Stained glass cartoon for St Mark's church, Southport
- NMC/0281
- Item
- c1930-1933
John Wesley, holding bible (lower half).
Bell, Robert Anning
Stained glass cartoon for St Mark's church, Southport
John Wesley, holding bible (lower half).
Bell, Robert Anning
Stained glass cartoon for St Mark's Church, Southport
The design depicts the Blessed Virgin Mary on the left side and a young boy (Hartley?) on the right. Design is for the lower section of a window in St Mark's, Southport; dedicated to the memory of Sir William Pickles Hartley of the Primitive Methodist Movement. Inscribed: 'What doth the Lord require of thee but to do justly and to love mercy and to walk humbly with thy God?'.
Bell, Robert Anning
Stained glass cartoon for St Mark's church, Southport
Design for St Paul (with staff). Preliminary drawings for one light windows for St Mark's, Southport, set into pairs in the facing North and South walls of the Church. See NMC/282A for replacement face used for St Paul.
Bell, Robert Anning
Stained glass cartoon for the church of St Clement and St James, Horsley, near Derby
Stained glass cartoon for a two light memorial window. Inscribed: 'Come Holy Ghost'. For the church of St Clement and St James, Horsley, near Derby. This window was one of two, two light windows designed for Guthrie and Wells, the Glasgow firm of decorators who began stained glass production in 1884 and won a reputation for first class craftsmanship and always employing excellent designers (beginning in 1887 with Sir James Guthrie). Bell first designed glass for the firm in 1895 when he won the competition for new windows for the Royal Church at Crathie, and he continued to design for them for twenty-three years. In the 1920s he also designed for the City Glass Company, and examples of his work are still in the Glasgow area.
Bell, Robert Anning
Stained glass cartoon for the church of St Clement and St James, Horsley, near Derby
Stained glass cartoon for a two light memorial window. Inscribed: Our Souls Inspire'. For the church of St Clement and St James, Horsley, near Derby. This window was one of two, two light windows designed for Guthrie and Wells, the Glasgow firm of decorators who began stained glass production in 1884 and won a reputation for first class craftsmanship and always employing excellent designers (beginning in 1887 with Sir James Guthrie). Bell first designed glass for the firm in 1895 when he won the competition for new windows for the Royal Church at Crathie, and he continued to design for them for twenty-three years. In the 1920s he also designed for the City Glass Company, and examples of his work are still in the Glasgow area.
Bell, Robert Anning
Stained glass cartoon for the church of St Mark's, Southport
Design for an angel. Identified as the right side angel at the tracery above the altarpiece six light window depicting the nativity.
Bell, Robert Anning
Stained glass cartoon (with angels)
Design of four angels.
Bell, Robert Anning
Stained glass cartoon (with angels)
Design for two angels.
Bell, Robert Anning
Stained glass cartoon (with angels)
Design for four angels. Inscribed, 'Forgive them for... know not what they...' Fragment of larger design, now lost.
Bell, Robert Anning
Stained glass cartoon (with angels)
Design of four angels playing musical instruments and a crown.
Bell, Robert Anning
Stained glass cartoon (with angels)
Design of four angels playing musical instruments, a crown and stars.
Bell, Robert Anning
Stained glass cartoon (with angels)
Design for two angels and a dove.
Bell, Robert Anning
Stained glass cartoon (with angels)
Design for two angels.
Bell, Robert Anning
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of seated nude (female) model.
Greiffenhagen, Maurice
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. One-eyed female figure in long green coat, set against landscape.
Wilson, Helen F
Still life with two bottles and broken bowl. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Still life with doll and silver tea pot.
Anderson, William Smith
Still life composition.
McCance, William
Vase of white roses, with classical statue behind.
Anderson, Daisy McGlashan
Storia del vita di San Giovanni Evangelista, Venice
Study undertaken as part of Italian visit.
McGlashan, Archibald A
View on the coast of Hastings. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Probably Anacapri, Italy.
Miller, Archibald E Haswell
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Those depicted include Danny Ferguson, Gordon Huntly, Lewis Allan, Eileen Allen, Joan Docherty, Molly Brown and Ishbel Macdonald.
Gardner, Tom
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Figure seated at table.
Nevay, Heather
Watercolour and pencil study of female head
Morkunaite, Sigita
Study of holly and a young plant
Part of Material relating to Gerard V Murphy, former GSA student
Botanical watercolour studies of Holly in fruit and a young green plant.
Murphy, Gerard V
Stylised study of leaves and branches emerging from tree trunk.
Porteous, James Henry
Study of trees.
Alison, Henry Young
Part of Material relating to Gerard V Murphy, former GSA student
A botanical watercolour painting of violet flowers. Includes annotations of student registration no. ("No. 71") and signed "G. Murphy".
Murphy, Gerard V
Bound in volume, The Magazine, November 1894.
Mackintosh, Charles Rennie
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Summer landscape, with trees and water to foreground.
Alison, Henry Young
Framed oil painting of sunflowers. Annotated on reverse 'Sunflowers I Oil on board 61 x 51cm 2016 Hannah Mooney GSA 2017 graduate'
Mooney, Hannah
Scene from a swimming pool with a swimmer in the foreground, a child being helped out of the water and a bather sitting by the poolside as others mill around.
*Not available / given
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Two running dogs and arrowed target.
Brown, Neil Dallas
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
The Building Committee of the Board of Governors of The Glasgow School of Art
Portrait group. Inscribed on frame: "Mr. Charles. R. Mackintosh FRIBA The Architect/Col. R.J.Bennett V.D./Mr. David Barclay FRIBA/Sir Francis Powell, LLD, PRSW/Mr. John Munro FRIBA/Mr. Patrick S. Dunn - Convener/Councillor J. Mollison, MINA/ Mr. Hugh Reid DL/ Sir Wm Bilsland, Bart. LLD, DL/Sir John J. Burnet, RSA, FRIBA, LLD/Mr. John Henderson MA/Sir James Fleming - Chairman of Governors/Mr. John M. Groundwater - secretary/ Mr. Francis H. Newbery CAV OFF, INT, SBC, ARCA - Director, pinxit". When Newbery exhibited this group at the Glasgow Institute of the Fine Arts in 1913 it did not include the figure of Mackintosh. In 1914 he painted his large portrait of Mackintosh (collection: Scottish National Portrait Gallery) and his Building Committee portrait group was offered to the Board and accepted. When it was unveiled in 1914 it was seen that he had added Mackintosh's figure, a smaller version of his individual portrait, to the left of the group, and redated the whole canvas 1914. Painting cleaned and relined in 1963 by Mr Harry McLean who discovered the late addition of the figure of Mackintosh.
Newbery, Francis Henry
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. An allegorical study.
Bell, Robert Anning
The Cote Vermeille, Collioure, France
"A E Haswell Miller 1920", bottom left.
Miller, Archibald E Haswell
Appears in The Magazine, April 1894. 'The central figure is based upon that used in the 1893 design for a diploma for the GSA and like that in 'The Harvest Moon', has wings like an angel. Here, however, she appears naked and her outstretched arms and hair merge and are transformed into barren tree-like forms. These descend to the horizon behind which the sun is gradually disappearing under the feet of the winged figure. From the bottom of the picture, and directly beneath the sun, rises a flight of menacing birds. They are presumably nocturnal birds of prey and they seem to be flying directly towards the viewers. This is one of Mackintosh's earliest uses of this strange bird, which was to become more stylised and to appear in many different forms, in several media in his oeuvre.' (Roger Billcliffe).
Mackintosh, Charles Rennie
'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).
Mackintosh, Charles Rennie
Bound in the November 1894 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
Mackintosh, Margaret Macdonald
In art nouveau frame drawn in ink on brown backing paper: The Harvest Moon, Chas. R. Mackintosh, 1893, To John Keppie, October 1894.
Mackintosh, Charles Rennie
The Monastery, Durnstein, Austria
"AE Haswell Miller, Durnstein 1922".
Miller, Archibald E Haswell
The Nativity ('And lo the star...')
Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.
MacNair, Frances Macdonald
The Painters Colquhoun & McBryde (The Two Roberts)
Study of the two Roberts - Colquhoun and McBryde - in their studio. Fleming's painting was the recipient of the 1938 Guthrie Award prize.
Fleming, Ian
Study of the Parthenon.
Spiers, Richard Phené
From The Magazine, Spring 1896. The shadow does not correspond with the object in front; it touches it and echoes it but is different.
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Influence, The Tree of Importance, The Sun of Cowardice, Charles Rennie Mackintosh, Jan 1895.
Mackintosh, Charles Rennie
From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' has eluded all commentators on Mackintosh's early water-colours. The obvious source of the symbolism is nature, and Mackintosh here reaches his most extreme distortion of organic forms.' (Roger Billcliffe).
Mackintosh, Charles Rennie