- NMC/1874
- Item
- 1977
Etching. Abstract design suggesting concertina folded heavily embossed or anaglypta paper.
Parry, Jacki
Etching. Abstract design suggesting concertina folded heavily embossed or anaglypta paper.
Parry, Jacki
Warkworth, Northumberland; view across river
"Warkworth, Northumberland" (in pen), bottom left.
Miller, Archibald E Haswell
Printed tea towel of the Waltzing Waters with description and illustration of the show, in green, blue, yellow and pink on white background.
Chalmers, Sylvia
Volume III.
Brown, Duncan
Design of frog and dragonfly.
Jackson, May
Design of bird and flowers.
Jackson, May
Spain or Italy
Miller, Josephine Haswell
Probably in the Italian lakes.
Miller, Josephine Haswell
Volume II.
Brown, Duncan
Poster depicting the Wallace Monument, for the Scottish General Omnibus Company Ltd.
Hegarty, John MacGowan
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Depicts buildings, sand and sea. Made from pieces of coloured linen stitched together and embroidered in thick cotton. (Paper label attached: 'Auchmithie' student piece 1932 no 3 Kath Whyte).
*Not available / given
Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.
Mackintosh, Charles Rennie
Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.
Mackintosh, Charles Rennie
Wall hanging depicting Hebridean village
Wall hanging, L-R design shows street of houses with mountains behind, church, trees, stone cross, cows and shore with moon.
Design by Scottish artist Eric Lounsbach, worked by primary and secondary school children.
Lounsbach, Eric
Bedford Lemere & Co
Wadham College, Oxford - Fellows Common Room
1/2 full size details of ornament on overmantle.
Beveridge, Thomas Johnston
Wadham College, Oxford - Fellows Common Room
1/2 full size cartouche over fireplace.
Beveridge, Thomas Johnston
Wadham College, Oxford - Fellows Common Room
1/2 full size breast of chimney piece.
Beveridge, Thomas Johnston
Wadham College, Oxford - Fellows Common Room
(1/2 full size) Detail of sway on frieze.
Beveridge, Thomas Johnston
Miller, Archibald E Haswell
Vinyl single artwork, The Bluebells "Cath"
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Cover design by Fraser Taylor of two embracing figures with graphic background. Cut from sleeve, front section only, no vinyl included.
Taylor, Fraser
Vinyl LP, The Bluebells "Cath"
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Vinyl LP, The Bluebells "Cath"
Taylor, Fraser
"A E Haswell Miller 1920" (in pen), bottom left.
Miller, Archibald E Haswell
Village with lake/river in foreground
Probably France. Another design, verso.
Miller, Josephine Haswell
"A E Haswell Miller 1924" (in pen), bottom left. Annotated by artist.
Miller, Archibald E Haswell
Village scene with woman carrying basket
Probably Spain.
Miller, Archibald E Haswell
Village scene with cows in foreground
"Blair castle 17 Sept 41" (in pen), bottom right.
Miller, Josephine Haswell
"Josephine Miller" (in pen), bottom right.
Miller, Josephine Haswell
"Josephine Miller" (in pen), bottom right.
Miller, Josephine Haswell
Drawing of church or minster, with herd of cattle in foreground.
Anderson, Agnes
Probably the Cote Vermeille, France. "A E Haswell Miller 1920", bottom left.
Miller, Archibald E Haswell
Miller, Josephine Haswell
Exterior elevation and entrance.
Revel, John D
Plan and elevation of villa.
Revel, John D
South east elevation and plan.
Brodie, Margaret Brash
Nourth east/north west elevations.
Brodie, Margaret Brash
View, possibly overlooking Florence
A study possibly of the Boboli Gardens, Florence.
Jackson, Alexander Logan
"Josephine Miller" (in pen), bottom right.
Miller, Josephine Haswell
Study of cottage in North Wales. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Volume I.
Brown, Duncan
View of part of Battle Abbey, Sussex
View of Battle Abbey with sheep grazing in foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David