Showing 4155 results

Includes:

• DC 028/7/2/10/33/1 Application and Correspondence (1997-2000) 1 folder RESTRICTED ACCESS - contains personal data.

Traditional artist's easel. According to donor, the artist's wife Mrs Nina Herman, the easel was borrowed by her husband from GSA c1950. This had been made possible by Joan Eardley. The easel never returned. On the death of Josef Herman, his widow began clearing out his studio. The drawing (NMC/633) was gifted to GSA as a thank you for the 50 year loan of the easel.

William McCance's artist's smock.

Includes:

• DC 028/7/2/10/83/1 Application and Correspondence (1998) 1 folder.

A variety of paintings and artworks completed by Archibald Haswell Miller and Josephine Haswell Miller, including urban landscapes, portraits, and military scenes. Some of these items are dated to their time as teaching staff at The Glasgow School of Art.

Artworks and designs by Harry Barnes. DIR/13/21/1: Christmas Card Designs: c1950s-1970s (1 folder): Undated sketches and tracings for five Christmas card designs. Designs include: six pointed star; scene of an infant Jesus, cherubs and crown; angel playing a trumpet.

Artwork on paper created during Fraser Taylor's time as a student at the RCA.

Includes:

• DC 028/7/2/10/76/1 Application and Correspondence (1998-2000) 1 folder.

Folders of Reports from External Assessors of the School, from between 1953-1963 and for each department. Reports as follows: DIR/12/2/10/1: Assessor's Reports 1953-1956: Including guidelines for external assessors and (generally anonymous) reports on the following: Sculpture (1955-1956), noting work of students J. R. H. Milne and G.S. Wood, and influence of tutor Benno Schotz, in 1955, and A. R. T. Fletcher, Miss Alston, Miss McLaughlin, J. S. Wood, J. R. H. Milne, and G. McLellan in 1956; Design & Crafts (1955-1956) by assessors D. Batty and Misha Black, noting work of students Robert MacGowan, Douglas Warner, Margaret Ingram, Jean Gray, Evelyn Fraser, Alexander Fletcher, Janet Mackenzie, James Hooper, Alex Leckie, David Ferguson, George Innes, Monica Jamieson, and Janetta Gilston in 1955, and John McQueen, Penelope Paul, Alistair Fletcher, Helen Rae, Archibald MacArthur, Susan Currie, Ronaldo Franchitti, Mary McLellan, Christine McFarlane, Mary McIvor, Monica Jamieson, Atholl Hill, and James Kenton Guy in 1956; Architecture (1955-1956); Drawing & Painting (1955-1956), noting work of students Mathison, Alexander Goudie, and Ian MacRae in 1956; Commercial & Graphic Art (1956). Assessors listed for Intermediate Examination in Arts & Crafts (1956) include G. R. Woolway, H. Buckley, N. Spencer, D. Taylor, Constance Parker, J. G. Platt, Edward Barnsley, D. Billington, Misha Black, R. E. R. Downing, P. Goffin, R. Y. Goodden, E. O. Jennings, Harry Parr, A. B. Read, and Francis H. Spear. Assessors listed for Pictorial Group (1956) include James Fitton, Edwin La Dell, Claude Rogers, A. E. Christopherson, M. W. Hawes, Anthony Gross, Gertrude Hermes, Lynton Lamb, M. C. Oliver, A. H. Roffey, and H. Spencer. Assessors listed for Textile Group (1956) include Elizabeth Wray, Margaret Leischner, J. T. Murray, H. H. Shelton, M. Watts, Dorothy Benson, Constance Parker, G. Davies, and R. W. Newberry. Assessors listed for Three-Dimensional Group (1956) include R. Y. Goodden, Frank Dobson, W. L. Stevenson, K. Brayshaw, E. Race, D. Billington, G. T. Friend, Peter Goffin, A. Heath, F. H. K. Henrion, L. C. Hughes, E. O. Jennings, A. B. Read, R. D. Russell, John Skeaping, V. Skellern, F. H. Spear, and H. Warren Wilson. DIR/12/2/10/2: Assessor's Reports 1957-1960: Includes reports on: Drawing & Painting (1957-1960) by assessor James Fitton (1957), noting work of students Bankier, Conely, Knox, Paterson, Stevenson, Simmons, Bennett, Craig, and Walsh, assessor B. Fleetwood-Walker (1958), assessor Ruskin Spear (1959), noting work of student Robert Methven, and assessor Claude Rogers (1960), noting work of Clare Stewart, David Sinclair, Jean Drummond, John Wilson, Crawford, Bryson, Cochrane, Rushbrook, and Alston/Devlin; Sculpture (1957-1960) by assessors J. R. Skeaping (1957-1958), Gilbert Ledward (1959), noting work of students Rose Sarna, Edward McConnell, and Andrew Robertson, and Willi Soukop (1960), noting work of students John Martin, Ross, and Laing; Design & Crafts (1957-1960) by assessors Misha Black and Marianne Straub (1957), noting work of students Elspeth Young, Anne Hunter, Mary McIver, Barcham Green, John McQueen, Kathleen Scrimgeour, Joy Mackintosh, James Guy, Norman Bleloch, Duncan Currie, Hugh Barrett, Heather Mary Thomson, Dorothy Duncan, Susan Currie, Peter McCulloch, James Gray, Charles Murray, Francis Bowles, and Archibald McArthur, assessors A. B. Read and Marianne Straub (1958), noting work of Mackay, Judith McAinsh, Meecham, Waddell, MacIntosh, McDougall, Watt, Glen, Tomlinson, Stewart, Roxburgh, Slaven, McCarthy, McGaughey, Scrimgeour, Green, Hugh Barrett, Veronica Matthew, Mary Murray, Kathleen Allen, Moyra Duncan, Elspeth Younger, William McDougall, Elspeth Pringle, Charles Murray, Stanley Peake, Geoffrey Green, and Ian Mackay, assessors Marianne Straub and F. H. K. Henrion (1959), the latter noting the work of students Lodge and Speirs, and assessors F. H. K. Henrion and Lucienne Day (1960), the former noting the work of Halley, Jolly, Graham, Heron, McLean, O'Neill, Marle, and Wylie, and the latter noting McGeachy, Black, Thomas Heron, Pamela Mitchell, C. White, Togneri, Ann Miller, Ian Ross, R. Frazer, Macdonald, Maguire, Graham, Marle, and Wylie; Commercial & Graphic Art (1957-1960) by assessors Lynton Lamb (1957-1959) and Tom Eckersley (1960 only), noting work of students McLean, Campbell, Lawson, Cunningham, Jolly, Mackie, Rankin, Spiers, Bless, McTaggart, Houston, Clinton, and Grant in 1957, Burnett, Kirkwood, Greenaway, Rodger, Smith, Hunter, Ferguson, Wilson, McLeod, McIlvaney, Harvie, Galloway, McIlhenny, Poli, and McTaggart in 1958, and Janette Rodger, Isobelle Smith, and Stanley Smith in 1959; Architecture (1957) by assessor G. Grenfell Baines, offering a general report on Schools of Architecture in Edinburgh, Aberdeen, Dundee, and Glasgow, and including a further report specific to Glasgow. Also included amongst Assessor's Reports (1957-1960) is a report of 18 October 1960 on the progress of the 'New Building'. DIR/12/2/10/3: Assessor's Reports 1961-1963: Includes reports on: Sculpture (1961-1963) by assessor Willi Soukop (1961-1962) and F. E. McWilliam (1963), noting work of students John Donachie, Sonia Marshall, and Norma Zunterstein in 1962, and McDonald and Donachie in 1963; Drawing & Painting (1961-1963) by assessors Claude Rogers (1961-1962) and Leonard Rosoman (1963), the former noting work of students Gilbert, Bryson, Incerti, Blair, Macaulay, Vance, Ulph, Birrell, Sinclair, Goodwin, and Rushbrook, and the latter that of Conan Byrne, Norman Gilbert, Palmer, Jordan, and Armstrong; Design & Crafts (1961) by assessors Alastair Morton, Robin Jacques, and N. J. Slutzky, noting the work of John Martin, Alexander Simpson, Thomas Walsh, James Harrigan, Paul Biagi, Mary Gordon, Donald Ewan MacLean, Dugald Cameron, Diana Barclay Brown, Elizabeth Mai Brice Livingston, Charles Alexander Wallace Shaw, Anne Catherine Stewart, William Watson, Frances Margaret Beck, Ronald Roderick Macdonald, Iain Roderick MacLeod, Jane Marian Lord, Ann Patricia Collins, Lilian Anne Watson Graham, Winifred Lilian Morton, William Warwick Ker MacCallum, Sheila Marion McHarg, Edward Francis McLaughlin, David Ross Wilson, Denis Noel O'Neill, Marilyn Edith Watt Hunter, Alice Gardner Paul, Veronica Adele Togneri, and Richard Coley; Design & Crafts and Graphic Design (1962-1963) by assessors Robin Day, Lynton Lamb, and Lady Casson (1962) and Madge Garland and Lynton Lamb (1963), noting work of students Robert Docherty, Gerard Quail, Stobo, Quail, Morrison, Beck, Halley, and Roan in 1962, and C. Mitchell, M. McCoig, W. B. Stewart, E. Jackson, J. Johnston, W. A. Wright, P. Short, C. F. Coutts, M. A. Spence, E. S. Stobo, and J. A. Forsyth in 1963. Also included amongst Assessor's Reports (1961-1963) are comments on said reports, and staff replies to the assessors.

Three stapled sheets of typewritten paper include William Meldrum's brief biography and descriptions of two specific works. It also includes the custodial histories of the paintings: they were presented to the Glasgow Corporation in April 1966, after Meldrum's death. The final sheet illustrates a simple drawing of Glasgow street map, indicating where Meldrum may have depicted the view of Glasgow in the 1900s.

The description specifically details two undated watercolour landscape paintings titled "Cumbernauld Road at Riddrie, Glasgow." These paintings depict the same location, each viewed in the summer and winter.

The two associated paintings are currently in storage at Glasgow Museums Resources Centre.
Sources:

• "Cumbernauld Road at Riddrie, Glasgow (SUMMER)" https://collections.glasgowmuseums.com/mwebcgi/mweb?request=record;id=168679;type=101
• "Cumbernauld Road at Riddrie, Glasgow (WINTER)" https://collections.glasgowmuseums.com/mwebcgi/mweb?request=record;id=169087;type=101

Associated papers of Elizabeth Marion Harvey, including correspondence and school papers, photographs, ephemera.

Harry Barnes' papers regarding Associateship Courses at the Glasgow School of Art. Papers include various documents and draft documents about proposed changes to the First Year Course, Diploma Course, Architecture Courses and about the introduction of an Associateship Course. Folders as follows: DIR/13/4/2/1: Various papers relating to Associateship Courses, 1965-1970 (1 folder): Includes: Copy documents describing 'Diploma and Associateship Courses'; copy document about 'Associateship Course'; document: 'Proposals for the Development of the Departments of Architecture and Planning'; documents about the recognition of Architectural Courses; copy document: 'Scottish Central Institutions, Draft Proposals for the Review of the Diploma Courses and the Introduction of Associateship Courses'; documents about the School of Architecture in Glasgow. DIR/13/4/2/2: Various papers relating to Associateship Courses, 1966-1972 (1 folder): Mostly circular letters about Associateship Courses, General Course and Diploma Courses. Includes: Circular letter from Barnes about Associateship Courses; circular on the proposed revision of the General Course, 1968; information about the General Course timetable, 1968-1969; document 'Some Ideas on the Re-Organization of the General Course, 1st and 2nd Year'; 'Notes on Re-Organization of General Course, Mr Dunbar's Paper'; 'Proposals for Introducing an 'Honours' Diploma Course'; 'Scottish Central Art Institutions: Associate Courses'; 'Precis of Statement Made by Mr H Jefferson Barnes, Director of the Glasgow School of Art and Chairman of the Meeting of the Principals of the 4 Central (Art) Institutions of Scotland Held at the Glasgow School of Art on Saturday 28 May 1966 Regarding 'Honours' Courses'. DIR/13/4/2/3: Various papers regarding Associateship Courses, 1968-1970 (1 folder): Mainly draft documents about the introduction of Associateship Courses. Includes: Draft information document about Diploma and Associateship Courses; Draft document 'Proposals for the revision of Diploma Courses and the introduction of Associateship Courses, Autumn 1970'; extract from minutes of the Board of Studies meeting, 12 Nov 1968, about Associateship Courses; document for the Board of Studies 'Revision of Diploma Courses- Introduction of Associateship Courses'; news clipping from The Glasgow Herald, 03 Oct 1969 about 'Honours Course for Art Students'; Scottish Art Institutions document about Associateship Courses; 'Duncan of Jordanstone College of Art, Higher Awards for Courses in Art, Sep 1969'; draft report on 'Higher Awards for Courses in Art'; circular to all staff about Associateship Courses, Dec 1968; annotated draft document: 'Proposals for the Review of the Diploma Course and the Introduction of Associateship Courses'; correspondence with the Central Art Institutions in Scotland about the introduction of Associateship Courses. DIR/13/4/2/4: Various papers regarding proposed Associateship Courses, 1970-1972 (1 folder): Includes: Correspondence with prospective students about the Associateship Course; correspondence with the Scottish Education Department (SED) about the Associateship Course and approval of the course; copy of document: 'Robert Gordon's Institute of Technology, Aberdeen, Gray's School of Art. Application for Revision of Existing Courses and the Introduction of New Courses'; handwritten draft of document to the SED: 'Application for Revision of Existing Courses and the Introduction of New Courses, Glasgow School of Art'; 'Draft proposals for Associateship Course'; synopsis of studies for First Year Course session 1971-1972; Gray's School of Art, document titled 'Associateship and Diploma Courses, Proposed Restructuring (General Course)'; various documents and draft documents about proposed changes to the First Year Course, Diploma Course and about the introduction of an Associateship Course. DIR/13/4/2/5: Folder labelled 'Associateship, 1970-1973' (1 folder): Includes: documents and draft documents, similar to the above, about the content of Associateship Courses and proposed changes to Diploma Courses. Includes lists of 'Honours Associateship Students' by Department and recommendations by the Scottish Central (Art) Institutions for the revision of Diploma Courses and the introduction of Associateship Courses.

Harry Barnes' papers relating to associations and committees, such as the Scottish Art Teachers' Assocation, the Scottish Association for National Certificates and Diplomas, and the National Committee for the In-Service Training of Teachers, who discussed professional practice matters such as teachers' rates of pay, training and degrees. Folders as follows: DIR/13/19/2/1: Scottish Education Department Memorandum on the Training of Teachers, 1955 (1 folder): 'The Training of Teachers, Memorandum by the Scottish Education Department, Mar 1955' with cover letter. DIR/13/19/2/2: Papers relating to the Scottish Association for National Certificates and Diplomas, 1964-1968 (1 folder): Includes: Correspondence regarding the Certificate of Sixth Year Studies- Art; correspondence about Dip. AD students; correspondence about a CNC Course in Mechanical Engineering and examinations in Industrial Design; Scottish Association for National Certificates and Diplomas, Notes to Colleges on the Organisation of Examinations; correspondence about National Certificate Applications, 1964-1965; correspondence about a Press Release on the introduction of Industrial Design to Engineering Courses; correspondence with Professor Otto, 'Staatliche Hochschule fur bildende, Kunste Berlin', about his new course for architectural and art students. DIR/13/19/2/3: Papers and Correspondence relating to the Scottish Art Teachers' Association, 1964-1967 (1 folder): Includes: correspondence about the potential formation of a Consultative Committee as part of the Scottish Art Teachers' Association (SATA); correspondence about the Association's Annual General Meeting and a resolution to meet with the Scottish Education Department; correspondence about a meeting between the Association and GSA Graduates; correspondence about Association meetings held at the School of Art; correspondence and papers about a forum 'Education and Creative Awareness' including expressions of interest from invited members; correspondence about the Diploma Course at the Glasgow School of Art. DIR/13/19/2/4: Papers and Correspondence relating to the Scottish Art Teachers' Association, 1965-1970 (1 folder): Includes: Correspondence regarding the National Association of Careers Teachers; correspondence about a paragraph in the Art School prospectus regarding Associateship Courses; Scottish Education Department booklet, 'A Short Guide to the Teachers' Superannuation Scheme in Scotland', May 1969; Scottish Education Department booklet 'Widows' and Children's Pensions, A Guide for Teachers', Jun 1969; correspondence with the Scottish Art Teachers' Association about the introduction of Honours courses by colleges of Art; correspondence about a Scottish Art Teachers' Association survey of art teacher opinion across Scotland on the subject of teacher training; correspondence about the proposed establishment of a National Council of Art Education; circular from the Department of Education and Science: 'Professional Training for Teachers in Maintained Schools'; papers about a National Conference of Art Teachers, 1969; correspondence with the Scottish Art Teachers' Assocation about the General Course, Honours Courses in Fine Art, and other matters; copy of 'Statement Submitted on Behalf of all Scottish Art Teachers to the Principals and Directors of the Scottish Art Schools and Colleges, 01 Feb 1965', from the Scottish Art Teachers' Assocation. DIR/13/19/2/5: 'Report of the Committee of Inquiry into the Pay of Non-University Teachers', 1974 (1 document). DIR/13/19/2/6: Papers and correspondence relating to the National Committee for the In-Service Training of Teachers, 1976-1977 (1 folder): Includes: minutes and meetings papers, such as agendas and reports, for the National Committee for the In-Service Training of Teachers; 'list of points which might be covered in preparation of papers on: The Future for In-Service Training'; correspondence with the National Committee and memoranda about matters such as meetings, tuition fees, the pooling of expenditure, staffing, in-service training, a 'Programme of National Courses', teacher training, and current trends in the in-service training of teachers; 'Report of the Committee on the Future of Broadcasting: Invitation to Offer Comments on the Report'; correspondence with the Scottish Education Department about topics such as: student intake, the National Committee for the In-Service training of Teachers, and intake to teacher training courses 1976-1977; copy of brochure for 'National Courses, Oct 1976-Sep 1977, organised by the National Committee for the In-Service Training of Teachers, Aug 1976'; note on a St Andrews Conference on Christain Education; Report of the Open University Committee on Continuing Education. DIR/13/19/2/7: Papers and correspondence relating to the National Committee for the In-Service Training of Teachers, 1978 (1 folder): Includes: Minutes of the National Committee for the In-Service Training of Teachers and the Courses Sub-Committee; Report of the Working Group on the Future of In-Service Training.

Includes:

• DC 028/7/2/10/29/1 Application and Correspondence (1997) 1 folder.

Glasgow School of Art Audit Reports. Reports over 30 years old are available for public consultation. Permission from the board of governors is needed for access to those which are less than 30 years old. Reports include: GOV/9/3/1: 1996 (1 folder) (a) Price Waterhouse Internal Audit Report, 96/2: Payroll (b) Price Waterhouse Internal Audit Services, Internal Audit Report 96/3: Purchases (c) Price Waterhouse Internal Audit Services, Internal Audit Report 96/4: Residential Income GOV/9/3/2: 1997 (1 folder) (a) KPMG Proposal for Audit Services Report, 24 Mar 1997 (b) Amended Minutes of Audit Committee meeting 24 Mar 1997 (c) Minutes of Audit Committee meeting 02 Apr 1997 (d) KPMG Summary audit plan. Audit: Year ended 31 July 1997, 20 Jun 1997 (e) Glasgow School of Art Internal Audit Report, Follow up of Prior Year Reports, Sep 1997 (f) KPMG Audit issues memorandum, Year ended 31 Jul 1997, 12 Nov 1997 (g) KPMG Management Report, Audit: Year ended 31 July 1997, 27 Jan 1998 GOV/9/3/3: 1998 (1 folder) (a) KPMG Review of Glasgow School of Art registry functions, 06 Feb 1998 (b) KPMG Audit overview memorandum, Audit: Year ended 31 July 1998, 22 May 1998 (c) KPMG Management report, Audit: Year ended 21 July 1998, 07 Jan 1999

Scottish. Long robe with richly embroidered central panel with side flounces running up over shoulders and round back of neck. Double flounced sleeves.

Scottish. Of coarser cotton than other 2 robes in collection (GB 1694 NDS/GB/28 and GB 1694 NDS/GB/29). Bottom of centre panel, and bodice, richly embroidered and incorporating lace fillings. Short flounced sleeves.

Scottish. Long robe with sprig embroidered traingular central panel, with side flounces, and bodice. A variety of lace fillings are used.

Includes:

• DC 028/7/2/10/68/1 Application and Correspondence (1998-2000) 1 folder.

Long multi-coloured banner. Wefts and warps in shades of purple, orange, pink, green, yellow, grey and brown form an abstract design of gradated colours on a cream-coloured background. The warps have been left long in the lower edge and turned into a fringe.

Double-faced fabric, in an even, regular weave. Grid design on a cream background in rectangles of red, orange, yellow and three shades of blue, with colour gradations in some parts of the design. It also has been quilted to add texture and weight to the lower half of the banner.

Charles Rennie Mackintosh banner. Scaled replica of banner that the Hunterian owns, featuring a tall standing female figure with pink rose and green leaves details.

Charles Rennie Mackintosh banner. Scaled replica of banner that the Hunterian owns, featuring a tall standing female figure with pink rose and green leaves details.

Papers and correspondence kept by Harry Barnes that pre-date his term as Director. Some of these papers may have been from Barnes' time as Deputy Director and Registrar of the School (1946-1964) but have been kept with his Directorial papers and so have been catalogued as such. Folders as follows: DIR/13/20/1: Various working papers about the Glasgow School of Art and the Teaching of Art, 1930-1947 (1 folder): Includes: Examination question for 'History of Art I, 3rd Year Students'; Report, to Mr Keppie, about the Glasgow School of Art by Professor Henry Tonks on his visit to the School 02 & 03 Dec 1930; correspondence between Keppie and Tonks about the Report; paper: 'Art in Primary Schools'; copy of a written stimulus for a subject composition and extract from Tennyson's poem: 'Day Dream'. DIR/13/20/2: General and Personal Correspondence pre-dating Barnes' Directorship, 1943-1960 (1 folder): Includes: Correspondence and papers about, and references for, Harry Barnes in support of his applications for Headmasterships and other positions in various Art Colleges; correspondence about vacancies on the Glasgow School of Art staff; correspondence and papers about Barnes' position as Assistant Master in Painting and Drawing at the Glasgow School of Art; references from Barnes for former Glasgow School of Art staff; correspondence with the Royal Highland & Agricultural Society of Scotland about illustrations Barnes has provided them with; correspondence about the fate of the Mackintosh Furniture at Hous'ill; invitations to Barnes for events such as exhibition openings and conferences; correspondence with the Arts Council of Great Britain about an exhibition; copy of a memorandum on proposed staffing changes for the Scottish Craft Centre; paper: 'Some Observations on the Present Position of the Panel' of the Scottish Craft Centre; other correspondence about the Scottish Craft Centre; draft school notice about a Polio Vaccination at the School; correspondence about visits to the School such as from the ladies of the American Dental Society; correspondence about the sale of a tapesty by a Mr Sax Shaw; correspondence with the Dundee Museums and Fine Art Galleries thanking Barnes for loaning them five tapestries for an exhibition; correspondence with the newly formed Art Club in Dalry asking for Barnes' advice; personal correspondence about repairs to Barnes' car; correspondence with the Edinburgh Tapestry Company; correspondence about an article Barnes has agreed to write on 'Wrought Iron Work in Scotland'. (NB sensitive papers regarding job applications, for example, will be closed for 75 years in line with Data Protection). DIR/13/20/3: Papers regarding Classes for Youth Club Leaders, 1944-1947 (1 folder): Includes: handwritten and typed notes by Barnes about evening classes for youth club leaders run in conjunction with the Corporation of Glasgow, Education Department; document: 'Glasgow School of Art Evening Classes, Course of Arts and Crafts for Junior School Club Leaders. Introduction to Course and Suggestions for Imaginative Drawing and Painting Classes by H Jefferson Barnes, 1945'; timetables for courses; sign-in sheet for Interior Decoration, Introductory Course, Apr 1944; correspondence about the courses; draft document 'Course of Lecture Demonstrations for School Club Leaders', 1945. DIR/13/20/4: Various papers including those about the Library and Casts at the School, 1950-1958 (1 folder): Includes: Inventories, notes, and lists of plaster casts and their locations around the School and within each department; four black and white photographs of two figure casts: a Caryatid and a Gothic figure; School Librarian's Report, 1952; report of a visit to Edinburgh College of Art Library, 1952; the Librarian's Report on 'Means for setting up a Classified Collection of Illustrations'; Library Sectional Bibliography; Glasgow School of Art Library Report on Reorganisation, 1951; 'Memorandum concerning the question of use of the new School of Art Union by the students of Architecture'; Glasgow School of Art Report on Session 1950-1951; some copies of examination papers; correspondence with D P Bliss about his Travel Reports; Report of D P Bliss' Travels in Denmark and Sweden, 1957; copy of 'Regulations for the Twenty-Fifth Exhibition of the Aberdeen Artists' Society', 1958. DIR/13/20/5: Various papers including those about the National Committee for the Training of Teachers and Anne Scott Macdonald's Historical Dolls, 1950-1960 (1 folder): Includes: Blank application form for 'Admission to a Training College'; note about the National Committee for the Training of Teachers Emergency Recruitment Scheme; pamphlet about the Further Education and Training Scheme; notes and correspondence about the dolls in historical costume made by A Macdonald Scott; note: 'A Short History of Costume, being a series of dolls designed and made by Mrs A Macdonald Scott for the Lending Museum, Glasgow School of Art', listing the dolls made; quotation from James Meighan and Son for curtains; paper: 'A Museum of Visual Aids for the Teaching of Art'; a note of the 'Suggested Course for Students of Ross Hall'; suggestions for the Christmas Ball, 1958; list of lectures in a series 'The Artist as Craftsman'; correspondence with the Scottish Education Department about a potential exchange programme between staff of technical colleges in the United Kingdom and the United States; handwritten notes: 'Reasons for change of course proposed for beginners class' for Silversmithing and Jewellery; list of RSA School of Painting Awards; information about the RIBA Annual Assessment, 1958-1959; list of Class Prizes awarded 1950-1951; student lists and marks (closed for 75 years in line with Data Protection); document about a mural by Alasdair Gray for the Scottish USSR Friendship Society, 8 Belmont Crescent, Glasgow. DIR/13/20/6: Board of Education Examination Papers, c1955 (1 folder): Board of Education Examination papers including subjects: 'Education', 'Industrial', 'History and Methods of Painting', 'Organisation', 'Teaching', 'Affiliations'. Also includes lists of students and correspondence. DIR/13/20/7: First Page of a document: 'The training of designers for work in industry', c1950s-1960s (1 document): The name 'McCrum' is annotated at the top in biro. DIR/13/20/8: Paper about Art and Design, c1960s (1 document): 62-page document about many aspects of Art and Design including sections discussing: The Graphic Arts; Design for the Traditional Industrial Arts; Surface Design; Product Design; Interior Design and Display Work; Design for Entertainment; Landscape Architecture; Other Openings; Teaching Art; Training and Qualifications; Openings and Renumeration.

Beige binca with metallic silver and bronze stitching and gold wool.

Skirt with small bib at top edge. 8 bands differently patterned floral lace horizontally across skirt. Vent of fine netting at back of skirt and strip of black net at lower edge.

Beige wool backing with black, cream and brown threads in a linear design.

Beige woollen backing with grey, pink and white stitches.

Papers about the Glasgow School of Art applications to the Bellahouston Bequest Fund: GOV/11/4/1: Application to participate in the Bellahouston Bequest Fund by the Glasgow School of Art, 1892 GOV/11/4/2: Schedule of Information Required by the Trustees in Connection with Applications for Grants from the Fund, 1892 GOV/11/4/3: Bellahouston Bequest Fund, Deed of Instructions and Codicils, c1892 GOV/11/4/4: Glasgow School of Art Draft Statement as to School Building Fund for the Bellahouston Trust, 1901

Includes:

• DC 028/7/2/10/16/1 Application, Correspondence and Photographs (1997) 1 folder plus 4 photographs boxes separately RESTRICTED ACCESS - contains personal data.

British. Plaited green silk belt with silver fastening. Purse and pincushion are tapestry woven in silks and metal thread, and are attached to belt with plaited cords. Purse has drawstring fastening finished with woven tassels made over wooden beads. Purse has floral design and pincushion features a small bird.

Two newspaper cuttings and a note of an interview about the bequest of Mr McCaig of Oban who left his money to Trustees, including the University of Glasgow, to be used for the building of a tower and numerous statues in memory of him and his relations, with any surplus to be used to found a Chair in the Art of Sculpture. This bequest was declared invalid at a Court of Session in 1906.