorative border in gold, blue, red and black.

Wilson, Jeanne

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