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This poster advertised The Glasgow School Of Art's annual degree show in 1984. The exhibition showcased work by graduating students in drawing and painting, photography, printmaking, murals, stained glass and sculpture. The degree show was held in the Mackintosh Building at The Glasgow School Of Art and ran from the 15th to the 21st of June. The photograph used on the poster shows exhibiting students sitting on the steps of the Mackintosh Building and was taken by Vaughan Judge who previously worked as a lecturer at the school. The poster was designed at The Glasgow School Of Art and printed by David J Clark Limited.

This poster advertised an exhibition of work by postgraduate fine art students which was held in the Mackintosh Building at The Glasgow School Of Art from the 23rd to the 29th of June 1990. The show included work by Marta Estrella, Martyn Greenhalgh, Christopher Hoddinott, Brigitte Jurack, Richard Learoyd, Rachel Meehan, Gregory Patterson, Robert Stark and Euan Sutherland. The poster was designed at The Glasgow School Of Art and printed at David J Clark Limited. The image used on the poster was taken by Richard Learoyd and shows a number of students including: - Alex Dempster - Jim Hamlyn - Peter McCaughey - Craig Richardson - Julie Roberts - Andrew Sneddon - Eddie Stewart - Cathy Whippey The list of names was gathered with the help of Eddie Stewart who works as a tutor in the school's painting and printmaking department. Stewart previously graduated from the school with an undergraduate degree in drawing and painting and a postgraduate degree in fine art. He is pictured in The Glasgow School Of Art's degree show posters for 1988 and 1990, both of which appear in The Glasgow School Of Art poster collection. A key identifying each student in the photograph can also be found in the archival folder for this item.

This poster advertised an exhibition of work by postgraduate fine art students in 1985. The exhibition was held in the Mackintosh Building at The Glasgow School Of Art and included work by students studying drawing and painting, photography, printmaking, sculpture and stained glass. The exhibition ran from the 14th to the 20th of June and the image on the poster shows the exhibiting students. The photograph was taken by H. Kerr and was printed at David J. Clark Limited.

This poster advertised the Master of Fine Art exhibition of 1986. The exhibition was held in the McLellan Galleries on Sauchiehall Street from the 14th to the 19th of June and included work by a number of artists including Rosemary Beaton, Steven Elliott, Deran Fenwick, Gerard Ferris, Thomas Hegarty, Henry Kerr, Lorraine A. Lamond, Richard Levan, Tracy Mackenna, Craig Peacock and David Watt.

This poster advertised the work of graduating students from the fine art department who were exhibiting as part of The Glasgow School Of Art's annual degree show in 1990. The exhibition included work by students studying environmental art, painting, photography, printmaking and scupture. The poster features a photograph taken by Andrew Stark which shows the exhibitors sitting on the steps of the Mackintosh Building. Martin Boyce winner of the Turner Prize in 2011 can be seen sitting in the front row fifth from the left. The poster was designed at The Glasgow School Of Art and printed by David J Clark Limited. Students in the photograph include: - Martin Boyce - Alan Bullas - Alison Chisholm - Michelle Davies - Alex Dempster - Laura Donnelly - Barry Fielder - Alan Frame - Jim Hamlen - Moray Hillary - Richard Leroyd - Christina McBride - Jackie Munro-McGoldrick - Calum Angus McKay - Gregory Patterson - Alan Pike - Leslie Pontin - Mark Sadler - Ross Sinclair - Andrew Sneddon This list was compiled with the help of Eddie Stewart who tutors in the school's painting and printmaking department. Stewart previously studied fine art at The Glasgow School Of Art at both undergraduate and postgraduate level and is pictured in the degree show posters from 1988 and 1990. A key naming each student can be found alongside this poster.

This poster advertised The Glasgow School Of Art's annual degree show in 1985. The degree show included work by graduating students studying drawing and painting, photography, printmaking, murals, stained glass and sculpture. The image on the poster shows the exhibitors standing in the Mackintosh Museum and in the mezzanine space in the centre of the Mackintosh Building. The photograph was taken by Vaughan Judge who was a previous lecturer at The Glasgow School Of Art. The poster was designed at the school and printed by David J Clark Limited.

This poster advertised an exhibition showcasing work by graduating postgraduate fine art students from The Glasgow School Of Art in 1990. The exhibition took place between the 23rd and the 29th of June and was held in the Mackintosh Building. It included work by Alexander Dempster, James Hamlyn, Rachael Harris, Peter McCaughey, Donna Rae, Craig Richardson, Julie Roberts, Andrew Sneddon, Edward Stewart and Catherine Whippey. The photograph on the poster was taken by John Shankie and shows the exhibiting students posing inside the elevator in the Mackintosh Building. The poster was designed at The Glasgow School Of Art and printed by David J. Clark Limited.

This poster is one of an edition of 100 posters advertising an exhibition which showcased the work of graduating postgraduate fine art students from The Glasgow School Of Art in 1987. The exhibition was held in the Mackintosh Building from the 13th to the 18th of June. Exhibitors included: - Carolyn Angus - Jean Baird - Stephen Beddoe - Di Blenkinsop - Stephen Conroy - Ashley Cook - Lorraine Cotterell - Peter Quinn - Fiona Robertson - Anne Russell - Andrew J Scott - Lucinda Wilkinson - Lorraine R. Turley Ashley Cook designed and printed the poster. Fiona Robertson went on to work as head of the fourth year painting and printmaking course at The Glasgow School Of Art.

Poster for exhibition 'Joan Eardley R.S.A. 1921-1963 Paintings Watercolours Pastels Drawings', at Cyril Gerber Fine Art, West Regent Street, Glasgow, 16 Mar 1985-13 Apr 1985.

This poster advertised an exhibition that was to be the first of a number of annual exhibitions showcasing the work of students from the School Of Fine Art. The exhibition was held in The Mackintosh Museum and ran from the 30th of January to the 7th of February 1987. The poster was designed by John Shankie who would later become a technician for the masters of fine art course. There are two copies of this poster in the collection, both with the same reference number.

Poster for 'Royal Glasgow Institute of the Fine Art Arts 127th Annual Exhibition', McLellan Galleries, Glasgow, 09 Oct 1988-06 Nov 1988. Artwork featured is 'Still Life' by James D. Robertson, poster design by Michael Healey.

Poster for GSA Fine Art Degree Show, 17 Jun 1989-22 Jun 1989

This poster promotes a lecture by Dr Mike Weaver who was a reader in American literature from the University of Oxford. The event was held in the Mackintosh Lecture Theatre at The Glasgow School Of Art on the 1st May 1985. The poster shows an image by Julia Margaret Cameron entitled "The Kiss of Peace 1869".

Poster for 'Berlin - Kulturstadt Europas 1988' [Berlin European City of Culture], Berlin, Germany. Poster is titled 'Atelier Berlin' and includes information on the artists whose work is featured on posters GSAA/EPH/10/438 to 451.

This poster advertised an exhibition of work by graduating fine art students included in The Glasgow School Of Art degree show in 1988. The exhibition showcased work by students studying environmental art, painting, photography, printmaking and sculpture and was held in the Mackintosh Building at The Glasgow School Of Art from the 18th to the 23rd of June. The image on the poster is a photograph taken by previous lecturer Vaughan Judge and shows the exhibiting students sitting on the steps of the Mackintosh Building. A key naming most of the students can be found alongside the poster under the same reference number. The list was compiled with the help of Eddie Stewart who was a former student at The Glasgow School Of Art who then became a tutor in painting and printmaking. Stewart graduated with an undergraduate degree in drawing and painting in 1988 and is included in the photograph on this poster. He then went on to do a Masters in 1990. The poster was designed by The Glasgow School Of Art and printed at David J Clark Limited. Names of students in the photograph: - Leslie Anderson - Suzanne Appleford - Shona Barr - David Burns - Christine Campbell - Alan Connell - Alex Dempster - Graham Fagan - Andrew Fitzpatrick - Jean Gavin - Douglas Gordon - Janice Gray - Simon Greer - Fiona Gurley - Janice Hunter - Fiona Leitch - David Lang - Richard Learoyd - Jeff MacDonald - Alison Mate - Anne McKay - Grant McTavish - Ann Morrison - William Mulraney - Murial Patterson - Craig Richardson - Julie Roberts - Ann Russell - John Shankie - Andrew Sneddon - Eddie Stewart - Pamela Topping - Cathy Wilkes

This poster advertised an exhibition of work by postgraduate fine art students in 1985. The exhibition was held in the Mackintosh Building at The Glasgow School Of Art and included work by students studying drawing and painting, photography, printmaking, sculpture and stained glass. The exhibition ran from the 14th to the 20th of June and the image on the poster shows exhibiting students. The photograph was taken by H. Kerr and was printed at David J. Clark Limited. The reverse of the poster is annotated with "Photo by Harry Kerr, Graphics".

This poster advertised an exhibition of work by students graduating from the Master of Fine Art course as part of The Glasgow School Of Art's 1984 degree show. The image used on the poster was photographed by Jim Oakes and shows the exhibiting students standing on the fire escape steps of the JD Kelly building at The Glasgow School Of Art. The poster was designed at The Glasgow School Of Art and printed by David J Clark Limited. The exhibition ran from the 15th to the 21st of June.

This poster advertised the work of graduating fine art students included in The Glasgow School Of Art degree show in 1986. The exhibition included work by students of painting, photography, printmaking and sculpture and environmental art. The undergraduate work was exhibited in the Mackintosh Building on The Glasgow School Of Art campus while the postgraduate students exhibited in the McLellan Galleries on Sauchiehall street. The image used on the poster shows the students standing in front of the Mackintosh Building and was taken by Vaughan Judge who was a previous lecturer at the school. The poster was designed by The Glasgow School Of Art and printed by David J Clark Limited.

This poster advertised the Master of Fine Art exhibition of 1986. The exhibition was held in the McLellan Galleries on Sauchiehall Street from the 14th to the 19th of June and included work by a number of artists including Rosemary Beaton, Steven Elliott, Deran Fenwick, Gerard Ferris, Thomas Hegarty, Henry Kerr, Lorraine A. Lamond, Richard Levan, Tracy Mackenna, Craig Peacock and David Watt.

Bound in the November 1893 edition of 'The Magazine'.

Bound in the November 1894 edition of 'The Magazine'. "It must have been something like this watercolour.... that evoked the 'critics from foreign parts' (as reported by Gleeson White in The Studio, pp88-9) to deduce 'the personality of the Misses MacDonald from their works' and see them as 'middle-ages sisters, flat footed, with projecting teeth and long past matrimony... gaunt, unlovely females'. Gleeson White who visited Glasgow to see the Mackintosh group was pleasantly surprised to meet two laughing comely girls scarce out of their teens." (MacLaren Young).

Bound in the November 1894 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.

Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.

Bound in the Spring 1896 edition of 'The Magazine'. It was designs such as this that earned the Mackintosh group the nickname of 'Spook School'.

In 1896 McNair held his first one-man show, an exhibition of pastels at the Gutekunst Gallery, London. Twenty-one works, including this, were displayed in distinctive dark-stained wood frames. McNair had clearly drawn inspiration from Whistler’s exhibition installations, even down to the typesetting of the catalogue. The entry for this work explained, ‘The Fairy is guarding the Leaf of Love from the Witch of Evil who has robbed the Tree of Life of all its other leaves.’

Painted on Mackintosh's tour of Italy in 1891 with Alexander 'Greek' Thomson travelling scholarship.

Bound in volume, The Magazine, Spring 1896. One of three watercolours depicting the seasons drawn for The Magazine.

From The Magazine, Spring 1896. The shadow does not correspond with the object in front; it touches it and echoes it but is different.

Sketch of three angels playing musical instruments.

Mackintosh's style here is the closest he came to that of Margaret and Frances Macdonald, but his figures are always more substantial and the subject matter less whimsical than theirs.

Painted during their stay in Suffolk, when Mackintosh and Margaret Macdonald had left Glasgow.

Mackintosh produced a number of very similar paintings of stylised bouquets of flowers at this time, c1918-20.

In July Mackintosh and Margaret Macdonald spent a holiday in Dorset re-visiting many of the place he had visited in 1895. 'In 'The Village' and 'The Downs' Mackintosh makes his first conscious moves towards his mature style of the Port Vendres period. He is obviously concerned with the pattern of the landscape, picking out features like the stepped hillside, the stone walls, paths and roofs of village houses. These ordinary motifs are given an eerie emphasis by being painted in an equally detailed manner whether they are in the foreground of the the distance... it was probably at this time... that he decided to concentrate more and more on painting. By 1923 he had decided to forsake architecture and design and devote the rest of his life to producing watercolours.' (Roger Billcliffe).

'As in 'The Village' there are no figures in this view of the Dorset countryside. This absolute lack of human activity gives Mackintosh's pictures an air of eerie, even surreal, desertion. They are formal landscapes... the most dominant feature in this work is the tall telegraph pole, a formal and unnatural element in this gentle Dorset landscape.' (Roger Billcliffe).

In art nouveau frame drawn in ink on brown backing paper: The Harvest Moon, Chas. R. Mackintosh, 1893, To John Keppie, October 1894.

Appears in The Magazine, April 1894. 'The central figure is based upon that used in the 1893 design for a diploma for the GSA and like that in 'The Harvest Moon', has wings like an angel. Here, however, she appears naked and her outstretched arms and hair merge and are transformed into barren tree-like forms. These descend to the horizon behind which the sun is gradually disappearing under the feet of the winged figure. From the bottom of the picture, and directly beneath the sun, rises a flight of menacing birds. They are presumably nocturnal birds of prey and they seem to be flying directly towards the viewers. This is one of Mackintosh's earliest uses of this strange bird, which was to become more stylised and to appear in many different forms, in several media in his oeuvre.' (Roger Billcliffe).

From The Magazine, April 1894. The long text by Mackintosh which accompanies this watercolour in The Magazine (reproduced in full in Billcliffe's catalogue) suggests that he had already encountered public hostility to his work, possibly even from fellow students, on the grounds of incomprehensibility.

Bound in volume, The Magazine, November 1894.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The canvas relates to smaller watercolours in the Hunterian collection, formerly thought to be textile designs, and to their painted canvas, 'The Little Hills' by Margaret Macdonald. It is likely that they were intended for 'The Dug-Out', though it is not known whether they were ever installed there. Jessie Newbery recalled in 1933, that 'He (Mackintosh) and his wife spent the winter of 1914 painting two large decorations for Miss Cranston'. This would have been in Suffolk, after they had left Glasgow. Although The Dug-Out was not created till 1917-18 it is not unlikely that Miss Cranston was considering the project some years earlier. The canvas was found in the GSA in a single roll in 1981 and was cleaned and mounted on two stretchers.

Bound in volume, The Magazine, November 1894. 'Behind a stylised tree stands another of Mackintosh's mysterious female figures, but this is the first one to appear that is not meticulously drawn. Only the head is shown in any detail, and the shape of the body is hidden by a voluminous cloak from which not even its limbs appear. This figure was to be repeated many times, becoming more and more stereotyped until, with the banners designed for the Turin Exhibition in 1902, the head is the only recognisably human part of a figure with a twelve-foot long, pear shaped torso. In 1895-96, Mackintosh was to develop this drawing into a poster for the Scottish Musical Review (Howarth, p1, 9F). The same cloaked figure appears with similar formal emblems at the ends of the branches of the bush.' (Roger Billcliffe).

Bound in volume, The Magazine, November, 1894.

From The Magazine, Spring 1896. Inscribed: The Tree of Personal Effort, The Sun of Indifference, Charles Rennie Mackintosh, January 1895.' The exact meaning of the symbolism of this work, and its companion, 'The Tree of Influence' has eluded all commentators on Mackintosh's early water-colours. The obvious source of the symbolism is nature, and Mackintosh here reaches his most extreme distortion of organic forms.' (Roger Billcliffe).

From The Magazine, Spring 1896. Inscribed: The Tree of Influence, The Tree of Importance, The Sun of Cowardice, Charles Rennie Mackintosh, Jan 1895.

Portrait group. Inscribed on frame: "Mr. Charles. R. Mackintosh FRIBA The Architect/Col. R.J.Bennett V.D./Mr. David Barclay FRIBA/Sir Francis Powell, LLD, PRSW/Mr. John Munro FRIBA/Mr. Patrick S. Dunn - Convener/Councillor J. Mollison, MINA/ Mr. Hugh Reid DL/ Sir Wm Bilsland, Bart. LLD, DL/Sir John J. Burnet, RSA, FRIBA, LLD/Mr. John Henderson MA/Sir James Fleming - Chairman of Governors/Mr. John M. Groundwater - secretary/ Mr. Francis H. Newbery CAV OFF, INT, SBC, ARCA - Director, pinxit". When Newbery exhibited this group at the Glasgow Institute of the Fine Arts in 1913 it did not include the figure of Mackintosh. In 1914 he painted his large portrait of Mackintosh (collection: Scottish National Portrait Gallery) and his Building Committee portrait group was offered to the Board and accepted. When it was unveiled in 1914 it was seen that he had added Mackintosh's figure, a smaller version of his individual portrait, to the left of the group, and redated the whole canvas 1914. Painting cleaned and relined in 1963 by Mr Harry McLean who discovered the late addition of the figure of Mackintosh.

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. Portrait of the Glasgow photographer James Craig Annan, 1884-1945. Inscribed on frame: "James Craig Annan 1884-1945 by Francis H. Newbery, Director GSA, 1885-1917".

This item was lost in the fire in The Mackintosh Building at The Glasgow School of Art on 23rd May 2014. The Ferry on the River Blyth, Walberswick, Suffolk. The subject is the ferry at Walberswick in Suffolk where Newbery and his family spent many holidays.