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Figure study.

Untitled party #5, 'Bread and Circuses'. Oil on canvas.

Seated figure set against abstract background.

The photograph features a religious mural. The carboard displays an inscription by Francis H. Newbery dedicating the photograph to Archibald Haswell Miller. The backside of the carboard shows the original measurements of the mural and additional notes.

A variety of items relating to Francis H. Newbery, including his application to become Head Master of The Glasgow School of Art, a photograph of a mural, and a portrait photograph.

A variety of photographs comprising artworks completed by Georges-Marie Baltus and images of his Italian and European tours from his personal memories. Some of these items are dated to his time as a lecturer at The Glasgow School of Art.

A variety of photographs of different artworks completed by Georges-Marie Baltus. Some of these items are dated to his time as a lecturer in Belgium, several years after he left Glasgow.

A variety of paintings and artworks completed by Archibald Haswell Miller and Josephine Haswell Miller, including urban landscapes, portraits, and military scenes. Some of these items are dated to their time as teaching staff at The Glasgow School of Art.

A variety of photographs featuring loose photographs of artworks and GSA students and staff.

Painting of group of people, on board. One of ten boards used to make stop motion film.

Collection includes artworks and sketchbooks made by Jimmy Cosgrove as a student at the Glasgow School of Art; while working as a Tutor and the Director of the Glasgow School of Art; and afterwards, including work relating to the House for an Art Lover, and documenting travels across Europe, North America, and Mexico.

One of eight screenprints in a folder inspired by artists and architects who spent their whole lives thinking about squares, rectangles and straight lines: C R Mackintosh, Malevich, Modrian, Lloyd Wright, Newman, Stella, Martin and Halley.
Print 'A' inspired by C R Mackintosh. The screenprints are boxed with an introductory page.

Charcoal drawing shown as part of Degree Show 2019. Drawn from north Kelvin Meadow.

An abstract composition with outline of two figures. Small pieces of paper collaged to surface and shaded in a cream coloured gouache, and black crayon. Pale blue paint in background.

Some of this material was damaged in the fire in GSA's Mackintosh Building on 23rd May 2014. Paper conservation took place in 2018. Textile conservation was completed in 2019.

Triptych showing countryside activities - horse riding, sailing, haymaking etc.

One of three abstract panels.

One of three abstract panels.

One of three abstract panels.

Sketchbook/scrapbook featuring drawings and paintings by a variety of artists, some of whom are believed to have been students at The Glasgow School of Art in the early 1900s. The sketchbook belonged to Isa and May McKerrow.

A sketchbook of notes and artworks by Mary Ramsay. This item does not include an official date, but is presumed to be from 1918, when Ramsay was still at The Glasgow School of Art, due to dates included in some illustrations. This sketchbook includes floral illustrations, religious illustrations, greeting card designs, portraits and life drawings, and some notes.
There is one loose drawing included in this sketchbook. Most artworks are in pencil, with a few additional pieces in ink or paint on paper.

A sketchbook of notes and artworks by Mary Ramsay. This item does not include an official date, but is presumed to date to c1926 due to the inscription 'Mary A. Ramsay, Dunellan, Strathyre' on the first page. This sketchbook includes a sketch of Comiston Road, Edinburgh, children's illustrations, sketches of floral pattern designs, and some portraits; however, most of the pages are left blank. All drawings are pencil on paper.

A sketchbook of notes and artworks by Mary Ramsay produced between 1916-1917 during her second year at The Glasgow School of Art. This item consists of portraits and life drawings, interior illustration, lettering design for A Midsummer Night's Dream, religious illustrations, book cover designs for The Language of Flowers, sketches of ceramics, and a list of reference books about art and design. These artworks are primarily in pencil, with some using ink and paint. Four pages from this sketchbook are loose from the spine.

A sketchbook of notes and artworks by Mary Ramsay produced during her first year at The Glasgow School of Art, around 1914-1915. This item consists of portraits and life drawings, children's illustrations, lettering, costume designs, studies of ceramic samples, floral patterns, a list of reference books about art and design, and a Little Willie rhyme. Most artworks are in pencil, while some are in ink or paint on paper. Some illustrations have been pasted in from other sources. A number of loose ephemera items are also included in the sketchbook, including postage stamps and a newspaper advert for paint tubes.

A sketchbook of notes and artworks by Mary Ramsay believed to have been produced during her second year at The Glasgow School of Art, around 1915-1916. This item consists of portraits and life drawings, children's illustrations, floral patterns, religious illustrations, and sketches of her lessons. It also includes transcriptions from two poems, Christina Rossetti's 'Goblin Market', and William Cowper's 'The Task', alongside notes listing reference books about art and design.

Most artworks are in pencil, while some are in ink or paint on paper. A number of loose drawings are also included in the sketchbook.

Study of female, seated, in a garden scene featuring trees and sunset.

Originally located inside portfolio folder (DC 110/1/4).

A collection of six sketchbooks created by Mary Ramsay, including four from her time as a student at The Glasgow School of Art, one dated to after her studies, and one undated. These sketchbooks feature a variety of subjects and themes, including life drawings, portraits, illustrations, floral patterns, ceramics studies, book designs, card designs, and lettering. Most artworks are pencil on paper, with some also using paint, ink, and pastel. Some sketchbooks include a number of loose ephemera items, such as newspaper cuttings and postage stamps.

Study of a costumed female, seated. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Portrait of woman, seated, in garden scene, featuring trees, flowers, and landscape.

Originally located inside portfolio folder (DC 110/1/4).

Study of a costumed female, seated. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Study of female, seated, with arms crossed.

Originally located inside portfolio folder (DC 110/1/4).

Study of garden background, featuring trees, flowers, and sky. The foreground is empty where the portrait has not been included.

Originally located inside portfolio folder (DC 110/1/4).

Study of a costumed male, standing. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Anatomical study of the muscular system of a standing figure. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and Mr Dunlop as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Anatomical study of the skeletal system of a standing figure, featuring labels. This item bears a label for The Glasgow School of Art, listing the 1916-1917 session, and Mr Dunlop as the teacher.

Originally located inside portfolio folder (DC 110/1/4).

Portrait of woman in profile.

Originally located inside portfolio folder (DC 110/1/4).

Study of a costumed male, standing. This item bears a label for The Glasgow School of Art, listing the 1915-1916 session, and Mr Robinson as the teacher.

On the reverse of this item is a sketch of a female figure.

Originally located inside portfolio folder (DC 110/1/4).

A variety of artworks completed by Mary Ramsay, including life drawings, portraits, architectural studies, designs, prints, and illustrations. Some of these items are dated to her time as a student at The Glasgow School of Art. Most items are pencil on paper, with a few further studies in paint.

This subfond includes one item by Jessie Wilson (DC 110/1/1/18), another student of The Glasgow School of Art, with whom Mary Ramsay and Margaret Macdonald started a pottery decorating business at The Studio, Strathyre, in 1926.

A variety of life drawings and portraits completed by Mary Ramsay. Some of these items are dated to her time as a student at The Glasgow School of Art. Most items are pencil on paper, with a few further studies in paint.

This series includes one item by Jessie Wilson, another student of The Glasgow School of Art, with whom Mary Ramsay and Margaret Macdonald started a pottery decorating business at The Studio, Strathyre, in 1926.

A variety of loose artworks and six sketchbooks completed by Mary Ramsay, including life drawings, portraits, architectural studies, designs, prints, and illustrations. Some of these items are dated to her time as a student at The Glasgow School of Art. Most items are pencil on paper, with a few further studies in paint. This collection also includes a portfolio folder (DC 110/1/4) and personal papers (DC 110/3).

This collection includes one item by Jessie Wilson (DC 110/1/1/18), another student of The Glasgow School of Art, with whom Mary Ramsay and Margaret Macdonald started a pottery decorating business at The Studio, Strathyre, in 1926.

• 3 x decorated leather bags
• 1 x embossed leather sample
• 1 decorated leather folder
• 6 x oil paintings
• 2 x embroidered pieces relating to Educational Needlecraft scheme: 1 mat with running stitch border and 1 drawstring bag with running stitch border
• 1 x embroidered pin cushion
• 1 x embroidered cloth bag with wooden clasp
• 1 x square Glasgow Style embroidery (possibly the front of a cushion cover)
• 1 x sachet decorated with embroidered flowers
• 1 x embroidered square mat

Please note that this material is not yet fully catalogued and therefore some items may not be accessible to researchers.

Three watercolour artworks on paper by Veronica Matthew