Oil portrait, quarter length, of John Murdoch, a Master at Glasgow School of Art from 1848 until his death in 1854. Sitter is clean shaven, wearing a black bow tie and white winged collar shirt and dark jacket against a dark background. No visible signature of artist or identifying label on frame; donor believes that it may be a self portrait.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of Glasgow architect, John Keppie. Signed lower left: To my friend John Keppie/Maurice Greiffenhagen 1917.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of the Glasgow photographer James Craig Annan, 1884-1945. Inscribed on frame: "James Craig Annan 1884-1945 by Francis H. Newbery, Director GSA, 1885-1917".
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of architect-lecturer Hugh Ferguson against a backdrop of the Glasgow School of Art.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of Hugh Adam Crawford, in white tunic, bearded.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of former Glasgow School of Art director.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of Glasgow architect Alexander McGibbon. Inscribed above: Alexander McGibbon A.R.I.B.A.
Two studies of trees; pollard willow and oak. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Depiction of buildings in Oviedo's main square. One of seven works presented for GSA by the Scottish Arts Council, as a result of the Council's collection being broken up and dispersed across Scotland.
Two landscape studies. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. A depiction of the Greek god Pan. One of seven works presented for GSA by the Scottish Arts Council, as a result of the Council's collection being broken up and dispersed across Scotland.
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley. Print 'B' inspired by Malevich. The screenprints are boxed with an introductory page.
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley. Print 'D' inspired by Lloyd Wright. The screenprints are boxed with an introductory page.
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley. Print 'E' inspired by Newman. The screenprints are boxed with an introductory page.
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley. Print 'A' inspired by C R Mackintosh. The screenprints are boxed with an introductory page.
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley. Print 'C' inspired by Modrian. The screenprints are boxed with an introductory page.
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley. Print 'G' inspired by Martin. The screenprints are boxed with an introductory page.
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley. Print 'F' inspired by Stella. The screenprints are boxed with an introductory page.
One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley. Print 'H' inspired by Halley. The screenprints are boxed with an introductory page.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of a female nude, with wrap and headscarf.
Abstract watercolour with layered collage. One of seven works presented to GSA by the Scottish Arts Council, as a result of the Council's collection being broken up and dispersed across Scotland.
Study of three cottages. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
