59 results with digital objects Show results with digital objects
'Homage to the Studio': Rust-dyed and heat-manipulated crepe satin
Rust-dyed and heat-manipulated crepe satin. Inspired by the 2014 fire in the Mackintosh Building. Stored along with nails (NMC/1962B) and textile (NMC/1962C) in presentation box (NMC/1962A).
McQuarrie, Erin
'Homage to the Studio': Rust-dyed crepe de chine
Rust-dyed crepe de chine. Inspired by the 2014 fire in the Mackintosh Building. Stored along with nails (NMC/1962B) and textile (NMC/1962D) in presentation box (NMC/1962A).
McQuarrie, Erin
'Homage to the Studio': Nails from Mackintosh Building, bound with tape
Three rusty nails from the Mackintosh Building, bound with cotton rust-dyed tape. Inspired by the 2014 fire in the Mackintosh Building. Stored along with textiles (NMC/1962C & D) in presentation box (NMC/1962A).
McQuarrie, Erin
'Homage to the Studio': Presentation box
Presentation box containing bound nails (NMC/1962B) and rust-dyed textiles (NMC/1962C & D) inspired by the 2014 Mackintosh Building fire.
McQuarrie, Erin
Printed and hand painted textile length
Printed and hand painted textile length. Inspired by the fire at the Mackintosh building in 2014.
McQuarrie, Erin
Nails and plaster cast pattern on textile
Nails and plaster cast pattern on textile. Inspired by the fire at the Mackintosh building in 2014.
McQuarrie, Erin
Textile design
Hill, Linda
Textile design
Hill, Linda
'Ox-eye Daisy' textile design
Hill, Linda
Embroidered collage of Eaglesham
The piece is a depiction of Eaglesham with trees in the foreground and houses in the background.
Whyte, Helen Kathleen R
Design depicting a horse.
Munro, Liz
Tapestry (after Bayeux Tapestry) (Version 2)
Tapestry (after Bayeux Tapestry) (Version 1)
Tapestry (after Bayeux Tapestry)
Annotated on reverse: "Sheena Crawford, 1st year 2nd Section, 1965-1966".
Crawford, Sheena
Small travelling bag (Version 2)
Small travelling bag (Version 1)
Small travelling bag with cotton ties.
Parker, Agnes Miller
Cummerbund with batik decoration.
Parker, Agnes Miller
Single curtain with applied batik decoration.
Parker, Agnes Miller
Long silk and linen woven scarf with fringed ends. It has geometric designs and subtle colour changes and blends, achieved through dip dyed warp. Scarf is in shades of green, grey, orange and brown.
Sumsion, Sarah
Long silk and linen woven scarf with fringed ends. It has geometric designs and subtle colour changes and blends, achieved through dip dyed warp. Scarf is in shades of purple, red and pink and has a maker's tag with the name Sarah Sumsion.
Sumsion, Sarah
Mackintosh School of Architecture banner
Heavyweight unbleached cotton vertical banner with Mackintosh weather vane in brown and Mackintosh School of Architecture in red Mackintosh style lettering underneath.
The Glasgow School of Art
Fringed, printed woolen stole with a stylised figure design in shades of mustard, claret, navy blue and pink.
Jack, Joanie
Fringed, printed woolen stole in brightly coloured architecture-inspired patterns with applied plastic sequins.
Jack, Joanie
Wedding head dress (Version 2)
Wedding head dress (Version 1)
Wedding head dress. Thought to have been designed and possibly also made by either Daisy or Violet Anderson (see DC 022).
The Anderson family
Ivory coloured full length dress in two layers, with a fine gauze silk over silk satin. Braided shoelace straps, fitted bodice and full skirt with decorative flounces. Eighteen covered buttons down back. Some damage through wear and from the metal parts of the buttons. Thought to have been designed and possibly also made by either Daisy or Violet Anderson (see DC 022).
The Anderson family
White velvet coat dress (Version 4)
White velvet coat dress (Version 3)
White velvet coat dress (Version 2)
White velvet coat dress (Version 1)
Cream, synthetic velvet full-length dress coat. High neck, fitted bodice with long sleeves gathered on the shoulder and fastened with three double covered buttons at waist level. An open skirt falls in a narrow A line below with simple edge to edge closing on the front and a shaped central back panel to suggest a train. Badly marked by decay of metal sections of the covered buttons. Believed to have been designed and possibly made by either Violet or Daisy Anderson (see DC 022).
The Anderson family
Remnant length of heavy cotton upholstery fabric printed in bold geometric design in shades of orange, red, purple and brown. Deposited by Crissie White.
Perritt, Peter R
Rectangular pieces of silk sewn together to form a geometric pattern in pink, black, blue, green, gold and cream.
Day, Lucienne
German weave notebook (Version 9)
German weave notebook (Version 8)
German weave notebook (Version 7)
German weave notebook (Version 6)