- NMC/0497
- Item
- 1928
Composition of yellow roses against black background.
Anderson, Daisy McGlashan
Composition of yellow roses against black background.
Anderson, Daisy McGlashan
Wrecking Ball woodcut and cardboard print
Note from the artist: This print is part of the collection Wank!, a series of six posters for various sources - such as essays, video clips, movies or performances - all dealing with the taboo subject of female masturbation. Acting like a curator of these references, I aim to highlight that any attempt to represent feminine masturbation through a feminist eye still finds its limits where a branded masculine interpretation of feminine sexuality starts.
Campistron, Dominique
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of trees.
Laurie, John
Woodcut prints depicting the St George myth
Part of Material relating to Gerard V Murphy, former GSA student
Two multicolour-printed pieces of teaching examples for printmaking, attached to backing paper. These prints illustrate the heroic myth of Saint George slaying a dragon. Also used as teaching materials in schools in Scotland, as marked with the level of students "Sixth year."
Murphy, Gerard V
Wood scene near Sevenoaks, Kent. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
Wood printing block of portrait of man with building in background. Annotated on reverse: stamped name "Lawrence", artist's name handwritten.
Small, William Farquharson
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Abstract study of trees.
Robertson, James Downie
Group of native women working in a field.
Addo-Osafo, Emmanuel
Woman reclining on bed (head on arms)
Signed 'Sinclair'.
Thomson, Robert Sinclair
Study of woman holding a plate.
Strang, William
Binnie, Maureen
Heavily annotated by artist.
Thomson, Robert Sinclair
Landscape under snow. Possibly near Pinwherry, Ayrshire.
Alison, Henry Young
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Country track under snow; possibly near Pinwherry, Ayrshire.
Alison, Henry Young
Landscape under snow. Possibly near Pinwherry, Ayrshire.
Alison, Henry Young
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Winter landscape with cottage under snow. Location: Pinwherry, Ayrshire.
Alison, Henry Young
Bound in volume, The Magazine, Spring 1896. One of three watercolours depicting the seasons drawn for The Magazine.
Mackintosh, Charles Rennie
Wing Trace (A Gentle Hush Remembered)
Image of bird against abstract background.
Brown, Neil Dallas
Miller, Josephine Haswell
Windmill with labourers in foreground. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Self-portrait of former Glasgow School of Art director.
Hutchison, Sir William Oliphant
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Self portrait of Glasgow artist William Drummond Bone.
Bone, William Drummond
Flower composition.
Anderson, Daisy McGlashan
White roses in a blue and white bowl resting on round mirror.
Anderson, Daisy McGlashan
Island landscape with white dog to foreground.
Wylie, Gus
Still life.
MacInnes, Jock
Waterside cottage with boats and fisherman
First colour block - red ink.
*Not available / given
Waterside cottage with boats and fisherman
Third colour block - blue on ochre and red ink.
*Not available / given
Waterside cottage with boats and fisherman
Second colour block - ochre on red ink.
*Not available / given
Waterside cottage with boats and fisherman
Fourth and final colour block - black on blue, ochre and red ink.
*Not available / given
Waterfront Building, Walberswick, Suffolk
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Possibly the exterior of Newbery 's studio in Walberswick.
Newbery, Francis Henry
Study of Water Mill. From "A Treatise on Landscape Painting and Effect in Watercolours: from the first rudiments to the finished picture: with examples in Outline, Effect, and Colouring", first published in London by S & J Fuller in 1814, republished in 1840.
Cox, David
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Study of washerwoman. Verso: Presented to the Glasgow School of Art by Prof. Maurice Greiffenhagen LLD/3rd, April 1930.
Greiffenhagen, Maurice
The casual photographer, 'Kirby', Pte Arthur Kirkwood. Sketches of fellow companions during service in Royal Army Medical Corps.
Hunter, William R
My first saergint, 'Jock' Sergt McArthur. Sketches of fellow companions during service in Royal Army Medical Corps.
Hunter, William R
Etching. Abstract design suggesting concertina folded heavily embossed or anaglypta paper.
Parry, Jacki
Warkworth, Northumberland; view across river
"Warkworth, Northumberland" (in pen), bottom left.
Miller, Archibald E Haswell
Spain or Italy
Miller, Josephine Haswell
Probably in the Italian lakes.
Miller, Josephine Haswell
Wall hanging designed for The Dug-Out, Willow Tea Rooms, Glasgow
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.
Mackintosh, Charles Rennie