Embroidered dark fawn silk and velvet collar. There are several reasons for the attribution to Jessie Newbery: the very fine quality of the fabrics used; the method of construction; the quality of the stitching; the colours used; the simplicity of the design which complements the shape of the collar so effectively and the use of silver metal clasps.
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Various repaired vases and drinking vessels (in the possession of the Burrell Collection, Glasgow).
Four prints mounted as one. Lincoln Cathedral; A.N.Prentice, Dec 1896 Corstophine Church etc; J.S Jedburgh Abbey; A.McGibbon, 17.7.86 Sketched on the continent; John C.T Murray, Sept 1886.
‘Useless Machines’ is a series of moving interlocking laser cut wooden panels, wrapped in waste-fabrics and hand-stitched. They move and look like idiosyncratic machines, but are entirely functionless, as foils to the useful machines lost to landfills.
One of a series of nine architectural drawings for a project entitled 'Lighter than Air', submitted by Ronan Morris and Aoibhin McGinley for their final year thesis.
Digital print of mixed media work. The original print was lost following the Mackintosh Building fire of 23rd May 2014, however the digital file has survived.
Bedspread of heavy-weight beige fabric with rust coloured applique borders with green and cream needlework. Symmetrical geometrical design with decorative stitching and panels with zigzag and flower designs. Blue, pink, green and brown needlework. Small stain. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
Subject matter derived from Dylan Thomas' 1954 radio drama/play "Under Milk Wood". The wood engraving shows three figures seated around a breakfast table.
Study of mills at Bromley, Kent and Dulwich Common, Surrey. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Study of two water mills near Llanfair, North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
