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One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. Installed in the new Mackintosh Furniture Gallery following restoration in 2013. This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into the Mackintosh Library following restoration in 2013.

One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 45 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.

One of a series of electric slave clocks located through the Glasgow School of Art and run from a central 'master' clock. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). Installed into Studio 31 following restoration in 2013. Following the fire in the Mackintosh Building in May 2014 it was assessed and conserved in 2019.

Designed for the Director's Room, Glasgow School of Art. One chair reupholstered in blue/black horsehair 1970s, One chair reupholstered in brown horsehair 1984 and repaired. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Designed for original board room at Glasgow School of Art. The chairs were designed for the original Board Room in the East wing (now the Mackintosh Room). The Governors never used this room for meetings and it was initially used as a studio while space was short in the half-finished building. When the new Board Room was built in the second phase of the building, Mackintosh designed a more elaborate version of this chair for it, MC/F/61. Six chairs reupholstered in brown horsehair 1985, very similar to the original fabric found on one of the chairs. Two remaining chairs reupholstered in 1986. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Designed for entrance hall, Glasgow School of Art.
This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

Trade cabinet designed to hold various wood samples. Made for William Douglas, a decorator and friend of Mackintosh who worked on several of his commissions, especially Hous'hill. Reputedly designed by Mackintosh but some of the detailing suggests he did not closely supervise the execution. Each drawer holds samples of different woods, stains, paints and finishes. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the (new) Board Room, Glasgow School of Art. A more elaborate version of the chairs designed for the original Board Room in 1899 (MC/F/18).

Folded card invitation. Programme details listed inside.

This item was partially lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
The upper (shelved) section and 2 lower drawer units remain. Designed for Ladies Common Room at Glasgow School of Art. Mackintosh's version of a traditional dresser/bookcase, making extensive use of the scalloped edging used at the Oak Room in 1907 and at the Glasgow School of Art Library 1907. (Roger Billcliffe).

There are 4 known surviving volumes: The Magazine 1893, The Magazine April 1894, The Magazine November 1894, The Magazine 1896.

The Magazine was a publication of original writings and designs by students from the Glasgow School of Art, Glasgow, Scotland, and their friends. Appearing in 4 volumes between November 1893 and Spring 1896, The Magazine contains text from contributors handwritten by Lucy Raeburn, editor, accompanied by original illustrations. These volumes are the only known copies of The Magazine. In addition to rare, early watercolours and designs by Charles Rennie Mackintosh, the volumes contain early designs by Frances MacDonald and Margaret MacDonald, at a stage in their development which has been labelled 'Spook School', and two sets of photographs by James Craig Annan, when he was beginning to establish a reputation at home and abroad. Among other contributors were Janet Aitken, Katherine Cameron, Agnes Raeburn and Jessie Keppie, all of whom enjoyed lengthy careers in art and design.

The Magazine is similar to an album amicorum such as those which originated in the middle of the 16th century among German university students, who collected autographs of their friends and notable persons, sometimes adding coats of arms and illustrations. The Magazine resembled the album amicorum in that contributions were by a close group of students and their friends and is all the more interesting because the illustrations were produced by young people who had a common social background, were trained at the same school, and subjected to the same artistic influences. The contributors were closely linked, some by family, some by romantic attachments and had close social connections. Other contributors include C Kelpie, John M Wilson, Jane Keppie, and Ethel M Goodrich. Source: Jude Burkhauser, Glasgow Girls: women in art and design (Edinburgh : Canongate, 1990).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. The library was destroyed by the fire, though many metal fragments from the lights were salvaged.

The library was destroyed by fire on 23 May 2014, though many metal and glass fragments from the lights were subsequently salvaged. Originally, and according to Mackintosh’s preparatory sketches, there were thought to be 53 individual lights in the library, each with punched holes in the inner reflectors which allowed light to pass through blue and purple glass. The central array was made up of 12 small canisters attached to the light frame on the ceiling, with eight medium pendants and five large pendants hanging below. There were an additional twelve medium canisters attached to the coffered ceiling both above and below the library balcony, making 24. Originally there were also four additional medium hanging pendants in each of the south and western window bays, though these four lights, and the medium canister in the librarians office, had all been removed before the fire in 2014, meaning there were 48 in the library. This small selection of salvaged lights fragments has been retained as evidence of the fire tragedy. These fragments are also surplus to the needs of Rodney French of Lonsdale and Dutch, Edinburgh who has been tasked with reconstructing the entire set of library lights, whilst reusing as much of the surviving fragments as possible.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.

Designed for original board room at Glasgow School of Art. The chairs were designed for the original Board Room in the East wing (now the Mackintosh Room). The Governors never used this room for meetings and it was initially used as a studio while space was short in the half-finished building. When the new Board Room was built in the second phase of the building, Mackintosh designed a more elaborate version of this chair for it, MC/F/61. Six chairs reupholstered in brown horsehair 1985, very similar to the original fabric found on one of the chairs. Two remaining chairs reupholstered in 1986. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.

Designed for the Director's Room, Glasgow School of Art. Twelve chairs were made in 1904 for the GSA, but William Davidson acquired a further two, with six of MC/F/58 for use as dining chairs in the hall at Windyhill. Twelve chairs reupholstered in brown horsehair 1984. One chair on loan from Glasgow University, returned 1984. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the Glasgow School of Art. 'A very simple piece which seems to have been designed specifically for the GSA. A certain amount of furniture was made in 1904 for the Director... but Mackintosh did further work for the GSA in 1906 and 1907-09 so this piece could date from as late as 1909.' (Roger Billcliffe).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the (new) Board Room, Glasgow School of Art. A more elaborate version of the chairs designed for the original Board Room in 1899 (MC/F/18).

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). One of nine readers' tables for the Library at Glasgow School of Art. Like the vertical stretchers on the periodical desk, MC/F/73, none of the patterns on the legs (variations on these themes of the gallery pendants) are repeated.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Designed for the Library at Glasgow School of Art. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). A more elegant version of the windsor chairs designed for the Dutch Kitchen at Argyle Street (Billcliffe 1906.49). These chairs proved much too delicate for their original purpose; only eight of approximately forty have survived, and all of these have had to be reinforced. They were replaced in the GSA Library c1950 by the much sturdier chairs originally designed for the Ingram Street Tea Rooms, MC/F/67. The Ingram Street Tea Rooms were purchased by Glasgow Corporation in 1951 for £25,000 and were then rented out as various shops and warehouses.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010). One easel stripped and restored 1984. 'An exaggeratedly tall design which complements the vast interior spaces of the studios. Quite a number of easels must have been provided at the time of the completion of the School, but very few still survive.' (Roger Billcliffe).

Designed as individual lights within the Library at Glasgow School of Art. Very similar in design to the thirteen lampshades which make up the central light fitting in the Library.