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Bedspread of heavy-weight beige fabric with rust coloured applique borders with green and cream needlework. Symmetrical geometrical design with decorative stitching and panels with zigzag and flower designs. Blue, pink, green and brown needlework. Small stain. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.

Perspective drawing of Falkland Palace in the village of Falkland, Fife, accompanied by a partial plan of the structure and elevations of engaged columns on the façade of the building. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of York Minster. An outline of the building is drawn with detailing partially completed. The drawing is dated 'approx. 1885.' The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the interior of St. Nicholas' Church, Barfreston. Accompanying the perspective is a small plan of the building and several sections and elevations of arches, columns, and windows, complete with measurements and notes. The drawing bears the stamp of the Glasgow School of Art Library.

Piece of experimental sandblasted glass made by the artist as a postgraduate student. This item was made as sample for possible commission for an architect in relation to a shop front for Leeds Building Society. The final piece was made with kiln-fired fused and lustred glass panels.

The image is one of a series based loosely on a setting sun behind a pyramidal island.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. GSA students and staff featured in this work include (from left to right), amongst others: Harry McLean, GSA student and conservator (seated at table bottom left, resting elbow on table); Hugh Adam Crawford, GSA staff, Drawing and Painting department (standing, front-facing, slightly left of centre); Joan Eadley, GSA student and artist (centre, standing, facing left); John Miller, GSA staff, Drawing & Painting department (slightly right of centre, facing right, carrying portfolio under right arm); Margot Sandeman, GSA student and artist (slightly right of centre, facing right, arms folded, in conversation with Cordelia Oliver); Cordelia Oliver, GSA student, art critic and journalist (slightly right of centre, facing left, in conversation with Margot Sandeman); Margaret McGavin, GSA student and artist (right of centre, adjacent to Cordelia Oliver, front-facing but looking right, in conversation with another female student); David Donaldson, GSA staff, Drawing and Painting department (right of centre, left-facing, positioned between Margaret McGavin and the female student she is talking to); Benno Schotz, GSA staff, Modelling and Sculpture department and sculptor (right hand side, facing left); Timothy Powell, GSA staff, Graphic Design department (right hand side, in the foreground, front-facing, wearing a suit).

Perspective drawing of Jedburgh Abbey, displaying the portal leading to the cloisters in the south aisle of the nave. Underneath, plans of the archway and jamb are drawn, as well as cross-sections and perspectives of column bases and capitals. A note is written stating that the details are taken from a restored replica and not the original. The drawing bears the stamp of the Glasgow School of Art Library.

Three perspectives drawings of pediments at Newark Castle, accompanied by sections and elevations. The drawings are labelled with some measurements and notes. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the gallery front at Kilbirnie Parish Church. The drawing is accompanied by smaller sections and elevations of the columns, and a rough plan of the gallery. Various measurements and descriptions of materials are noted. The drawing is labelled 'Association Visit,' referring to the Glasgow Architectural Association. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the door to the chapter house at Lincoln Cathedral. Plans of archways are also drawn, complete with measurements. A note dates the structure to 1225. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of Carlisle Cathedral viewed from the south-west. McGibbon seems to have been particularly interested in the corbel tables, annotating them with the number of individual stones. The drawing is accompanied by smaller sketches of the cathedral's detailing, including part of a portal, window tracery, a column, and a closer view of a corbel table. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the portal to the south transept at Carlisle Cathedral. Alongside it, other sketches and sections show detailing of the portal. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the doorway of the north transept at Beverley Minster. Accompanying it are several plans, sections and elevations of the archway and its ornamentation, complete with measurements. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the porch to the north aisle of the nave at Beverley Minster. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the transept crossing at Beverley Minster, viewed from the south-west. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of St. Anselnis Tower at Canterbury Cathedral, labelled 'South-East Transept'. A note dates the structure 'c. 1080'. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the west wall of the nave at Beverley Minster. Accompanying it are sections and elevations of the columns in the arcade, complete with measurements. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the central tower at Lincoln Cathedral, viewed from the south-west. Annotations specify the date of the upper portion as 1306, the pierced parapet as 1775, and the remaining structure as 1240. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of Dunblane Cathedral viewed from the south-east. The drawing is labelled 'Association Visit,' referring to the Glasgow Architectural Association. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the interior of the west gable at Dunblane Cathedral. The drawing is labelled 'Association Visit,' referring to the Glasgow Architectural Association. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the east corner of the south transept at Kelso Abbey.  Accompanying it are several smaller perspectives and sections of architectural elements, annotated with measurements.  The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of Newark Castle, viewing onto the courtyard. Underneath, cross-sections and perspectives of various elements - particularly pediments and doorways - are drawn and annotated with measurements and notes. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of Kilbirnie Parish Church, accompanied by small sections underneath with some measurements and notes. An annotation dates the church to '1640?' The drawing is labelled 'Association Visit,' referring to the Glasgow Architectural Association. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the west doorway at Jedburgh Abbey. It is labelled with various measurements and annotations. A cross-section of the archway is overlayed on top of the perspective, and a section of a column base is sketched and labelled with measurements below. Other small elements are also drawn. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the west archway at Kelso Abbey. A section of the archway is overlayed above the perspective. Smaller sections and persectives of elements of the archway are also drawn. A note states that the drawing is a rough sketch because only a portion of the north side exists. Another annotation states that a capital is misplaced in the drawing. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the gateway to the courtyard at Rowallan castle, with some measurements and notes. The drawing is labelled 'Association Visit,' referring to the Glasgow Architectural Association. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of Rowallan Castle, viewed from the courtyard. The drawing is annotated with various notes, and accompanied by smaller perspectives and elevations of windows, a tympanum, and two sides of a wall head. The drawing is labelled 'Association Visit,' referring to the Glasgow Architectural Association. The drawing bears the stamp of the Glasgow School of Art Library.

Detail drawings of Crossraguel Abbey. Elements drawn are a window in the north wall of the nave, and a door separating the nave and the choir. Several perspectives and sections are drawn of these elements, complete with measurements. The drawing is labelled 'Association Visit - Spring Holiday,' referring to the Glasgow Architectural Association. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of Crossraguel Abbey, viewed from the south-east. A note states that the abbey was founded in the early 15th century. The drawing is labelled 'Association Visit - Spring Holiday,' referring to the Glasgow Architectural Association. The drawing and backing board bear the stamp of the Glasgow School of Art Library.

Perspective drawing of the nave at Durham Cathedral, viewed from the north aisle. Several plans and sections of columns, clustered pillars and ribbed vaulting are also drawn, complete with measurements. The drawing bears the stamp of the Glasgow School of Art Library

Perspective drawing of the north-west corner of Lincoln Cathedral, also depicting surrounding buildings. The drawing bears the stamp of the Glasgow School of Art Library

Several perspective drawings of doors and door knockers at Lincoln Cathedral, with various notes and measurements. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the north transept at Melrose Abbey. It is accompanied by labelled sections detailing elements of the pillars. The drawing is labelled 'Association Visit,' referring to the Glasgow Architectural Association. The drawing bears the stamp of the Glasgow School of Art Library

Perspective drawing of the chapter house at Lincoln Cathedral, viewed from the south-east. Accompanying it are plans and sections of mullions, buttresses, and the well. A note dates the well to 1772 and describes the buttresses as modern. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of St. Nicholas' Church, Barfreston. A note states that all the arches are slightly pointed. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the north transept at Lincoln Cathedral, viewed from cloisters. A note dates the structure to 1210 and the cloister to 1280 - 1300. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the chapter house at Lincoln Cathedral, acommpanied by a drawing of a pillar capital and a plan of the archway. A note dates the structure to 1225. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of a sculpted tympanum at St. Nicholas' Church, Barfreston. Measurements of the doorway are noted. No date is provided, but McGibbon sketched two other drawings of the church on 8 Aug 1888. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the screen to chapels in the north transept of Lincoln Cathedral. A note states that the drawing is of a wood copy of an earlier stone construction in the south transept, but this has been drawn instead because of suitable lighting conditions. A plan and section of the screen are also drawn. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the north transept at Beverley Minster, viewed from the east aisle. Annotations specify the material of the clustered pillars as purbeck. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the west towers at Lincoln Cathedral, viewed from the Galilee Porch of the south transept. Accompanying it is a section of a buttress, complete with measurements. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective and section drawings of the central doorway to Lincoln Cathedral, complete with measurements and notes. The varying patterning of the ornamented archivolts are roughly reproduced. A note dates the structure to 1141. The drawing bears the stamp of the Glasgow School of Art Library

Perspective drawing of the great gateway of St. Augustine's Monastery at Canterbury Cathedral. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the Galilee Porch of the south transept at Lincoln Cathedral. A note dates the structure to 1200. Accompanying the drawing are plans of the archway complete with measurements, and a closer perspective of a pillar capital. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the entrance from the cloisters to the chapter house at Canterbury Cathedral. Around the perspective are plans and sections of ribbed vaulting, pillars, and arches, complete with measurements. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of Trinity Chapel at Canterbury Cathedral. The drawing bears the stamp of the Glasgow School of Art Library.

Perspective drawing of the south-east porch at Lincoln Cathedral. A note states that the sculptured tympanum depicts the Last Judgment. The drawing bears the stamp of the Glasgow School of Art Library.