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Archival description57 results with digital objects Show results with digital objects
Nails and plaster cast pattern on textile
- NMC/1960
- Item
- 2018
Nails and plaster cast pattern on textile. Inspired by the fire at the Mackintosh building in 2014.
McQuarrie, Erin
'Homage to the Studio': Rust-dyed crepe de chine
- NMC/1962C
- Item
- 2018
Rust-dyed crepe de chine. Inspired by the 2014 fire in the Mackintosh Building. Stored along with nails (NMC/1962B) and textile (NMC/1962D) in presentation box (NMC/1962A).
McQuarrie, Erin
'Homage to the Studio': Nails from Mackintosh Building, bound with tape
- NMC/1962B
- Item
- 2018
Three rusty nails from the Mackintosh Building, bound with cotton rust-dyed tape. Inspired by the 2014 fire in the Mackintosh Building. Stored along with textiles (NMC/1962C & D) in presentation box (NMC/1962A).
McQuarrie, Erin
'Homage to the Studio': Presentation box
- NMC/1962A
- Item
- 2018
Presentation box containing bound nails (NMC/1962B) and rust-dyed textiles (NMC/1962C & D) inspired by the 2014 Mackintosh Building fire.
McQuarrie, Erin
Printed and hand painted textile length
- NMC/1961
- Item
- 2018
Printed and hand painted textile length. Inspired by the fire at the Mackintosh building in 2014.
McQuarrie, Erin
'Homage to the Studio': Rust-dyed and heat-manipulated crepe satin
- NMC/1962D
- Item
- 2018
Rust-dyed and heat-manipulated crepe satin. Inspired by the 2014 fire in the Mackintosh Building. Stored along with nails (NMC/1962B) and textile (NMC/1962C) in presentation box (NMC/1962A).
McQuarrie, Erin
- NMC/1728
- Item
- [Late 20th century]
Rectangular pieces of silk sewn together to form a geometric pattern in pink, black, blue, green, gold and cream.
Day, Lucienne
- NMC/1484
- Item
- 1970
4 pieces in mount. Two textile samples showing colour gradiations. One painted piece and corresponding photograph.
Stewart, Robert
- NMC/1946
- Item
- 1966
Textile design
Hill, Linda
- NMC/1947
- Item
- 1966
Textile design
Hill, Linda
- NMC/1945
- Item
- 1966
'Ox-eye Daisy' textile design
Hill, Linda
Tapestry (after Bayeux Tapestry)
- NMC/1887
- Item
- 1965-1966
Annotated on reverse: "Sheena Crawford, 1st year 2nd Section, 1965-1966".
Crawford, Sheena
Tapestry (after Bayeux Tapestry) (Version 1)
- NMC/1887/v1
- Part
- 1965-1966
Tapestry (after Bayeux Tapestry) (Version 2)
- NMC/1887/v2
- Part
- 1965-1966
- NMC/1888/v2
- Part
- 1960s-1970s
- NMC/1888
- Item
- 1960s-1970s
Design depicting a horse.
Munro, Liz
- NMC/1888/v1
- Part
- 1960s-1970s
- NMC/1731
- Item
- [c1960s-1970s]
Remnant length of heavy cotton upholstery fabric printed in bold geometric design in shades of orange, red, purple and brown. Deposited by Crissie White.
Perritt, Peter R
- NMC/1580/v1
- Part
- 1948
- NMC/1580/v2
- Part
- 1948
- NMC/1581
- Item
- 1948
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Agnes McCreadie. In brown, burgundy and blue.
Smyth, Isobel
- NMC/1581/v1
- Part
- 1948
- NMC/1580
- Item
- 1948
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Agnes McCreadie.
Smyth, Isobel
- NMC/1581/v2
- Part
- 1948
- NMC/1580/v3
- Part
- 1948
Printed length for degree show
- NMC/1579
- Item
- 1948
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Gladys Harrison. The design was based on an exercise using cut out paper, particularly the discarded pieces of paper rather than the shapes cut out.
Smyth, Isobel
Printed mat featuring three men design
- NMC/1578A
- Item
- c1950s-1960s
Printed textile panel, signed by Stewart, which is unhemmed. The design features three stylised men in hats with beards and red royalist outfits. The background material is teal in colour.
Stewart, Robert
Printed mat featuring three men design
- NMC/1578B
- Item
- c1950s-1960s
Printed textile panel, signed by Stewart, which is unhemmed. The design features three stylised men in hats with beards and red royalist outfits. The background material is green in colour.
Stewart, Robert
- NMC/1781/v1
- Part
- 1940-1945
- NMC/1781
- Item
- 1940-1945
Single curtain with applied batik decoration.
Parker, Agnes Miller
- NMC/1781/v2
- Part
- 1940-1945
Small travelling bag (Version 2)
- NMC/1783/v2
- Part
- c1940
Small travelling bag (Version 1)
- NMC/1783/v1
- Part
- c1940
- NMC/1782/v1
- Part
- c1940
- NMC/1782/v2
- Part
- c1940
- NMC/1783
- Item
- c1940
Small travelling bag with cotton ties.
Parker, Agnes Miller
- NMC/1782
- Item
- c1940
Cummerbund with batik decoration.
Parker, Agnes Miller
White velvet coat dress (Version 3)
- NMC/1734/v3
- Part
- c1920s-1930s
- NMC/1735A/v2
- Part
- c1920s-1930s
- NMC/1031
- Item
- c1920s
Design of frog and dragonfly.
Jackson, May
- NMC/1032
- Item
- c1920s
Design of bird and flowers.
Jackson, May
White velvet coat dress (Version 2)
- NMC/1734/v2
- Part
- c1920s-1930s
White velvet coat dress (Version 4)
- NMC/1734/v4
- Part
- c1920s-1930s
- NMC/1735A
- Item
- c1920s-1930s
Ivory coloured full length dress in two layers, with a fine gauze silk over silk satin. Braided shoelace straps, fitted bodice and full skirt with decorative flounces. Eighteen covered buttons down back. Some damage through wear and from the metal parts of the buttons. Thought to have been designed and possibly also made by either Daisy or Violet Anderson (see DC 022).
The Anderson family
- NMC/1735B
- Item
- c1920s-1930s
Wedding head dress. Thought to have been designed and possibly also made by either Daisy or Violet Anderson (see DC 022).
The Anderson family
Wedding head dress (Version 1)
- NMC/1735B/v1
- Part
- c1920s-1930s
- NMC/1734
- Item
- c1920s-1930s
Cream, synthetic velvet full-length dress coat. High neck, fitted bodice with long sleeves gathered on the shoulder and fastened with three double covered buttons at waist level. An open skirt falls in a narrow A line below with simple edge to edge closing on the front and a shaped central back panel to suggest a train. Badly marked by decay of metal sections of the covered buttons. Believed to have been designed and possibly made by either Violet or Daisy Anderson (see DC 022).
The Anderson family
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