Plaster casts of double capital with stylised ornamentation
- PC/140
- Item
- Mid 19th century-early 20th century
Part of Plaster Casts
*Not available / given
44 results with digital objects Show results with digital objects
Plaster casts of double capital with stylised ornamentation
Part of Plaster Casts
*Not available / given
Plaster cast of wooden carved decorated panel with foliage and two Satyr-like figures
Part of Plaster Casts
Panel showing scrolling foliage with two central figures turned toward each other in relief.
*Not available / given
Plaster cast of Virgin and Child roundel
Part of Plaster Casts
Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Bears "Commission Royale Belge Atelier du Moulage, Bruxelles" maker's mark.
Commission Royale Belge Atelier du Moulage Bruxelles
Plaster cast of Virgin and Child roundel
Part of Plaster Casts
Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Annotated "D Brucciani & Co" and "324".
D Brucciani & Co
Plaster cast of Virgin and Child roundel
Part of Plaster Casts
Original: Andrea della Robbia (1435-1525), c1470. Glazed terracotta in a carved and gilt wood frame. Virgin and Child with two cherub heads. Circular relief originally in blue and white enameled terracotta. The Virgin holds the Child standing on her right. She is represented half-length turned slightly to the left, supporting the Child in a standing posture beside her. He holds the end of her veil in his right hand. The eyes are painted in brown and black. Original currently in the collection of The National Museum of Bargello, Florence, Italy. Bears "D Brucciani & Co" maker's stamp. Annotated: "324".
D Brucciani & Co
Plaster cast of Virgin and Child
Part of Plaster Casts
Original: Andrea della Robbia, c1487. Blue and white tin-glazed terracotta. Florence, Italy. The original relief is believed to have been commissioned by Gabriele di Cambio de' Medici, whose marriage to Lucrezia di Alessandro Rondinelli took place in 1487-88. The style of the relief is related to that of Andrea del Verroccio.
*Not available / given
Plaster cast of Virgin adoring the Child, with God the Father and angels
Part of Plaster Casts
Original: Andrea della Robbia, c1479. Glazed terracotta. A variant of the Brizi Adoration relief at La Verna, Italy. Currently in the collection of the Courtauld Institute of Art, London, UK. Annotated: "2168".
*Not available / given
Plaster cast of upper section of pointed arch
Part of Plaster Casts
Bears "Musée de Sculpture Comparée du Trocadero, Paris" maker's mark.
Musée de Sculpture Comparée du Trocadero, Paris
Plaster cast of trophy with musical instruments
Part of Plaster Casts
Bears "Musée de Sculpture Comparée du Trocadero, Paris" maker's stamp. Annotated "976" and other illegible numbers.
Musée de Sculpture Comparée du Trocadero, Paris
Plaster cast of top part of stele with antefixa ornament and Greek inscription
Part of Plaster Casts
With stylised leaves and Greek lettering. Bears illegible maker's stamp. Annotated with faint, illegible Greek lettering.
*Not available / given
Plaster cast of top part of heraldic shield, with helm, crest and mantling
Part of Plaster Casts
*Not available / given
Plaster cast of top capital with foliate ornament
Part of Plaster Casts
Capital decorated with stylized leaves with portion of pilaster.
*Not available / given
Plaster cast of tondo portrait of Andrea Mantegna
Part of Plaster Casts
Original: Gian Marco Cavalli, c1490. Marble and bronze. Original currently in the Mantegna Chapel, Basilica di Sant’Andrea, Mantua, Italy. Bears a "Musée de Sculpture Comparée du Trocadero, Paris, 1910 " maker's stamp.
Musée de Sculpture Comparée du Trocadero, Paris
Plaster cast of tondo from relief portrait of Sigismondo Pandolfo Malatesta
Part of Plaster Casts
Original: Agostino di Duccio, c1450. Basilica Malatesta, Rimini, Italy. Bears "Commission Royale Belge Atelier du Moulage, Bruxelles" maker's mark.
Commission Royale Belge Atelier du Moulage Bruxelles
Plaster cast of the meeting of St Francis and St Dominic
Part of Plaster Casts
Original: Andrea della Robbia, 1489. Glazed terracotta. Loggia of L'Ospedale San Paolo, Florence, Italy.
Plaster cast of the meeting of St Francis and St Dominic
Part of Plaster Casts
Original: Andrea della Robbia, 1489. Glazed terracotta. Loggia of L'Ospedale San Paolo, Florence, Italy.
Plaster cast of stele with decorative strapwork
Part of Plaster Casts
Stele with strips or ribbons of ornamentation. Annotated with "7".
*Not available / given
Part of Plaster Casts
Stele in two parts; one with point and ornamented with fluting, the second with two flowers carved in relief. Original: The Temple of Thesius, Athens, Greece. Annotated with illegible lettering.
*Not available / given
Plaster cast of Spinelli family coat of arms on octagonal panel
Part of Plaster Casts
Plaque showing coat of arms with two sides. Original: Brunelleschi. Basilica di Santa Croce, Florence, Italy.
*Not available / given
Part of Plaster Casts
Original: Poets’ Corner, Westminster Abbey, London, UK.
*Not available / given
Plaster cast of section of pilaster with vase, foliage and putti
Part of Plaster Casts
Original: Tullio Lombardo, c1851. Venice, Italy. Annotated ""Tullio Lombardo." and "205".
*Not available / given
Plaster cast of section of frieze with foliage and decorated borders
Part of Plaster Casts
*Not available / given
Plaster cast of section of entablature
Part of Plaster Casts
Entablature with egg and dart enrichment and a series of small masks.
*Not available / given
Plaster cast of section of cornice with bands of ornament
Part of Plaster Casts
Ornament including bands of egg and darts enrichment.
*Not available / given
Plaster cast of section of architrave with vines and eagle in clipeus
Part of Plaster Casts
Original: Lorenzo Ghiberti, 1452. Bronze. Gates of Paradise, Baptistry di San Giovanni, Florence, Italy. Currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy. In 2019, this item was conserved and now includes a central fragment, which was originally catalogued as a separate cast (PC/187).
*Not available / given
Plaster cast of Sarcophagus of Giustina
Part of Plaster Casts
Original: Attributed to Gregorio di Allegretto, 1476. Marble. Church of Santa Giustina, Padua, Italy. On the front of the sarcophagus the body of the saint is carved in relief, lying on a bier and covered with a cloth. At the ends are reliefs of angels swinging censers. Annotated "182A Brucciani & Co, London".
D Brucciani & Co
Plaster cast of roundel with flower
Part of Plaster Casts
*Not available / given
Plaster cast of remembrance panel
Part of Plaster Casts
Panel with commemorations flanked by man and woman with cherubs and surrounded by decorative ornamentation.
*Not available / given
Plaster cast of relief panel with vases
Part of Plaster Casts
Panel in base relief in frame; tiers of vases and stylised plants.
*Not available / given
Plaster cast of relief from story of Romulus and Remus
Part of Plaster Casts
Matron with bambini, sea god, domestic animals (bull, sheep and frog). Original: Marble. Ara Pacis Augustae (Altar of Augustan Peace), Rome, Italy. Bears "Musées Nationaux Moulage, Paris" maker's stamp.
Musées Nationaux Moulage, Paris
Plaster cast of relief altarpiece of Adoration of the Magi
Part of Plaster Casts
Panel depicting the infant Christ being attended by the wise men. Original: Tilman Reimenschneider, c1510. Lime wood. Rothenburg ober der Tauber, Germany. Currently in the collection of the British Museum, London, UK. Annotated "D Brucciani & Co London".
D Brucciani & Co
Part of Plaster Casts
Plaster cast copies of sculptures from the church of Notre-Dame de Corbeil, Essonne, France. The original sculptures were previously displayed in the Musée des Monuments as King Clovis I of the Franks (465 - 511) and his wife Queen Clotilde (474 – 545). However, they are now housed in the Louvre where they are catalogued as possibly the Old Testament monarchs, King Solomon and the Queen of Sheba.
Plaster cast of putti and foliage tondo
Part of Plaster Casts
Putti surrounded by symmetrical curling foliage. Thought to be c16th, Italian.
*Not available / given
Plaster cast of portion of a column with leaves
Part of Plaster Casts
Relief panel. Annotated "810".
*Not available / given
Plaster cast of pilaster capital
Part of Plaster Casts
Bears "Commission Royale Belge Atelier du Moulage, Bruxelles" maker's stamp.
Commission Royale Belge Atelier du Moulage Bruxelles
Part of Plaster Casts
Plaster cast of pilaster, part of a set with decorated capital
*Not available / given
Plaster cast of Parthenon Frieze (West Frieze II)
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. Horsemen. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
Plaster cast of Parthenon Frieze (South Frieze XLIV)
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. A section of the south frieze showing men leading sacrificial animals. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
Plaster cast of Parthenon Frieze (Block XL from the North frieze)
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. Figures bearing water jugs. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787. Original currently in the collection of the Acropolis Museum, Athens, Greece.
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given
Plaster cast of Parthenon Frieze
Part of Plaster Casts
Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.
*Not available / given