- NMC/0172B
- Item
- Early 20th century
Possibly by "Chaliboni".
*Not available / given
Possibly by "Chaliboni".
*Not available / given
Possibly by "Chaliboni".
*Not available / given
Uncut lino block showing Hengler's Circus, Sauchiehall Street, Glasgow, as viewed from The Glasgow School of Art.
Harris, Margaret Helena
Black and white etching.
Sander, Thomas Edward
Fishermen and labourers with wagons. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Part of Papers of Conrad McKenna, student and staff member at The Glasgow School of Art, Scotland
Albion printing press. Message inside.
Sumsion, Peter
Studies of various Hastings fishing boats. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Two studies of farm workers at harvest time. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Harrods "cooks way" apron in red with white straps.
Chalmers, Sylvia
Harrods apron in green and yellow with brown straps. Large 'H' motif in centre. Printed and produced by Tuar Fabrics in Scotland.
Chalmers, Sylvia
Child's apron featuring a number of different animals gathered around a birthday cake with "Happy Birthday" written across it. Printed in yellow, orange, brown, and green on a red background.
Chalmers, Sylvia
Child's apron featuring a number of different animals gathered around a birthday cake with "Happy Birthday" written across it. Printed in yellow, white, green, and grey on a blue background.
Chalmers, Sylvia
Hampton in Arden, Warwickshire
Study of farm buildings with church tower in background. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
GSA Diploma Copper Etching Plate
Copper etching plate for Glasgow School of Art diploma.
Mainds, Allan Douglass
GSA Diploma Awarded for Drawing and Painting
GSA Diploma certificate awarded to Isabel Stewart for Drawing and Painting and featuring various figures including St Mungo.
Mainds, Allan Douglass
Greetings and good health ... Ad infinitum
Part of Papers of Conrad McKenna, student and staff member at The Glasgow School of Art, Scotland
Design with Toby jugs.
Huntly, Gordon F
New Year card, Finlaystone Estate 1988, with monochrome emblem design superimposed on geometric and maze designs in coloured inks.
Mitchell, Charles
Greeting card sent to library staff, Christmas 1985. Monochrome geometric skull design with four plastic enamel additions suggesting eyes.
Mitchell, Charles
Male figure holding a glass to a candle. Possibly by A. Sauer.
*Not available / given
New Year greeting card with skull emblem and spade motifs on a geometric background design with plastic enamel additions.
Mitchell, Charles
New Year greeting card with skull emblem and spade motifs on a geometric background design.
Mitchell, Charles
Male figure examining model boats. Possibly by A. Sauer.
*Not available / given
Green placemat with white fringed edges featuring a geometric design and labelled "Tuar Fabrics.
Chalmers, Sylvia
Glasgow street scene.
Goodhall, John
Part of Papers of Conrad McKenna, student and staff member at The Glasgow School of Art, Scotland
Cutting from invite to private view of Gordon Huntly exhibition.
*Not available / given
Timorous Beasties
Glasgow School of Art presents a Christmas Ball
Part of Papers of Conrad McKenna, student and staff member at The Glasgow School of Art, Scotland
Flyer for ball showing figure playing instruments. Shows use of mechanical tints. Possibly by John B Fleming (often known as Jack Fleming).
*Not available / given
Glasgow School of Art from Muirhead Moffat's Shop
View of the Mackintosh building (south-west facade), seen from Sauchiehall Street. Cinema in foreground.
Scott, Isobel Maclagan
"An attempt at dental flossing".
Esson, Michael
Maxwell, Tom
Miller, Archibald E Haswell
Four studies; three of cottages, one of river with cathedral in background. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Fort St. George on the Coromandel Coast, belonging to the East India company of England. Published by Laurie Whittle 1794.
Van Ryne, Jan
For unto you is born this day in the city of David a saviour which is Christ the Lord
Part of Papers of Conrad McKenna, student and staff member at The Glasgow School of Art, Scotland
Purple and green design with buildings.
Huntly, Gordon F
Apron featuring flower basket and butterflies surrounded by other large flowers. Printed in shades of green and blue on cream-coloured background.
Chalmers, Sylvia
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Ink is applied in washes to the surface of the paper, blue opaque gouache renders the background leaving floral shapes to reveal the ink underneath. Black acrylic is used to outline the organic shapes and loosely create a checked pattern in the background. Paper backed on conservation board.
Taylor, Fraser
Printed placemat with repeating geometric floral pattern in blue and white.
Chalmers, Sylvia
Study of various fishing boats. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Multiple processes, cotton with painted figures in blue, white and orange. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was completed in 2019.
Taylor, Fraser
Seated figure reading.
Laurie, John
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract female forms monoprinted onto light coloured paper and adhered to pink paper to create a collage effect. Charcoal is used to draw lines in the background, with strips of cream coloured paper also collaged to the surface. Backed on conservation board.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Two painted figures in ink and gouache mounted onto white card. Design one shows an abstract face painted in coloured inks and white gouache. Design two shows an abstract face painted in black ink and purple, blue and cream gouache.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Female figure outline drawn in glue and mono-printed over in black ink. Background painted in cream, pink and blue. Backed on white card.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract figurative relief printed block, printed in black ink on paper to produce a block like pattern. Backed on conservation board.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Figurative brush strokes in pink acrylic paint, outlined in black acrylic on a red ink background. Abstract marks in oil pastel. Work on paper and backed on conservation board.
Taylor, Fraser
'Field Marshall Death' from the songs and dances of death
Image of grim reaper riding a horse. This was one of a set of prints/ illustrations made for Mussorgsky's song cycle "Songs & Dances of Death" for a solo exhibition in the former Blythswood Gallery in Blythswood Square, Glasgow, which was opened by Emilio Coia in 1960. Among those who bought the prints were George Singleton ("Mr. Cosmo"), Emilio Coia and Jack Coia the architect.
Anderson, Charles
Unfinished study; head and arm.
Green, Jocelyn