Installation and takedown of Antiphon
- NMC/1980H
- Item
- 2019
One of five jpeg images documenting the installation and take down of Antiphon, by the artists.
Gill, Rebecca
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Installation and takedown of Antiphon
One of five jpeg images documenting the installation and take down of Antiphon, by the artists.
Gill, Rebecca
Installation and takedown of Antiphon
One of five jpeg images documenting the installation and take down of Antiphon, by the artists.
Gill, Rebecca
Installation and takedown of Antiphon
One of five jpeg images documenting the installation and take down of Antiphon, by the artists.
Gill, Rebecca
Installation and takedown of Antiphon
One of five jpeg images documenting the installation and take down of Antiphon, by the artists.
Gill, Rebecca
Installation and takedown of Antiphon
One of five jpeg images documenting the installation and take down of Antiphon, by the artists.
Gill, Rebecca
Audio file from installation of Antiphon
Audio file from installation of Antiphon. One of two files.
Gill, Rebecca
Audio file from installation of Antiphon
Audio file from installation of Antiphon. One of two files.
Gill, Rebecca
Liturgical Text for Non-Believers
Digital print of text on chiffon.
Gill, Rebecca
Tree-stump scene lithograph, 3/6.
Graham, Gordon
Print of 'The Archer'
McGlashan, Archibald A
Screen print, "I DON'T LIKE IT HERE". Annotated on reverse '5/5 AW 2017'
Wachsmuth, Anna
Wood printing block of portrait of man with building in background. Annotated on reverse: stamped name "Lawrence", artist's name handwritten.
Small, William Farquharson
Lithographic print of factory gates and view into yard. McCall, Munro and Co Ltd sign on closed gate.
Walsh, Thomas
Nude figure, head bent forward with gnarled hands clasping around the crown central to viewer.
Spence, Judith
Second in a series of five screen prints of a dancing nude male figure against a vivid pink background.
Wiszniewski, Adrian
Double printed picture of a bird. Possibly etching and lithograph.
Mathieson, John
Abstract study of dead bird.
Johnston, Janet
Subject matter derived from George Orwell's book, '1984' first published in 1949. The wood engraving depicts a group of workers, three in the foreground, and others climbing an external staircase.
Chapman, June Crisfield
Subject matter derived from Dylan Thomas' 1954 radio drama/play "Under Milk Wood". The wood engraving shows three figures seated around a breakfast table.
Chapman, June Crisfield
Abstract design.
Kuusik, Alexander
Abstract design.
Kuusik, Alexander
Print and associated folder (Version 4)
Print and associated folder (Version 3)
Print and associated folder (Version 2)
Print and associated folder (Version 1)
Print 98 of 120, signed 'Jacki Parry, '77' along with printed cover page with the artists name which includes a blue dot and catalogue number 766.5.071PAR, an artist biography and an exhibition price list.
Parry, Jacki
Print and associated folder (Version 4)
Print and associated folder (Version 3)
Print and associated folder (Version 2)
Print and associated folder (Version 1)
Print 94 of 120, signed 'Jacki Parry, '77' along with printed cover page with the artists name, an artist biography and an exhibition price list.
Parry, Jacki
The work depicts Adrian Wiszniewski and Steven Campell.
Moffat, Alexander
Stronach, Ancell
Portrait of Archibald E Haswell Miller
Signed: "Gerber 45", bottom right.
*Not available / given
Miller, Archibald E Haswell
Miller, Archibald E Haswell
Miller, Archibald E Haswell
"AEH Miller 1913" (in pencil), bottom left.
Miller, Archibald E Haswell
Miller, Archibald E Haswell
Street scene, Volendam, Holland
"A E H Miller", bottom left.
Miller, Archibald E Haswell
Etching.
Sander, Thomas Edward
Black and white etching.
Sander, Thomas Edward
Black and white etching.
Sander, Thomas Edward
'Field Marshall Death' from the songs and dances of death
Image of grim reaper riding a horse. This was one of a set of prints/ illustrations made for Mussorgsky's song cycle "Songs & Dances of Death" for a solo exhibition in the former Blythswood Gallery in Blythswood Square, Glasgow, which was opened by Emilio Coia in 1960. Among those who bought the prints were George Singleton ("Mr. Cosmo"), Emilio Coia and Jack Coia the architect.
Anderson, Charles
Detail of Garnethill lamp standards
Fine line lithograph of lamp standard with two perched birds.
Kinloch, Shona