- DC 039/1
- Item
- 1840s-1850s
Part of Paisley Shawl Designs
Predominantly reds, pinks and purples. Annotated "No 24".
*Not available / given
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Part of Paisley Shawl Designs
Predominantly reds, pinks and purples. Annotated "No 24".
*Not available / given
Part of Paisley Shawl Designs
Predominantly pinks and reds. Annotated "No 73".
*Not available / given
Part of Paisley Shawl Designs
*Not available / given
Part of Paisley Shawl Designs
Predominantly reds, purples and pinks.
*Not available / given
Part of Paisley Shawl Designs
Predominantly purples and maroons.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Three designs attached to one piece of paper: one design for a border; one design detail; one larger, predominantly red design.
*Not available / given
Part of Paisley Shawl Designs
*Not available / given
Part of Paisley Shawl Designs
Predominatly greens and purples.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Two designs attached to one piece of paper: one maroon; one comprising reds, greens and blues.
*Not available / given
Part of Paisley Shawl Designs
*Not available / given
Part of Paisley Shawl Designs
Brown design on green background.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Four designs attached to one piece of paper. Mostly on black or dark backgrounds.
*Not available / given
Part of Paisley Shawl Designs
Reds and greens on black background.
*Not available / given
Part of Paisley Shawl Designs
Design for a border, predominantly greens and pinks. Annotated "No 7".
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Two designs attached to one piece of paper.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Two designs attached to one piece of paper.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Nine designs attached to one piece of paper. Mostly designs for borders and details.
*Not available / given
Part of Paisley Shawl Designs
Predominantly based on reds and maroons.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Three designs attached to one piece of paper: Two of which are Paisley pattern like the rest of the collection, but one is a floral rug design.
*Not available / given
Part of Paisley Shawl Designs
Predominantly based on pinks and greens.
*Not available / given
Part of Paisley Shawl Designs
Predominantly reds and maroons.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Five designs attached to one piece of paper, featuring yellows, turquoise and maroon.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Four designs attached to one piece of paper. Predominantly based on maroons and pinks.
*Not available / given
Part of Paisley Shawl Designs
Predominantly maroons.
*Not available / given
Untitled Paisley shawl designs
Part of Paisley Shawl Designs
Four designs attached to one piece of paper, including turquoises and pinks.
*Not available / given
Part of Paisley Shawl Designs
Predominantly pinks on a black background.
*Not available / given
Glasgow School of Art teaching notes
Part of Papers of Conrad McKenna, student and staff member at The Glasgow School of Art, Scotland
Conrad McKenna’s teaching notes during his various teaching roles at The Glasgow School of Art. Including a combination of typed materials, hand written notes, annotated diagrams and drawings by Conrad McKenna for delivery of the First Year Course including: course overview, course topics, exercises and talks. Materials outline and discuss: materials, processes, techniques, definitions and references relating to: printing, papers, typography, wood and metal work, pattern, drawing, colour, shape and volume, tone, communication, photography, design and design theory. The majority of the material is titled "First Year Course".
McKenna, Conrad
Part of Papers of Conrad McKenna, student and staff member at The Glasgow School of Art, Scotland
Conrad McKenna’s correspondence and materials relating to The Glasgow Summer School held in San Gimignano during his various teaching roles at The Glasgow School of Art. Including a combination of typed and hand written materials, newspaper clippings, floor plans and printed ephermera. Including correspondence in English and Italian with: The Scott Sutherland School of Architecture, Robert Gordons Institute of Technology, Universita Italiana per Stranieri, Provincial Tourist Office – Sienna, Societa Dante Alighieri, Convento S. Agostino, Comune Di Bresica, Intercultural and Permanent Education Centre (San Gimignano), and Professor Mario Serchi. Correspondence generally details travel and accommodation arrangements, itineraries and costings for The Summer School at San Gimignano alongside its relationships and partnerships with individuals and institutions. Selections of correspondence detail Italian students’ visit to Scotland. Also includes correspondence with the Intercultural and Permanent Education Centre, San Gimignano, detail Draft Articles of Association; an account of The Glasgow Summer School in 1969 by Douglas Percy Bliss, which describes San Gimignano, the Church of Saint Agostino where the school was held and accommodated and the school’s interaction with the local population. A typed account of the origins of The Summer School at San Gimignano by Conrad McKenna is also included. Printed ephemera includes two brochures from 1969 and 1971 detailing itineraries, arrangements and costs of The Glasgow Summer School.
McKenna, Conrad
Part of Papers of Conrad McKenna, student and staff member at The Glasgow School of Art, Scotland
Conrad McKenna’s information sheets during his various teaching roles at The Glasgow School of Art. Including typed materials, hand written notes, photocopies, worksheets, newspaper clippings, annotated diagrams and drawings by Conrad McKenna and others for the delivery of teaching and student trips. Materials outline and discuss: materials, processes, techniques, definitions and references relating to: printing, papers, typography, wood and metal work, pattern, drawing, colour, shape and volume, tone, communication, photography, linocuts, monoprints, colour theory, design and design theory. Also included are briefs, materials lists and reading lists for student projects. Along with itineraries for student trips such as a London visit in 1973. Selections of typed materials are titled "First Year Course". Whilst the majority of these are general; others are course specific and provide details of first year courses in Architecture and Drawing and Painting. All provide course overviews, references, definitions and information on materials, processes and techniques.
McKenna, Conrad
Part of Records of The Glasgow School of Art, Glasgow, Scotland
Loose material including receipts and statement of particulars regarding the lending museum scheme.
*Not available / given
Glasgow School of Art memoranda
Part of Papers of Conrad McKenna, student and staff member at The Glasgow School of Art, Scotland
Conrad McKenna’s memoranda from The Glasgow School of Art, correspondence and materials reflecting his experience as both a student and teacher at The Glasgow School of Art. Includes a combination of typed and hand written materials, photocopies, clippings and printed ephemera. Includes correspondence in English with: The Glasgow School of Art Archives and Collections, The Glasgow School of Art, The Staff Association (The Glasgow School of Art), The British Council, The Royal Glasgow Institute of the Fine Arts, Glasgow Museums & Art Galleries, Dante Alighieri Society (Glasgow), W. H. Emmett (Scotland) Limited. Correspondence generally relates to The Glasgow School of Art, regarding: Conrad McKenna’s time as a student and employee of GSA as a tutor in The Glasgow School of Art Evening School, the General Course (Department of Design) and First Year Course. Also include references for Conrad McKenna by Edward G. Powell, Douglas Percy Bliss and H. Jefferson Barnes; correspondence regarding Conrad McKenna’s print designs for Stobhill General Hospital, Glasgow; correspondence regarding Conrad McKenna’s Travelling Scholarship; Conrad McKenna’s confirmation of Post Diploma study, with a hand written recommendation from Douglas Percy Bliss; and Conrad McKenna’s donation to The Glasgow School of Art Archives and Collections and includes a transcript of an interview conducted by Susannah Waters, Archivist at The Glasgow School of Art Archives and Collections, 3 May 2014.
McKenna, Conrad
Embroidered and Woven Textile Collection, Glasgow School of Art
44 textile items, chiefly lace work, created or acquired by staff and students of the School of Embroidered and Woven Textiles at the Glasgow School of Art.
*Not available / given
Records and textiles of the Needlework Development Scheme
The collection consists of the surviving papers of the Needlework Development Scheme and over 100 examples of needlework. Of these examples, 28 are from Great Britain and 54 are examples of non-British work including examples from Greece, India, Norway, Sweden, Italy, Switzerland, Turkey and Bosnia. Items include ecclesiatical, domestic, costume, clothing and modern embroideries, tea cosies, funeral pall, clothing, lace work, wall hangings, samplers, linen work and cushion covers.
The surviving papers include a complete inventory of 1012 items that were part of the Needlework Development Scheme prior to its dispersal in 1961. This provides information on the original numbering scheme used for the needlework examples and also provides information on the provenance of each item, although this is not necessarily the creator of the item but the person from whom the item was received, as well as a description of the item itself. There is an inventory of the parts of the collection received by the Glasgow School of Art, insurance details concerning the collection and the correspondence of the Needlework Development Scheme, 1931-1941.
This material may contain sensitive information about individuals that is protected by the Data Protection Act. Until this material has been checked for sensitive information, it will not be available for researchers. Once this Data Protection work is complete the collection will be open for access, however any sensitive information will be closed and inaccessible for 75 years from the date of creation.
The Needlework Development Scheme
Chest containing collection of cast reliefs (Version 6)
Not available / given
Chest containing collection of cast reliefs (Version 8)
Not available / given
Chest containing collection of cast reliefs (Version 9)
Not available / given
Chest containing collection of cast reliefs (Version 2)
Not available / given
Chest containing collection of cast reliefs (Version 3)
Not available / given
Chest containing collection of cast reliefs (Version 4)
Not available / given
Chest containing collection of cast reliefs (Version 7)
Not available / given
Chest containing collection of cast reliefs (Version 10)
Not available / given
Chest containing collection of cast reliefs (Version 5)
Not available / given
Chest containing collection of cast reliefs (Version 11)
Not available / given
Chest containing collection of cast reliefs (Version 23)
Not available / given
Chest containing collection of cast reliefs (Version 12)
Not available / given
Chest containing collection of cast reliefs (Version 15)
Not available / given
Chest containing collection of cast reliefs (Version 17)
Not available / given
Chest containing collection of cast reliefs (Version 19)
Not available / given
Chest containing collection of cast reliefs (Version 20)
Not available / given