Written submission for 'A Glass House' project (Version 3)
- NMC/1395/v3
- Part
- Nov 1937
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Written submission for 'A Glass House' project (Version 3)
Written submission for 'A Glass House' project (Version 2)
Written submission for 'A Glass House' project (Version 1)
Written submission for 'A Glass House' project
A third year project.
Penman, Larmont Douglas
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Designed for the Card Room at Hous'hill in Nitshill in Glasgow. 'A unique and most elegant design, miniaturising some of the elements of the Library timbers at the Glasgow School of Art in a writing table. The paired beams seen in the Library, almost complete at this date, are echoes in the paired legs, and the chamfering of the balusters and the bent laths around the balcony are repeated in the rails below the drawers... D.1909.12 shows the table located between two chairs in a bay off the Card Room [at Hous'hill].' (Roger Billcliffe).
Mackintosh, Charles Rennie
This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Rectangular writing table with grid-like stretcher. The arrangement of stretchers is like those of a number of items designed c1904-06 for Hill House and Hous'hill (Roger Billcliffe).
Mackintosh, Charles Rennie
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Contains one Eaglesham Bicentenary Year 1769-1969 booklet compiled by Andrew Wilson; one typed draft copy of "Account of Eaglesham"; and one copy of 'An Historical Description and Account of "The Village of Eaglesham"' by Hugh R. Wyllie, 6 August 1958.
*Not available / given
Writing desk for Gladsmuir (Version 7)
This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Desk with hinged top, designed for Gladsmuir, Kilmacolm.
The majority of this piece of furniture was lost, however a brass repousse panel plus three handles, all damaged, were salvaged and have undergone conservation and consolidation work. The original item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Writing desk for Gladsmuir (Version 6)
This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Desk with hinged top, designed for Gladsmuir, Kilmacolm.
The majority of this piece of furniture was lost, however a brass repousse panel plus three handles, all damaged, were salvaged and have undergone conservation and consolidation work. The original item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Writing desk for Gladsmuir (Version 5)
This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Desk with hinged top, designed for Gladsmuir, Kilmacolm.
The majority of this piece of furniture was lost, however a brass repousse panel plus three handles, all damaged, were salvaged and have undergone conservation and consolidation work. The original item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Writing desk for Gladsmuir (Version 4)
This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Desk with hinged top, designed for Gladsmuir, Kilmacolm.
The majority of this piece of furniture was lost, however a brass repousse panel plus three handles, all damaged, were salvaged and have undergone conservation and consolidation work. The original item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Writing desk for Gladsmuir (Version 3)
This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Desk with hinged top, designed for Gladsmuir, Kilmacolm.
The majority of this piece of furniture was lost, however a brass repousse panel plus three handles, all damaged, were salvaged and have undergone conservation and consolidation work. The original item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Writing desk for Gladsmuir (Version 2)
This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Desk with hinged top, designed for Gladsmuir, Kilmacolm.
The majority of this piece of furniture was lost, however a brass repousse panel plus three handles, all damaged, were salvaged and have undergone conservation and consolidation work. The original item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Writing desk for Gladsmuir (Version 1)
This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Desk with hinged top, designed for Gladsmuir, Kilmacolm.
The majority of this piece of furniture was lost, however a brass repousse panel plus three handles, all damaged, were salvaged and have undergone conservation and consolidation work. The original item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
This item suffered significant damage in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014.
Desk with hinged top, designed for Gladsmuir, Kilmacolm.
The majority of this piece of furniture was lost, however a brass repousse panel plus three handles, all damaged, were salvaged and have undergone conservation and consolidation work. The original item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Writing desk fitting in baptistry/joinery
Wrecking Ball woodcut and cardboard print
Note from the artist: This print is part of the collection Wank!, a series of six posters for various sources - such as essays, video clips, movies or performances - all dealing with the taboo subject of female masturbation. Acting like a curator of these references, I aim to highlight that any attempt to represent feminine masturbation through a feminist eye still finds its limits where a branded masculine interpretation of feminine sexuality starts.
Campistron, Dominique
Woven Yellow Cushion (Version 2)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Not available / given
Woven Yellow Cushion (Version 1)
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
5 zigzag stripes across front on coarse fabric in shades of yellow, orange and grey.
*Not available / given
Woven screen with a loose check pattern with brown string and brown, cream and green thread on wooden supports. It has metal fasteners in the wooden beams at top and bottom for hanging purposes.
Lindsay, John Walter
Woven screen with a loose check pattern with brown string and brown, cream and green thread on wooden supports. It has metal fasteners in the wooden beams at top and bottom for hanging purposes.
Lindsay, John Walter
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Not available / given
Part of Papers of Kath Whyte, Head of Embroidery at Glasgow School of Art, Scotland
Written label: African Raffia Bag, small clutch bag woven in pink, green and cream raffia with fabric binding. Removable cream woven inner basket.
*Not available / given
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Agnes McCreadie. In brown, burgundy and blue.
Smyth, Isobel
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Agnes McCreadie.
Smyth, Isobel
Short, collarless box jacket made from panels of loosely woven fabric with pink warp thread and yellow, orange, pale blue and lilac silk organza ribbon weft. Panel sections edged with tightly woven cream threads. A band of silk in graduated colours finnishes the inside hem. Very similar to a fabric sample in the Textile Student Work collection believed to be made by Pauline Mcconnachie.
McConnachie, Pauline
Woven fabric length (Version 2)
Part of Papers and textiles of Sheena Reid (nee Robertson), student at The Glasgow School of Art, 1950s
Woven fabric length (Version 1)
Part of Papers and textiles of Sheena Reid (nee Robertson), student at The Glasgow School of Art, 1950s
Part of Papers and textiles of Sheena Reid (nee Robertson), student at The Glasgow School of Art, 1950s
3 yard length of woven fabric in green and cream from GSA Diploma show, 1958
Reid, Sheena
Woven square piece of fabric with lines and shapes of various earth colours.
*Not available / given
Part of GSA Undergraduate Fashion Show
Part of GSA Undergraduate Fashion Show
Part of GSA Undergraduate Fashion Show
Part of GSA Undergraduate Fashion Show
Part of GSA Undergraduate Fashion Show
Part of GSA Undergraduate Fashion Show
Edge to edge, heavy weave coat, designed and woven by Betty Myerscough in the Weaving Department for her Diploma show in 1954 and included in the 1954 GSA fashion show
Myerscough, Betty Fraser