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This poster is for a Charles Rennie Mackintosh exhibition at the Glasgow School of Art, which ran from 1st July to 30 September 1988. The poster has a black and white design with orange font. It uses a geometric pattern which mimicks a Charles Rennie Mackintosh chair design.

Poster for Charles Rennie Mackintosh Exhibition at Hida Takayama Museum of Art, Japan, 1998.

This Japanese poster advertised a Charles Rennie Mackintosh exhibition. It was designed by graphic designer Ikko Tanaka in 1979 for Gurafiku: Japanese Graphic Design. The poster uses a pink and navy font on a white background, with an image of a Mackintosh chair.

This poster showing an image of a Mackintosh chair advertised an exhibition of the work of Charles Rennie Mackintosh at the Museum of Applied Arts in Helsinki from 10th December 1982 to 16th January 1983.

In 1988, a Mackintosh architecture exhibition opened in Certaldo in Tuscany, Italy. It was organised by Comune di Certaldo in Palazzo Vicariale di Certaldo from 31st July to 30th September. A book was published by Electa Firenze about the exhibition including images of architectural drawings, photographs, sketches and paintings. It features a Willow Tea Rooms drawing in cream, black, blue, green red and purple.

This poster advertised an exhibition marking the centenary of Charles Rennie Mackintosh's birth. The show itself was held in the Victoria and Albert Museum, London and was open to the public from the 30th of October to 5th of December 1968. The exhibition was sponsored by the Edinburgh Festival Society and arranged by the Scottish Arts Council.

Poster for exhibition 'Charles Rennie Mackintosh Pursuit of Perfection' at The Glasgow School of Art, 24 Jun 1986-02 Jul 1986

This poster advertises a Japanese exhibition of Charles Rennie Mackintosh's work.The poster is white, has pink and navy writing and includes an image of a Mackintosh chair. From Art Today, the poster is a design by Ikko Tanaka for 'Gurafiku: Japanese Graphic Design' in 1979.

In 1988, a Mackintosh architecture exhibition opened in Certaldo in Tuscany, Italy. It was organised by Comune di Certaldo in Palazzo Vicariale di Certaldo from 31st July to 30th September. A book was published by Electa Firenze about the exhibition including images of architectural drawings, photographs, sketches and paintings. This image is of a blue, beige, and black coloured architectural drawing.

This poster advertised an exhibition showcasing the work of Scottish artist, architect and designer Charles Rennie Mackintosh. Held in the Miezsznorodowego Cultural Centre in Krakow, Poland, the exhibition ran from the 18th of September to 31st of October 1996 and was arranged by the British Council of Poland, with sponsorship from the Polish Airlines Cargo.

The poster advertised an exhibition of work by Charles Rennie Mackintosh that was held in the McLellan Galleries on Sauchiehall Street in Glasgow. The show itself was sponsored by the Whyte and Mackay Group and ran from the 25th of May to 30th of September 1996. Admission to the exhibition was priced at £4 for adults and £2 for concessionary rate. The poster has a geometric square design.

This poster advertised an exhibition of the work of Charles Rennie Mackintosh which took place at det Danske Kunstindustrimuseum, Kobenhavn, from 10th September to 10th October 1982 and features an image of an iron bird, tree and rose.

This sky blue poster features a Charles Rennie Mackintosh chair and a distinctly dressed female wearing make-up and a blonde wig. Mackintosh's work was heavily influenced by Japanese design and culture. This poster advertises an association with Mackintosh's work and the Japanese Department store chain Daimaru.

This sky blue poster features a Charles Rennie Mackintosh chair and a distinctly dressed female wearing make-up and a blonde wig. Mackintosh's work was heavily influenced by Japanese design and culture. This poster advertises an association with Mackintosh's work and the Japanese Department store chain Daimaru.

This poster is for an exhibition of Charles Rennie Mackintosh's lost furniture from the Glasgow School of Art in association with the Glasgow Herald. The poster features Miss Kate Cranston's bedroom suite, which Mackintosh designed in 1904.

Poster advertising 'Charles Rennie Mackintosh & The Glasgow School', Bute Gardens, The University of Glasgow. Dates given are 27 Jan-20 Feb, year is not given but is believed to be late 20th century.

The poster advertised an exhibition showcasing work by Charles Rennie Mackintosh which was held in Port Vendres in the Pyrénées-Orientales in the South of France. On the poster it says "Un Ecossais En Catalogne", which translates as "A Scottish in Catalonia". Featured on the front of the poster is an image of a landscape watercolour of La Rue du Soleil, a piece by Charles Rennie Mackintosh. Mackintosh has strong associations with the South of France as he and Margaret MacDonald lived there from 1923 to 1927. The exhibition itself was held in association with the Entente Cordiale and the Glasgow School of Art.

This poster advertised an exhibition of Charles Rennie Mackintosh and Margaret Macdonald Mackintosh in 1983 at the Fine Art Society, 134 Blythswood Street, Glasgow, which ran from 24 Aug to 26 Sep 1983. Entitled 'The 1933 Memorial Exhibition: A Reconstruction', it was part of the Charles Rennie Mackintosh Society's 10th Anniversary Celebrations (1973-1983). The poster features a watercolour painting of a flower in lilac, white and black paint.

Poster features a grey Mackintosh portrait focusing on his moustache, grey and orange in colour. Also features line drawings of Mackintosh chairs. The exhibition of twenty Mackintosh chairs from the Glasgow School of Art's collection formed part of the opening celebrations at Norway’s newest cultural attraction, the Jugenstilsenteret (Art Nouveau Centre), in Ålesund, from the 6th June to 12th Oct 2003. Similar to Glasgow, this city is one of the founding partners of the EU-funded Réseau Art Nouveau Network. The School’s contribution was hoped to inspire further cultural and artistic ties between the two countries.

This poster features white images of twenty chairs with grey text to advertise an exhibition held in Jugendstilsenteret, Ålesund, Norway, from 6th June to the 12th Oct 2003. The exhibition of twenty Mackintosh chairs from the Glasgow School of Art's collection formed part of the opening celebrations at Norway’s newest cultural attraction, the Jugenstilsenteret (Art Nouveau Centre), in Ålesund. Similar to Glasgow, this city is one of the founding partners of the EU-funded Réseau Art Nouveau Network. The School’s contribution was hoped to inspire further cultural and artistic ties between the two countries.

The poster advertised an exhibition of work by the Scottish architect, artist and designer Charles Rennie Mackintosh. The show was held in the German town of Darmstadt, known for its Art Nouveau architecture and design. The show was held in the Hesse State Museum and was open from the 27th of February to 4th of May 1969. The poster is a graphic design by Fritz Fischer.

This poster, which is orange in colour, advertised an exhibition of work by Charles Rennie Mackintosh, which was held in the Mackintosh Building, Room 31, on the Glasgow School of Art campus. The show focused on 'Mackintosh in Context: the European Connection', running from the 7th of July until the 18th of August 1990. The exhibition was sponsored by Black Bottle Scotch Whisky.

This poster advertised an exhibition showcasing work made by seven international architects who were asked to produce work inspired by Charles Rennie Mackintosh. The poster conveys how "seven of the world's leading architects have made installations in the Glasgow School of Art. They are personal homages to Charles Rennie Mackintosh and a mark of his international significance today." The poster was designed by Blue Peach, Glasgow. The show, held in the Mackintosh Museum on the Glasgow School of Art's campus featured the work of: - Filippo Alison (Naples) - Edward Cullinan (London) - Aldo Van Eyck (Amsterdam) - Hans Hollein (Vienna) - Arata Isozaki (Tokyo) - Lean Krier (Luxembourg) - Stanley Tigerman (Chicago)

Poster for Mackintosh exhibition at the Museum des 20. Jahrhunderts [Museum of the 20th century] in Vienna, Austria, 07 Jun 1969-20 Jul 1969.

This poster advertised a seminar on Charles Rennie Mackintosh which was arranged to mark the 10th anniversary of the Charles Rennie Mackintosh Society. Speakers included: - Thomas Howarth (Toronto): the Mackintosh Interior - Sir Denys Lasdun (London): CRM and Architect's Appraisal - Andy MacMillan (Glasgow): Mackintosh and the National Expression - Dennis Sharp (London): Muthesius and Mackintosh - Mackintosh Authors: Roger Billcliffe, Robert MacLeod, Thomas Howarth, Andy MacMillan - Clause Frontisi (Paris): Hector Guimard - Juan Bassegoda (Barcelona): Antonio Gaudi - Szirmai Janos (Budapest): Odon Lechner - John Archer (London): Edgar Wood - Paul Sprague (USA): Louis Sullivan - Robert Judson Clark (Princeton USA): Josef Olbrich - Don Kalec (Chicago, USA): Frank Lloyd Wright - Randall MacLeod (Bristol): W.R. Lethaby - Peter Vergo (Colchester): Wiener Werkstaat - Christian Witt-Doring (Vienna): Vienna furniture, 1900

Poster for lecture 'Mackintosh and the Future', Glasgow Film Theatre, Glasgow. The lecture was given by Enric Miralles, who was a visiting lecturer at the Mackintosh School of Architecture. The date of the lecture was 03 Oct, no year is given but is believed to be 1998.

Broadsheet poster on Scottish Architecture featuring Mackintosh's Hill House, Helensburgh.

This poster advertised a lecture by economist Brian Griffiths which was held in the Mackintosh Lecture Theatre at The Glasgow School Of Art in December 1972. At this time, Griffiths worked as lecturer at the London School of Economics and Political Science, however he would later become advisor to Baroness Thatcher during her time as Prime Minister. He then became the Vice Chairman of Goldman Sachs. This lecture focused on the topic of Christianity, capitalism and revolution and was organised by David Dobson who was head of the Sculpture department at The Glasgow School Of Art in 1972.

This poster advertised a lecture given by the artist Ian Breakwell that was held in the Mackintosh Lecture Theatre at The Glasgow School Of Art. Breakwell is well known for working in a variety of mediums including print, installation, film and photography, however he is best known for making work based around his diary entries. He is also associated with The Artist Placement Group, an organisation set up in 1966 to bring art practice into hospitals and prisons. This particular lecture focused on work made between 1965 and 1967. The reverse of the poster is annotated with "J.Cosgrove".

Papers of the Newbery family including papers dating to after Newbery's retirement; papers of his wife, Jessie Newbery; and documents relating to Mary Newbery Sturrock, daughter of Francis and Jessie Newbery. Papers as follows:

• DIR/5/38/6/1: Letter from F R Benson of the Royalty Theatre, Glasgow, to Miss Newbery enclosing tickets for a Box for the play 'Much Ado', 12 Mar 1906 (1 sheet).

• DIR/5/38/6/2: Headed letter paper of Francis Newbery, Eastgate, Corfe Castle, Dorset, c1918 (10 sheets).

• DIR/5/38/6/3: Order of Proceedings for the inauguration of the Sign of Saint Edward, King and Martyr, Patron Saint of the Village, at Corfe Castle. Newbery made many of the readings at the event, 02 Jul 1927 (1 item).

• DIR/5/38/6/4: Cardboard silhouette of Francis and Jessie Newbery in a photograph mount, c1930s (1 item).

• DIR/5/38/6/5: Letters and fragments of letters from Jessie Newbery to her daughter Elsie and perhaps Mary. One of the letters to Elsie is dated 24 Sep 1934. The other letters are fragmentary and include topics such as recipes, books and sewing projects, c1934. (4 sheets)

• DIR/5/38/6/6: Letter from George M Baltus to Mr and Mrs Newbery catching up with them following the Second World War, telling them of his experiences during that time, and telling them family news, 07 Jan 1946 (1 sheet).

• DIR/5/38/6/7: File of photographs, pressclippings, sketches, designs, documents and letters relating to Mary Newbery Sturrock, daughter of Francis and Jessie Newbery, c1930s-80s (1 folder). File includes:

• DIR/5/38/6/7/1: postcard of ‘Port Vendres’, watercolour by Charles Rennie Mackintosh c1926-27, dated 1979;

• DIR/5/38/6/7/2: mounted photograph of Mary Newbery Sturrock at South Gray Street Edinburgh, undated;

• DIR/5/38/6/7/3: letter from Mary Newbery Sturrock thanking her correspondent (name not given) for the Mackintosh card and about her memories of the doors of The Glasgow School of Art being white, 16 Oct 1984;

• DIR/5/38/6/7/4: mounted photograph of Mary Newbery Sturrock and another woman, front of mount reads ‘Wedding’, undated;

• DIR/5/38/6/7/5: pressclipping from the Helensburgh Advertiser about the opening of a special Mackintosh exhibition held at the Hill House, 03 May 1977;

• DIR/5/38/6/7/6: card addressed to Mary, from ‘Pamela’ thanking her for a recent note. Front of card depicts ‘Painted gesso panel set with glass beads and shell’ by Margaret Macdonald Mackintosh, 1904, card is undated.

• DIR/5/38/6/7/7: postcard from ‘Pat’ and Harry Barnes to Mary Newbery Sturrock, from Port-Vendres in France, 1981.

• DIR/5/38/6/7/8: postcard from Tom Howarth to Mary Newbery Sturrock, from Port-Vendres in France, undated; photograph of Jessie and Francis Newbery; photograph of Mary Newbery Sturrock and another woman; photograph of two women, one likely Mary Newbery Sturrock, signed ‘Whiteleigh, Christmas 66’, 1966;

• DIR/5/38/6/7/9: photographs of Mary Newbery Sturrock (x4), undated;

• DIR/5/38/6/7/10: photographs of Mary Newbery Sturrock (x3), undated; close-up photograph of a necklace, undated;

• DIR/5/38/6/7/11: photographs of Mary Newbery Sturrock (x2), undated;

• DIR/5/38/6/7/12: photographs of Mary Newbery Sturrock (x2), undated;

• DIR/5/38/6/7/13: photographs of Mary Newbery Sturrock and family (x4), undated;

• DIR/5/38/6/7/14: photograph of Eastgate, Corfe Castle, undated; photographs of Jessie and Francis Newbery at Eastgate (x3), undated;

• DIR/5/38/6/7/15: photograph of Jessie and Francis Newbery and family, undated; photograph of village street, likely Corfe Castle;

• DIR/5/38/6/7/16: letter from Rodrigo Rodriguez of Cassina S.p.A to Mary Sturrock regarding the terms of an agreement between them for the reproduction of items (cutlery and the 'Six Columns Clock') designed for Sturrock by C.R. Mackintosh, 30 Oct 1979;

• DIR/5/38/6/7/17: change of address card for Mr and Mrs A. R. Sturrock, from 2 Mansfield Place Edinburgh to 13 South Gray Street, c1945 (7 copies);

• DIR/5/38/6/7/18: two hand-printed floral designs with addition of watercolour, unsigned and undated (possibly 1937 based on related designs); two versions of a hand-printed design with addition of watercolour depicting a woman with floral headdress, signed ‘M.N.S.’, undated (possibly 1937 based on related designs);

• DIR/5/38/6/7/19: hand-printed floral Christmas card design with addition of watercolour and ink, back of card is signed ‘C.R., 1/-', dated 1937;

• DIR/5/38/6/7/20: bundle of sketchbook and loose pages featuring sketches of, notes about and designs for ceramics, unsigned and undated (one example, drawn on the back of a card to Mary reads ‘wishing her good business and good health in 1956’);

• DIR/5/38/6/7/21: invitation for exhibition of Sigrid Mavor (Ceramic flora and fauna) and M.N. Sturrock (Flower Drawings) from 30 Oct – 10 Nov at ‘The Open Eye Gallery’ Edinburgh [1982];

• DIR/5/38/6/7/22: letter from Alison Adburgham to MNS Sturrock in response to a letter sent by Sturrock related to her family history and relationship to Liberty fabrics, 01 Jul 1983;

• DIR/5/38/6/7/23: interview between Mary Newbery Sturrock and Tony Jones (director of GSA 1980-1986) about the history of The Glasgow School of Art, Fra Newbery and Charles Rennie Mackintosh, c1980.

This poster advertised a lecture by Richard Smith which was held in the Haldane Building at The Glasgow School Of Art. The poster was designed and printed by Jimmy Cosgrove who worked as a senior lecturer in the textiles department at this time.

This poster advertised a lecture given by Lily Greenham who was known for her concrete and sound poetry. The lecture was held in the Haldane Building at The Glasgow School Of Art.

This poster was used to advertise The Glasgow School Of Art's annual activities week. A number of events were organised including: films, lectures, poetry, jazz folk, drama, contests, disco, a bar in the Haldane building, dance art, a drag talent show and a snooker competition. Activities week ran annually from the 1970s until the mid 1980s. During this week, classes stopped and various events were organised instead. The poster is annotated on the reverse with "J.Cosgrove".

This poster advertised a lecture given by Lily Greenham who was known for her concrete and sound poetry. The lecture was held in the Haldane Building at The Glasgow School Of Art.