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Plaster Casts *Not available / given
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Plaster Casts

  • PC
  • Collection
  • 19th century-20th century

Collection of plaster casts comprising human figures, architectural fragments, plaster friezes, plaster reliefs, marble reliefs, tondos and busts.

Casts were used as an important teaching aid by the School, from the late 19th century onwards. The casts are generally based on classical statuary and were originally sourced from Greek, Roman and later Italian and medieval periods. Whilst not totally unique (most art schools in the UK and across Europe owned their own collections, purchased from established suppliers in London, Paris etc.), their continued existence within their original setting gives them an added significance. Importantly, the Glasgow School of Art's photographic archive contains many period images of how these casts have been used by staff and students since they were first introduced.

The majority of GSA's plaster cast collection was located in the School's Mackintosh Building at the time of a fire in the building on 23rd May 2014. As a result the majority of the collection suffered damage, of varying degrees, and all casts were subsequently surveyed by a conservator. Six casts were lost in the fire and eleven larger casts have undergone remedial conservation in 2016-17. The majority of the remaining casts have undergone cleaning before being repositioned around GSA's campus during 2019.

*Not available / given

Plaster cast of Virgin and Child

  • PC/047
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: Andrea della Robbia, c1487. Blue and white tin-glazed terracotta. Florence, Italy. The original relief is believed to have been commissioned by Gabriele di Cambio de' Medici, whose marriage to Lucrezia di Alessandro Rondinelli took place in 1487-88. The style of the relief is related to that of Andrea del Verroccio.

*Not available / given

Plaster cast of tiger head

  • PC/175
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: c150AD. Marble. Temple of Antoninus and Faustina, Rome, Italy.

*Not available / given

Plaster cast of the Dead Christ Tended by Angels

  • PC/038
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: Donatello, c1435–1443. Carved marble in low relief. Original currently in the collection of the Victoria and Albert Museum, London, UK. previously incorrectly referenced as 'Pieta' meaning a depiction of the Virgin cradling Christ's body, due to similarity to Donatello's relief sculpture of the same subject and style.

*Not available / given

Plaster cast of stele

  • PC/204
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Stele in two parts; one with point and ornamented with fluting, the second with two flowers carved in relief. Original: The Temple of Thesius, Athens, Greece. Annotated with illegible lettering.

*Not available / given

Plaster cast of spandrel

  • PC/152
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: Poets’ Corner, Westminster Abbey, London, UK.

*Not available / given

Plaster cast of section of architrave with vines and eagle in clipeus

  • PC/159
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: Lorenzo Ghiberti, 1452. Bronze. Gates of Paradise, Baptistry di San Giovanni, Florence, Italy. Currently in the collection of the Museo dell'Opera del Duomo, Florence, Italy. In 2019, this item was conserved and now includes a central fragment, which was originally catalogued as a separate cast (PC/187).

*Not available / given

Plaster cast of Sarcophagus of Giustina

  • PC/036C
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Original: Attributed to Gregorio di Allegretto, 1476. Marble. Church of Santa Giustina, Padua, Italy. On the front of the sarcophagus the body of the saint is carved in relief, lying on a bier and covered with a cloth. At the ends are reliefs of angels swinging censers.

*Not available / given

Plaster cast of remembrance panel

  • PC/208
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Panel with commemorations flanked by man and woman with cherubs and surrounded by decorative ornamentation.

*Not available / given

Plaster cast of pilaster

  • PC/101B
  • Item
  • Mid 19th century-early 20th century
  • Part of Plaster Casts

Plaster cast of pilaster, part of a set with decorated capital

*Not available / given

Plaster cast of Parthenon Frieze (Block XL from the North frieze)

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

Plaster cast of Parthenon Frieze

Original: Designed by Pheidias, 447-432BC. It is generally agreed that the frieze depicts (in narrative form) the Greater Panathenaic procession from the Leokoreion by the Dipylon gate to the Acropolis, was mooted by Stuart and Revett in the second volume of their Antiquities of Athens, 1787.

*Not available / given

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