- NMC/1681
- Item
- 1959-1960
Sample lettering on tracing paper.
Johnston, Janet
Sample lettering on tracing paper.
Johnston, Janet
Sample lettering on tracing paper.
Johnston, Janet
Study of geometric forms/studio furniture (shaded).
Johnston, Janet
Study of geometric forms/studio furniture.
Johnston, Janet
Study of geometric forms.
Johnston, Janet
Study of light bulbs.
Johnston, Janet
Study of light bulbs.
*Not available / given
Study of geometric forms.
*Not available / given
Poster for careers seminar 'Gettin' Yer Livin'?', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for careers seminar 'Gettin' Yer Livin'?', Mac[kintosh] Lecture Theatre, Glasgow, 04 Nov. The year is not given but is believed to be late 20th century.
Not available / given
Poster for lecture 'Paolozzi "Images & Media"', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for lecture and slide show 'Paolozzi "Images & Media"', Haldane Building, Glasgow, 11 Feb. The year is not given but is believed to be c1970s.
Not available / given
Poster for lecture 'Ron Heron Pentagram', Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for lecture 'Ron Heron Pentagram', Bourdon Lecture Theatre, Glasgow, 26 Apr. The year for the poster is not given but is believed to be late 1970s to early 1980s. As the lecture was held on a Thursday , the year would be 1979 or 1984.
*Not available / given
Poster for exhibition and performance by Still House Plants, Glasgow
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Poster for exhibition and performance by Still House Plants, Glasgow as part of the Glasgow International Festival 2016. The exhibition and performance were held in a pavilion installation at the Kinning Park Complex, with the opening on 09 Apr 2016 and the matinee on 14 Apr 2016.
Source: https://thequietus.com/articles/28753-still-house-plants-fast-edit-review
*Not available / given
Woodcut prints depicting the St George myth
Part of Material relating to Gerard V Murphy, former GSA student
Two multicolour-printed pieces of teaching examples for printmaking, attached to backing paper. These prints illustrate the heroic myth of Saint George slaying a dragon. Also used as teaching materials in schools in Scotland, as marked with the level of students "Sixth year."
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A multi-coloured oblique pattern design with fruits and trees repeatedly intersected. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A pattern design featuring a repeating motif of plants with purple-coloured stems, blue-toned leaves, and green petals.
Murphy, Gerard V
Part of Material relating to Gerard V Murphy, former GSA student
A diamond shaped organic pattern design. Includes annotations of student registration no. ("No. 71") and signed "Gerard Murphy."
Murphy, Gerard V
Abstract line drawing with grey, powder blue, rust red and ochre
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Printed cotton. This item was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Textile conservation was undertaken in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Organic shapes painted in black ink on paper. Background painted in cream coloured gouache with pink, gold and blue paint marks. Abstract piece on card and white ink attached to item with line drawing of leaf motif in ballpoint pen adjacent. Similar style and application of material to DC 089/1/2/4/9.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Female figure outline drawn in glue and mono-printed over in black ink. Background painted in cream, pink and blue. Backed on white card.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract organic design painted in black ink and gouache, similar style of painting on reverse. Painted on paper and backed on white card.
Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Printed wool scarf featuring images derived from drawings of gravestones produced on Iona Scotland.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Photograph of Liberty window display
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract female forms monoprinted onto light coloured paper and adhered to pink paper to create a collage effect. Charcoal is used to draw lines in the background, with strips of cream coloured paper also collaged to the surface. Backed on conservation board.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract figurative relief printed block, printed in black ink on paper to produce a block like pattern. Backed on conservation board.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Figurative brush strokes in pink acrylic paint, outlined in black acrylic on a red ink background. Abstract marks in oil pastel. Work on paper and backed on conservation board.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Abstract collage pieces of paper painted in a spot design, shaded in black conte crayon and adhered to a grey acrylic painted background on paper. Backed on conservation board.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Rectangular motif drawing in conte crayon and collaged onto a piece on cream paper. Ball point pen is applied to the surface creating linear marks in a repeat style pattern. Pink ink splotches in background of design. Similar in design and media to DC 089/3/6/5. Backed on conservation board.
Taylor, Fraser
Part of Textiles and papers of Fraser Taylor, GSA student and designer with The Cloth
Ink is applied in washes to the surface of the paper, blue opaque gouache renders the background leaving floral shapes to reveal the ink underneath. Black acrylic is used to outline the organic shapes and loosely create a checked pattern in the background. Paper backed on conservation board.
Taylor, Fraser
Poster for a film screening of 'Little Otik'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Catriona Hood has designed a poster for the Jan Svankmejer film 'Little Otik'. The poster has been created using off-set lithography techniques.
Hood, Catriona
Poster for a film screening of 'Tampopo'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example student Li Lui has designed a poster for the Japanese film 'Tampopo', using collograph printmaking techniques.
Li, Lui
Poster for a film screening of 'You, the Living'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Aaron McLaughlin has designed a poster for the Roy Andresson film 'You, the Living'. McLaughlin used Typeset printing techniques to create this poster.
McLaughlin, Aaron
Poster for a film screening of avant-garde short films
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Annie Ricard Strauss has designed a poster advertisting a screening of avant-garde films, the poster has been created using screen printing techniques.
Straus, Annie Ricard
Poster for a film screening of 'Inferno'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster is part of a course project organised by the Visual Communications department. The brief for the project required students to design a poster for a particular film they had been assigned. In this example, student Eva Dolgyra has designed a poster for the Dario Argento film 'Inferno'. The poster has been created using collagraph printmaking techniques.
Dolgyra, Eva
One sheet from a folder of six sheets of furniture designs,and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows a design for a fireplace with integral mantle clock.
Porteous, James Henry
One sheet from a folder of six sheets of furniture designs, and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows designs for a single wardrobe, dressing table, side view of dressing table, chair and wash stand.
Porteous, James Henry
One sheet from a folder of six sheets of furniture designs, and designs for a fireplace, including one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. This sheet shows front elevations of a chair, a dressing table and a cabinet.
Porteous, James Henry
One sheet from a folder of six sheets of furniture designs, and designs for a fireplace. This one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor.
Porteous, James Henry
One sheet from folder of six sheets of furniture designs, and designs for a fireplace. Includes one with a GSoA label recording session 1903-1904, James Porteous' student registration number 237, and Mr Taylor as his tutor. Large sheet with double wardrobe, dressing table, cabinet and details.
Porteous, James Henry
Printed length for degree show
This length was created (as part of NMC/1579-1581) by Isobel Stirling for her Diploma Show in 1948 and produced under the supervision of Gladys Harrison. The design was based on an exercise using cut out paper, particularly the discarded pieces of paper rather than the shapes cut out.
Smyth, Isobel
Designed for the schoolroom, Gladsmuir, Kilmacolm. The same two metal panels first appear in the design for the fireplace and fender probably intended for Regent Park Square and were repeated in the wardrobe designed for Westdel in 1898. This item was assessed for conservation in 2010 as part of the Mackintosh Conservation and Access Project (2006-2010).
Mackintosh, Charles Rennie
Linen Cupboard for John Henderson
Designed for John Henderson.'One of the earliest surviving pieces with repousse panels, here designed by Mackintosh. Although probably made by cabinet makers such as Guthrie & Wells, it has none of the more traditional mouldings that appear on the commercial bedroom units, probably because Mackintosh was designing directly for a client. The pendant leaf motif at the base was slowly transformed in later pieces, into a characteristic dip in the lower stretcher or apron based upon a favorite Mackintosh motif, the swooping bird.' (Roger Billcliffe). This item was assessed for conversation in 2010 as part of the Mackintosh Conservation and Access project (2006-2010), and then again in 2018 following the fire in the Mackintosh Building in June 2018.
Mackintosh, Charles Rennie
Typeset poster, lettering reads, 'Communication can be well mannnered, academic.....'
*Not available / given
Montage of costume designs for the Masque of the City Arms.
Smyth, Dorothy Carleton
Poster for a retrospective exhibition of work by Hannah Frew Paterson
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster promoted an exhibition held in the Newbery Gallery on The Glasgow School of Art's campus from the 12th April to the 4th May 1990. The exhibition showcased the embroidery work of Hannah Frew Paterson who taught embroidery at GSA. The exhibition was funded by the Ian MacTaggart Trust, Glasgow District Council Festivals Budget and Anchor Dairy.
Murray, Jimmy
Design for wall decoration - mermaids. On mount: Design for wall decoration/ Violet McGlashan/76/Owen Jones competition.
McGlashan, Violet Meikle
Poster for an exhibition entitled 'Saying it with Clay!'
Part of Records of The Glasgow School of Art, Glasgow, Scotland
This poster advertised an exhibition held in The Mackintosh Museum at The Glasgow School Of Art that showcased the work of graduating ceramics students from across Britain. The back of the poster lists exhibiting students along with details of where they studied. The exhibiting graduates included: - Jane Frankland: Manchester Polytechnic - Liz Astbury: Wolverhampton Polytechnic - Nicola Marrison: Crewe Alsager College Of Higher Education - Maria Lindemann: Central St. Martins College of Art And Design - Mark Hailley: Loughborough College of Art And Design - Madeleine Child: Camberwell School Of Art - Susan Wade-French: Glasgow School Of Art - Rob Richard: Bristol Polytechnic - Julian Smith: South Glamorgan Institute Of Higher Education - Zoe Whiteside: Staffordshire Polytechnic - Helen Hitchcock: Leicester Polytechnic - John Alliston: South Glamorgan Institute Of Higher Education - Susan Ross: Duncan of Jordanstone College Of Art And Design - Michael Green: Bath College Of Higher Education - Dale Butroid: Bristol Polytechnic - Michael O'Connor: Goldsmiths' College - Susan Room: Middlesex Polytechnic - Marie Bonlokke: Pederson Royal College Of Art - Bryony Seymour: Staffordshire Polytechnic - Brigitte Winsor: Birmingham Polytechnic - Philomena Pretsell: Edinburgh College Of Art - Frankie McKenna: Grays School Of Art The exhibition ran from the 6th to 27th of October 1990 and was funded by Potterycraft Ltd and The Glasgow District Council's Festival Budget for The Glasgow 1990 Culture Capital of Europe.
*Not available / given
The Magazine: Volume 3 (Page 70)