- DC 029/7/30B
- Item
- c1930s-1970s
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Done while studying with Ethel Marritt.
*Not available / given
A stone dome/over a porte cochere/to a large public building.
*Not available / given
Section through a stone dome.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Abstract embroidered picture using blue, white and green threads on teal linen background. Possibly machine embroidery.
*Not available / given
Architectural competition drawing
Large presentation drawing of Glasgow School of Art campus showing new public space on Renfrew Street in claret and crimson on cream paper.
*Not available / given
Artist's palette used by Sir James Guthrie.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. White lawn with hollypoint lace insertions on shoulders, incorporating initials 'A.M.' Hems finished with drawn-thread and embroidered edge.
*Not available / given
View of the Bank of England from the corner of bank buildings.
*Not available / given
Banner from The Glasgow School of Art Textile Department
Charles Rennie Mackintosh banner. Larger version of scaled replica of banner that the Hunterian owns, featuring a tall standing female figure with pink rose and green leaves details.
*Not available / given
Detail of Basilica.
*Not available / given
Street scene with the Basilica in the background.
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. Made in sections of cut-work embroidered linen and fillet lace, in a wide variety of designs. The monograph of the maker and her husband are included on the centre section. By Mrs. Peiniger, Southsea.
*Not available / given
Embroidered bed cover. White cotton with pink and cream embroidery decorative design with roses.
*Not available / given
Dull blue/green corded silk embroidered at each end. Thought to be by Ann Macbeth (the use of these particular strong shades of magenta and turquoise are distinctive of Macbeth's work at this time).
*Not available / given
Part of Records of The Glasgow School of Art, Glasgow, Scotland
One of three posters for the Big Screen Film Festival at Glasgow School of Art in June 2012.
*Not available / given
Part of Records of The Glasgow School of Art, Glasgow, Scotland
One of three posters for the Big Screen Film Festival at Glasgow School of Art in June 2012.
*Not available / given
Part of Records of The Glasgow School of Art, Glasgow, Scotland
One of three posters for the Big Screen Film Festival at Glasgow School of Art in June 2012.
*Not available / given
'Indignation loosened Peter's tongue' (two male figures). Several of these illustrations appeared in 'Good Words' 1863.
*Not available / given
'He followed them through the fire...' (male figure). Several of these illustrations appeared in 'Good Words' 1863.
*Not available / given
'Children played beneath it...' (two lovers under a tree). Several of these illustrations appeared in 'Good Words' 1863.
*Not available / given
'There went not the least waft of wind...' (mother and child walking through wood). Several of these illustrations appeared in 'Good Words' 1863.
*Not available / given
'The explanation was given...' (three figures seated around table). Several of these illustrations appeared in 'Good Words' 1863.
*Not available / given
'Autumn thoughts' (male figure standing in forest glade). Several of these illustrations appeared in 'Good Words' 1863.
*Not available / given
Building with arched colonnade
Study of buildings with arched colonnade.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Three woven cotton, and cotton mix, samples fixed to cream card backing; two cream, one black and white.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Five woven cotton samples illustrating different weave types, fixed to cream card backing.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Weave samples fixed to grey card backing.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Five woven cotton samples illustrating different weave types, fixed to cream card backing.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Two woven samples, one with a red thread, fixed to grey card backing.
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Five woven cotton samples fixed to cream card backing. Card titled , 'Use of slub, gymp, snarl, knop yarns etc.'
*Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Four woven samples, including yellow and cream and grey and cream pieces, fixed to grey card backing.
*Not available / given
Measured drawing of screen in front of vestry.
*Not available / given
Part of Records of The Glasgow School of Art, Glasgow, Scotland
A photograph collage showing the making of a ceramic cast in the Ceramics Department of the GSA. The images are believed to show visiting tutor Sandor Dobany and GSA students making mosaic roundels for Clackmannanshire Council.
Source: https://www.clacks.gov.uk/council/press/?release=1155
*Not available / given
Part of Records and textiles of the Needlework Development Scheme
British. Jacobean design chain-stitch throughout, in coloured wools on linen. Extensive use of shading. Embroidery in good condition but background is worn and has been mounted on a backing.
*Not available / given
*Not available / given